Discover the most popular and inspiring quotes and sayings on the topic of Airwaves. Share them with your friends on social media platforms like Facebook, Twitter, or your personal blogs, and let the world be inspired by their powerful messages. Here are the Top 100 Airwaves Quotes And Sayings by 96 Authors including Ajay Naidu,Chaz Bundick,Marshall Mcluhan,Fred Allen,Adrian Cronauer for you to enjoy and share.
All India radio was worldwide.
I don't mind genre names. "Chillwave" is probably the last thing I would think of, but I don't mind it.
The subliminal depths of radio are charged with the resonating echoes of tribal horns and antique drums. This is inherent in the very nature of this medium, with its power to turn the
psyche and society into a single echo chamber.
Radio is a bag of mediocrity where little men with carbon minds wallow in sluice of their own making.
The concept that you cannot own the airwaves has caused far more harm than good.
If radio news is to be regarded as a commodity, only acceptable when saleable, then I don't care what you call it - I say it isn't news.
Public radio is the last oasis of free and independent music. For satellite radio channels, you have to subscribe; commercial stations are as corporate as basic cable.
I am amazed at radio DJ's today. I am firmly convinced that AM on my radio stands for Absolute Moron. I will not begin to tell you what FM stands for.
I never thought radio would fizzle out.
Your main radio stations, the stations that get the most listeners, don't play anything that has any kind of integrity to it.
If 'Life in Marvelous Times' can't get on the radio, then I don't need to be on the radio.
My wireless transmitter does not use Hertzian waves, which are a grievous myth, but sound waves in the aether ...
When I was growing up, they had just found radio.
Air is like cable TV: you don't appreciate it until you don't have it.
Radio as we know it is pretty much changing completely.
Radio listeners are voyeurs: lurking, invisible, eavesdropping.
Every time I meet people working in radio, I'm a little embarrassed. It's all pre-programmed, rigidly formatted stuff. Time and time again, when I talk to jocks, they say how jealous they are of the freedom we have on WKRP. I sometimes have to explain to them that it's not a real radio station.
The radio of my youth ... is now a quaint memory replaced by computer hard drives.
Radio is so fragmented, it's unbelievable.
Radio has always been pictures of the mind; for me, the essence of radio has always been voices that talk to me and don't patronise me.
Music pierces the sky.
Radio is dumb until the listener hears what radio says
[Commercial] radio is absolutely the enemy of music. They are my sworn and mortal enemy, and I will have nothing to do with them.
All the shopping malls and restaurants and airports are riddled with low-fidelity loudspeakers, which apparently have developed the ability to reproduce by themselves; these are all connected to a special programming service called Music That Nobody Really Likes, and you cannot get away from it.
I'm so excited. I love radio and being on the new Mix 102.9.
Public radio is alive and kicking, it always has been.
My day starts with Radio 4's Today live or 'listen again' wherever I am in the world, thanks to digital radio - I even have an app on my iPhone that receives it.
In the new era, thought itself will be transmitted by radio.
Radio wasn't outside our lives. It coincided with and helped to shape our childhood and adolescence. As we slogged toward maturity, it also grew up and turned into television, leaving behind, like dead skin, transistorized talk-radio and nonstop music ...
Music, the mosaic of the air
Radio is commercial, isn't it. Its a business.
People don't listen to terrestrial radio. They don't find their music that way. They don't get their news that way. They go to blogs. They go through Sirius/XM. They go through all these different places.
Air. Air is really, really awesome.
I have a radio show on Sirius XM. I put it up as a free download on my Soundcloud and on iTunes. That's a portal for me once a month, to play songs I know aren't getting played on that station the rest of the week.
I listen to XM radio because I can get so many overseas news stations.
Radio stinks. The stations are making a lot of money, but they just aren't taking chances.
Absolute 80's is three hours of mainstream 80's music. I also do New Wave Nation that is more cutting edge. It is more punk stuff from the 70's to the 90's.
Radio affects most intimately, person-to-perso n, offering a world of unspoken communication between writer-speaker and the listener
Radio is very popular [in Britain], but it doesn't connect us in the same way. It seems to have this community function.
I'm excited to join Power 105.1 in New York and The Beat in Miami and expand my brand even further in the coming months.
Radio continues to be the very best advertising music performers have. No one who ever grabbed a Grammy got there without radio.
I don't listen to a lot of radio today. It's not really music to me.
The power of radio is not that it speaks to millions, but that it speaks intimately and privately to each one of those millions.
I'm a radio nerd. I've loved radio since I was a kid. I'm a huge Howard Stern fan.
A song on the radio can bring back the past with fierce (if mercifully transitory) immediacy: a first kiss, a good time with your buddies, or an unhappy life-passage.
XM radio doesn't have commercials, so after about thirty minutes of listening to it, I'm like, "What should I buy?"
While others are broadcasting be listening
The radio was my pal. I was just crazy about it.
On the radio I listen to the easy-listening stations, the jazz stations.
