Discover the most popular and inspiring quotes and sayings on the topic of Audios. Share them with your friends on social media platforms like Facebook, Twitter, or your personal blogs, and let the world be inspired by their powerful messages. Here are the Top 100 Audios Quotes And Sayings by 93 Authors including The Rocket Summer,Bill Burr,Neil Diamond,Adam Mansbach,D.r. Farmer for you to enjoy and share.
In actuality it's drum samples in the computer. I don't know, I've just never really dug into that whole technology thing, I feel like it hurts me as a musician a little.
Podcasting is great. Total freedom.
Very often the music comes first.
To capture sound is to isolate a moment, canonize it, enter it into the historical register.
item#1 Obsolete Media
In radio, you have two tools. Sound and silence.
Audiophiles don't use their equipment to listen to your music. Audiophiles use your music to listen to their equipment.
I think that audio and video over the internet in the sense of teleconferencing and telephone calls. Maybe we'll actually have picture phone through your work station.
I think my sound is post-Internet.
Sounds mean nothing without music.
Because of all the concurrent stories going in 24 and its fast pace, it can be complicated in terms of the story, so I thought sound could help with the storytelling.
So a more sensible thing it seemed to me was to go to Silicon Valley and be pushing on the technology companies to accelerate the use of audio and music in computers.
If we do our jobs well and throw in a little evangelizing, we can make sound as important a part of filmmaking as it should be.
There's one thing you can't download and that's a live performance. And I know how to put on a show, and enjoy performing, and I'll always have that.
Sound systems are what turn cars into escape vehicles, even if you've got nowhere to go.
When you hear music, after it's over, it's gone, in the air. You can never capture it again.
I had been creating music on tape that was to be listened to as a recording, rather than through performance.
If you listen carefully, you can hear these things. If you look carefully, you'll see what you're after
Sounds come/ to the ear,// transformed.
Look after the senses and the sounds will look after themselves
Videos? Videos are important because millions of people watch TV and we can only tour and play so many places. But if you've got a video, then you're able to air it and millions and millions of people will see it.
It's harder to make real audio than special effects audio.
Despite the great advantages of digital video and the great ease of using the medium, still those who use it have first to understand the sensitivities of how to best use the medium.
Moving pictures need sound as much as Beethoven symphonies need lyrics,
I'm actually - believe it or not, for an academic - an aural learner.
I love music, right? I can't say "I'm only going to listen to a physical medium," because there's a bunch of meaningful records that as a music fan I love that I would've never been able to access. So if I want to be part of something I have to get dragged along with technology.
I produced audio editions of 'Beneath' and 'Kronos' primarily to grow my audience. I'd seen it work for guys like Scott Sigler and J.C. Hutchins and thought their audience might enjoy my books as well. The goal was to get them hooked on the audio and hope they would migrate to the print books.
Before there were any sort of 'recordings' there was performance. If we are devolved back to the Stone Age tomorrow, there will be performance.
Sound is a huge influence on peoples' attention.
Another aspect of our work is multimedia teleconferencing.
What I'm dealing with is sound. I don't pretend to be dealing with music. I'm just dealing with sound elements, textures and sounds.
I've been making the recordings for a long time, and I have tons and tons of them. I'm like a digital hoarder or something - everything is on like hard drives and whatever.
I'm a bit of an audiobook junkie,
Most people have no idea what something would sound like if it wasn't an MP3.
The use of music for intellectual enjoyment in leisure;
Sound comes out of a life experience.
Sound creates an intimate effect: the sensation to feel the place. It makes the viewer enter. You have the liberty to hear what you want.
It is obvious that the Internet has become such a video-driven entity. With broadband becoming ubiquitous, viewers and advertisers are looking for professional-quality videos.
Music is for sharing with people.
The performing musician was now expected to write and create for two very different spaces: the live venue, and the device that could play a recording or receive a transmission. Socially and acoustically, these spaces were worlds apart. But the compositions were expected to be the same!
Technology has allowed people to make records really cheap. You can make a record on a laptop.
Just follow the music
A woman's voice ululated on the sound system, somewhere between an Islamic call to prayer and orgasm with a drumbeat.
It's rare that scenes last more than 2 or 3 minutes, so sound helps segue from one scene to another.
I can only listen to what I'm working on, at the time. I can't listen to anything else because I don't want to copy it.
You explore beautiful songs & create your own interpretation of them.
It's the impeded stream that sings
In the Digital Age, recorders also tend to be oversharers, and with Facebook, Instagram, Twitter, and Pinterest, they can do so on a grand scale.
