Discover the most popular and inspiring quotes and sayings on the topic of Architectural. Share them with your friends on social media platforms like Facebook, Twitter, or your personal blogs, and let the world be inspired by their powerful messages. Here are the Top 100 Architectural Quotes And Sayings by 71 Authors including Richard Rogers,Jan Jansen,Jean Nouvel,Walter Gropius,Magnus Larsson for you to enjoy and share.
My architecture tends to be legible, light and flexible. You can read it. You look at a building, and you can see how it is constructed. I put the structure outside.
architecture is an art of the mind that will display in front of the eyes from others which can satisfy their needs
My interest has always been in an architecture which reflects the modernity of our epoch as opposed to the rethinking of historical references. My work deals with what is happening now - our techniques and materials, what we are capable of doing today.
A modern building should derive its architectural significance solely from the vigour and consequence of its own organic proportions. It must be true to itself, logically transparent, and virginal of lies or trivialities.
As architects we're trained to solve problems, but I don't really believe in architectural problems. I only believe in opportunities.
The secret of good architecture is having more than meets the eye.
I see architecture as a form of communication over time.
Architecture has to be greater than just architecture. It has to address social values, as well as technical and aesthetic values.
It's time for architecture to do things again, not just represent things.
Architecture and architectural freedom are above all a social issue that must be seen from inside a political structure, not from outside it,
The task of the architectural project is to reveal, through the transformation of form, the essence of the surrounding context.
Wherever technology reaches its real fulfillment, it transcends into architecture.
Architecture is involved with the world, but at the same time it has a certain autonomy. This autonomy cannot be explained in terms of traditional logic because the most interesting parts of the work are non-verbal. They operate within the terms of the work, like any art.
Architecture isman'sgreat sense of himself embodied in a world of his own making. It may rise as high in quality only as its source because great art isgreat life.
As a visual discourse, architecture requires trained individuals to work on the refined philosophical debates. School gave me the necessary training, and I've built on this based on my own aesthetics, as most do.
Once you learn to look at architecture not merely as an art more or less well or more or less badly done, but as a social manifestation, the critical eye becomes clairvoyant.
Long-time professor of architecture at the University of California, Berkeley, Chris Alexander
Architecture is a rare collective profession: it's always exercised by groups. There is an essential modesty, which is a complete contradiction to the notion of a star.
Any architectural project we do takes at least four or five years, so increasingly there is a discrepancy between the acceleration of culture and the continuing slowness of architecture.
Architecture is the story of how we see ourselves. It is the architect's job to service everyday life.
In order for architecture to experience its ongoing evolution as a language, there has to be a lot of adjusted copies between how architects draw, think, engage bylaws and constraints.
Architecture has recorded the great ideas of the human race. Not only every religious symbol, but every human thought has its page in that vast book.
Architecture is to make us know and remember who we are.
Architecture depends on Order, Arrangement, Eurythmy, Symmetry , Propriety , and Economy.
Architecture begins to matter when it brings delight and sadness and perplexity and awe along with a roof over our heads.
Architecture is the art of reconciliation between ourselves andthe world, and this mediation takes place through the senses
When I concentrate on a specific site or place for which I am going to design a building, I try to plumb its depths, its form, its history and its sensuous qualities.
Architecture will always express the technical and social progress of the country in which it is carried out. If we wish to give it the human content that it lacks, we must participate in the political struggle.
For America today organic architecture interprets (will eventually build) this local embodiment of human freedom. This natural architecture seeks spaciousness, grace and openness; lightness and strength so completely balanced and logical that it is a new integrity ...
Architecture arouses sentiments in man. The architect's task therefore, is to make those sentiments more precise.
For many years, I have lived uncomfortably with the belief that most planning and architectural design suffers for lack of real and basic purpose. The ultimate purpose, it seems to me, must be the improvement of mankind.
Architecture is the simplest means of articulating time and space, of modulating reality, of engendering dreams.
Life is rich, always changing, always challenging, and we architects have the task of transmitting into wood, concrete, glass and steel, of transforming human aspirations into habitable and meaningful space.
Architecture is much more than a profession; It's a discipline.
Architecture is an applied art, founded not on theories but on practice.
Wherefore the mere practical architect is not able to assign sufficient reasons for the forms he adopts; and the theoretic architect also fails, grasping the shadow instead of the substance.
For me, architecture is a social act,
Architecture is like writing. You have to edit it over and over so it looks effortless
Today, architecture is invention. It isn't enough to just be rational - It must also be beautiful.
The future of architecture is culture.
Architecture is a hypothesis about the future that holds that subsequent change will be confined to that part of the design space encompassed by that architecture.
Architecture is a dangerous mix of power and importance.
As an architect, you design for the present, with an awareness of the past, for a future which is essentially unknown.
We've been fighting from the beginning for organic architecture. That is, architecture where the whole is to the part as the part is to the whole, and where the nature of materials, the nature of the purpose, the nature of the entire performance becomes a necessity-architecture of democracy.
When you design a building, you start from a general philosophy, and you come down, and you start from detail and come up. Only the theoretical architect believes that you can make the concept and then sometime, somebody will come to build it.
Somehow, architecture alters the way we think about the world and the way we behave. Any serious architecture, as a litmus test, has to be that.
Architecture is a political act, by nature. It has to do with the relationships between people and how they decide to change their conditions of living.
Architecture is politics.
I think architecture could be understood as the construction of realities, or the construction of worlds.
A truly great structure, one that is meant to stand the tests of time, never disregards its environment. A serious architect takes that into account. He knows that if he wants presence, he must consult with nature.
Architecture is shaped by human emotions and desires, and then becomes a setting for further emotions and desires. It goes from the animate and inanimate and back again. For this reason it is always incomplete, or rather is only completed by the lives in and around it. It is background.