Do you remember those AM radio kits you get as a kid, and you build your own AM radio? Well, I never actually built one. But I did get them as a gift, for, like, 3 Christmases in a row, and I hated them.
I'm not a big radio guy, I don't listen to whatever is the hip new thing.
It's so exciting to be doing radio on the cutting edge of technology. Being in on something new is the biggest thrill in the world.
The radio is just a stereo like a house ain't a home.
I don't know - I don't listen to the radio that much. I really am an old-soul kind of girl.
And I could hear all these songs on the radio, but the radio wasn't on.
I've heard some tunes in recent years that were pretty close to that same idea. The idea was you turn on the radio and you want to hear some music and up comes a commercial.
The radio was a beautiful thing. It was hodgepodge and patched up on the outside, but on the inside it was filled with voices, filled with people and music and ideas from away, from far away. Otto took a breath and turned it on.
I fell in love with radio once I started working there, and I never stopped.
I walk around every day with a radio playing constantly in my head, and this radio station plays a lot of hits. But it's all my songs, so that's something to be excited about 24 hours a day.
The station was tight, aggressive ... the deejays at times sounding as if they were broadcasting at gunpoint.
I almost never listen to the radio.
I broadcast thru Time
The tough thing about radio is I've met a lot of people in it who like my music. But it's hard for them to figure out how to play what they like when there's somebody up above them yelling 'you have to play this.'
Use state-of-the-heart technology online and offline to turn listeners into viral advocates and customers into raving fans.
Radio was theater of the mind.
I'd love to get played on the radio, but it just doesn't happen.
The sound of the radio fades to nothing because the waves just can't reach
Female listeners are leaving traditional talk radio because of the rough-edged, shouting nature of it. Women want more light and less heat.
This is a business built on promotion. We've been giving music away to radio stations for 30 years.
The fact we get played on the radio now blows our minds.
BBC Radio is a never-never land of broadcasting, a safe haven from commercial considerations, a honey pot for every scholar and every hare-brained nut to stick a finger into.
I don't really listen to the radio too much. I know that one song, "Hotline Bling."
I feel like the Internet has really freed everything up to an extent, hasn't it? That radio maybe doesn't have quite the power that it had before.
When you're working in public radio, you don't have any money to advertise.
Radio is a really strange business now, too. There's a very narrow door and a very few people control what gets played.
I have a real issue with radio these days. I just am not into the current music.
Even as radio waves are picked up wherever a set is tuned in to their wavelength, so the thoughts which each of us think each moment of the day go forth into the world to influence for good or bad each other human mind.
Whatever had been on the radio in the '60s; I mean we were always listening to the radio.
Rolling down the windows, yeah I got an air conditiona, but I got a sound I want the whole world to listenta.
Jamie Kilstein and Allison Kilkenny have created an important political radio show that balances humor and unreported news. At a time when media conglomerates dominate the airwaves, independent media like Citizen Radio is vital to national discourse.
I rarely listen to commercial radio, and when I do, I'm shocked by how many ads there are, and how annoying they are, and how bad the radio station usually is.
I loved radio for the music, concerts, parties and to think you could get paid for it.
I grew up years ago doing something that unfortunately doesn't hardly exist any more, a medium called Radio.
There is a feeling, when you listen to radio, that it's one person, and they're talking to you, and you really feel their presence as one person.
Do it on the radio." - Educating Rita Saved
RADIO IS DEAD. The once-bright star that was public broadcasting has been destroyed by greed and corproate muscle to the point that even the music that is completely repugnant is positioned to be popular.
Radio was my lifeline as a kid growing up in Winnipeg in the 1950s. It connected me with the wider world outside our little prairie city.
Every day FM radio ran out of hours, not music.
I still remember discovering the classic rock station when I was in high school and being totally blown away by it.
In the United States radio listeners were gathered up by networks that saw them as consumers to be sold to; in Britain they were the masses to be instructed and improved; in Germany they were the people to be indoctrinated and misled.
In radio, you have two tools. Sound and silence.
No matter how close we got to a station or a disc jockey ... they could disappear into the ether without so much as a wave goodbye or a farewell song.
After the war, I went to the BBC monitoring service in Caversham, a suburb of Reading. It was a big aerial system to listen to radio programmes all over the world.
American radio is the reverse of the Shakespearean stage. In Shakespeare's time the world's greatest dramas were acted with the most primitive technical arrangements; on the American air the world's most primitive writing is performed under perfect technical conditions.
The last thing I think about when I'm making music is its reception.
It's American Alternative radio stations that bug me. We're considered Alternative, but don't expect us to be played next to Blink 182 and Offspring. We're hardly of that generation.
Digital technology has eaten classic radio as we know it. Independent stations with disc jockeys who chose their own music have all gone; it's these huge parent companies that own a hundred stations and then decide what we should hear.
RHCP Digital, an
Air France's in-flight magazine.
Radio's a scary thing for me. It's dope to be on there.