Your ears are not simply for hearing tuneful sounds, mellow and sweetly played in harmony: you should also listen to laughter and weeping, to words flattering and acrimonious, to merriment and distress, to the language of men and to the roars and barking of animals.
We all know that much of what we hear in life is not really so. Canned laughter and 'sweetened' applause have been TV staples for decades, and all the slamming doors, breaking glass and squealing tires you hear in movies are sound effects.
I hear the sound I love, the sound of the human voice,
There aint a microphone brave enough to give me feedback!
If you must err, do so on the side of audacity.
Nothing taxes an actor more thoroughly than a good audiobook.
Some people go nowhere, even into disputes, without a soundtrack.
the music player.
I want my music to do the explaining.
Case gradually became aware of the music that pulsed constantly through the cluster. It was called dub, a sensuous mosaic cooked from vast libraries of digitalized pop;
I scientifically engineer my music to be as accessible as possible.
Music is a reservoir ... of sounds.
With audacity one can undertake anything, but not do everything.
There is music playing somewhere but I can't hear it.
By packaging a full album into a bundle of music with ringtones, videos and other combinations and variations, we found products that consumers demonstrably valued and were willing to purchase at premium prices. And guess what? We've sold tons of them.
People love to hear music on their personal devices, but the issue really becomes, if you're able to download music, you should know this download and the quality of it is going to be of the highest, and that it has a value to it and on it.
Sound will be the medicine of the future.
I did a lot of theater, so especially as an on-camera camera actor, there are so many things that aren't in your toolbox. They're somebody else's job. You think about editors and rhythm. Volume isn't even in your control.
You can have music and it will stand alone by itself, but you can't have a movie without it.
Speech sounds cannot be understood, delimited, classified and explained except in the light of the tasks which they perform in language.
Storytelling is about listening in any media.
Get rid of the shitty sound. Life's too short.
Radio: it ties a million ears to a single mouth.
Take care of the sense and the sounds will take care of themselves.
Video is crucial to the future of media: premium video in that respect.
We have all this digital equipment, and sometimes this analog stuff comes back and people say "Oh my god!" It makes a different sounding music.
I never use soundtrack; it is always part of the story.
The computer does things that can't be done with hardware, like freezing sounds.
These things I sample, or clip, are things that we share - music, films, sounds. It triggers a layer of participation from the audience as they recognize the material and remember it.
Multimedia scares me off.
One often thinks that using 2 different things like visual and sound lead to 2 different conclusions - to a different content - but in in my case it is all one.
I believe you have to live the songs.
in music one can hear everything.
Music is one of the important things for me in cinema.
All the shopping malls and restaurants and airports are riddled with low-fidelity loudspeakers, which apparently have developed the ability to reproduce by themselves; these are all connected to a special programming service called Music That Nobody Really Likes, and you cannot get away from it.
The desire to share is not a vague, windy sentiment, not when you see the massive rise in live concerts in response to the phenomenon of downloading music ... People want to get rid of the headphones and be part of a shared experience.
I want everyone to be able to have the same experience through the music as me. It's important to get it out.
Some things can be perfectly expressed by sound alone and images would only be disturbing. Other times, sound would be possible, but visuals are much stronger and closer to what I want to express and then again, they sometimes overlap perfectly.
Audacity succeeds as often as it fails; in life it has an even chance.
If there be music in my reader, I would gladly wake it.
I'm interested in finding sounds and ideas that help bring the audience into the world that we [moviemakes] are all trying to create. Sometimes that's with synthesizers, and sometimes that's with French horns. I love using all of them, depending on the scenario.
Mobile video is now a reality and a force to be reckoned with. I think it is essential to think about how people interact with their phones; how they consume content and how they share.
There's something really emotional about not having any sound. That allows, I think, the audience to participate more actively and kind of imagine what are they talking about there?
Sound is more than just noise. Ordered sound is music. My life is music.
Well, I'm a tape-recording nut. I like to play my tapes.
Let my children have music! Let them hear live music.
Now, by and large, people are recording material to put on YouTube. I have a theory that YouTube is, in the end, the #1 media for musicians. Which is strange, because there's a visual associated with it.
I'm developing a record company. I'm learning how to supervise music on a film.
I got introduced to audiobooks because of having a baby.
When I record something, I'll take a drive and just listen.
But really important, perhaps most important is the craft; how you make your record, the creation of these sonic worlds you want your listener to hear.
It's typical for video customers to often use licensed music - whether a soundtrack, background music, or sound effects - to complement their video projects.