Architecture is really about well-being. I think that people want to feel good in a space ... On the one hand it's about shelter, but it's also about pleasure.
The perfect kind of architecture decision is the one which never has to be made
Architecture is the art which so disposes and adorns the edifices raised by man, that the sight of them may contribute to his mental health, power, and pleasure.
Particularly in the past fifty years the world has gradually been finding out something that architects have always known - that is - that everything is architecture. Charles Eames
Architecture is the constant fight between man and nature, the fight to overwhelm nature, to possess it. The first act of architecture is to put a stone on the ground. That act transforms a condition of nature into a condition of culture; it's a holy act.
Architecture isn't just about creating new buildings, sometimes its about retuning what's already there..
Architecture is unnecessarily difficult. It's very tough.
Who is the architect? I am the architect.
In the big picture, architecture is the art and science of making sure that our cities and buildings fit with the way we want to live our lives.
We need to rediscover the essence of the meaning of 'the use.' Architecture is, above all, here for a better living. Every gesture, every shape must be justified by various reasons that would reinforce their reason to be, their use, and will give more sense to their beauty.
Build your architecture from what is beneath your feet.
Architecture is the very mirror of life.You only have to cast your eyes on buildings to feel the presence of the past, the spirit of a place; they are the reflection of society.
Architecture arises out of our need to shelter the human animal in a spatial environment and to enclose the social animal in a group space. In this sense architecture serves our institutions and expresses the values of our culture.
Architecture struck me between the eye and the eyeball.
Architecture to me is whole. I cannot say I only care about this 25% and the other 75% I let go ... it's just I want to work the way I want to work. In my shop, you can order certain things and other things you cannot. They are not available.
Architecture depends on facts, but its real field of activity lies in the realm of the significance.
Architecture is a art when one consciously or unconsciously creates aesthetic emotion in the atmosphere and when this environment produces well being.
Every time a student walks past a really urgent, expressive piece of architecture that belongs to his college, it can help reassure him that he does have that mind, does have that soul.
I believe that architecture is fundamentally a public space where people can gather and communicate, think about the history, think about the lives of human beings, or the world.
A lot of my work is about questioning the stability and permanence of architecture, and, in turn, the stability of society.
Architecture is not a profession for the faint-hearted, the weak-willed, or the short-lived.
Architecture theory is very interesting.
Normally, architects render a service. They implement what other people want. This is not what I do. I like to develop the use of the building together with the client, in a process, so that as we go along we become more intelligent.
Architectural and product designs have a narrative capacity - you can start to tell a story about them and imagine a lot of things.
Architecture is what nature cannot make.
Architecture is something unnatural but not something made up.
I love architecture.
Architecture exhibits the greatest extent of the difference from nature which may exist in works of art. It involves all the powers of design, and is sculpture and painting inclusively. It shows the greatness of man, and should at the same time teach him humility.
In this branch of utopian real estate, architecture is no longer the art of designing buildings so much as the brutal skyward extrusion of whatever site the developer has managed to assemble.
Architecture is supposed to complete nature. Great architecture makes nature more beautiful-it gives it power.
The aesthetic of architecture has to be rooted in a broader idea about human activities like walking, relaxing and communicating. Architecture thinks about how these activities can be given added value.
The architect, like other workers in our endeavor, is facing the inevitability of a change of profession: he [sic] will no longer be a builder of forms alone, but a builder of complete ambiances.
I am an architect, first.
Whilst acting is my career, architecture is my passion. Selecting this development as my first major construction project has been a simple decision. It will underpin not only my values for environmentally friendly architecture, but also embrace my career in entertainment
In a strange way, architecture is really an unfinished thing, because even though the building is finished, it takes on a new life. It becomes part of a new dynamic: how people will occupy it, use it, think about it.
Architecture is an imposed art in some ways, imposed upon the public, so people must be sure about what you're doing. You have to be sure about what you're doing.
The greatest products of architecture are less the works of individuals than of society; rather the offspring of a nation's effort, than the inspired flash of a man of genius ...
There is a truism in the world of architecture that design creates culture.
All those involved in the construction of an architectural design, from the architect to the builder, have an attachment to the architecture, although it's difficult to quantify the attachment.
Architecture is a living thing. If I want to leave something to the future, it has to be able to change - but retain something of the ethos that we built up over 50 years.
Architecture is a subtle and difficult art. It needs dedication and involves pain. Being able 'to architect' is not a capacity that can be developed to sophisticated levels quickly and easily.
Architecture is a very dangerous job. If a writer makes a bad book, eh, people don't read it. But if you make bad architecture, you impose ugliness on a place for a hundred years.
The speed of change makes you wonder what will become of architecture.
To build means to make architecture real on the borders of knowledge.
The design of the building addresses the public nature of both the urban context and the internal program. In order to reinforce the building's associative or mimetic qualities, the facades are organized in a classical three-part division of base, middle or body, and attic or head.
As much as the needs of fact, the needs of the spirit and the senses, must be satisfied. Architecture is as much a part of the realm of art as it is of technology; the fusion of thinking and feeling.
I'd say that my profession ends where architectural thinking ends - architectural thinking in terms of thinking about programs and organizational structure. These abstractions play a role in many other disciplines, and those disciplines are now defining their 'architectures' as well.
Architecture has its place in the concrete world. This is where it exists. This is where it makes its statement.
Architecture is the alphabet of giants; it is the largest set of symbols ever made to meet the eyes of men. A tower stands up like a sort of simplified stature, of much more than heroic size.
architecture to spiritually uplift and thought it was a very bad idea to build functional, uninspired blocks of flats that would depress both their inhabitants and society at large. And,