Discover the most popular and inspiring quotes and sayings on the topic of Backdrop. Share them with your friends on social media platforms like Facebook, Twitter, or your personal blogs, and let the world be inspired by their powerful messages. Here are the Top 100 Backdrop Quotes And Sayings by 97 Authors including Boris Pasternak,Al Mcguire,John Berryman,Lisa Schroeder,Helmut Newton for you to enjoy and share.
As before the collapse, the setting sun brushed the tiles, brought out the warm brown glow on the wallpaper, and hung the shadow of the birch on the wall as if it were a woman's scarf.
That's it. Curtains. Off to the races. Treetops. Seashells and balloons.
We are using our own skins for wallpaper and we cannot win.
I'm in a castle
standing in a tower,
looking down through a window
at the beautiful garden,
the sun setting in the distance.
The beauty in the moment
brings tears to my eyes.
Sky blue pink,
the backdrop for
roses in ever color
blooming in the garden.
In the photographs themselves there's a definite contrast between the figures and the location - I like that kind of California backyard look; clapboard houses, staircases outdoors.
Photography makes one conscious of beauty everywhere, even in the simplest things, even in what is often considered commonplace or ugly. Yet nothing is really 'ordinary', for every fragment of the world is crowned with wonder and mystery, and a great and surprising beauty.
After defining an idea of what I want to achieve, through a series of storyboard images, I'll go to the ends of the earth to create it, whether that involves obscure camera lenses or the latest electronic techniques.
You paint the picture of your surroundings. Paint it beautifully.
The frame is the reward of the artist.
What simple and
ordinary lives we live,
underneath the shadows
of projection screen
artists
I'm like the wallpaper, there but barely noticed.
It's Frank's painting on the cover. We were originally going to use a Salvador Dali painting that we got permission from Salvador Dali to use, and Frank found this one, and it really did fit the music much more.
Participant Inc. gallery,
There are designers who say, 'Oh! I see wallpaper and blue carpet.' I usually start by knocking down walls. 'You thought you just needed some new drapes? Well, guess what: That wall's gotta go.'
In black and white you suggest, in color you state.
For the surf idol Duke Kahanamoku portrait, which I created for the Surfrider Foundation, I took a photo from a book cover and abstracted the photo image into a drawing. This drawing was laminated onto a surfboard and auctioned to a buyer.
All the green-screen stuff - all the special effects stuff - I shot right there in my house, in the basement in my theater room ...
A cave of scars!
ancient, archaic wallpaper
built up, layer on layer
from the earliest, dream-white
to yesterday's, a red-black scrawl
a red mouth slowly closing
My inspiration can come from anything - films, the street, paparazzi pictures.
If you see a theme that you might want to take a photo of, you sort of stand there for an hour waiting for it to resolve, waiting for the geometry of a theme to be exactly what you want them to be. That was my process to get photos.
Stripes on their backs. The twentieth century
When the reality looks magnificent, a real art of photography has only one choice: To capture this beauty magnificently!
THE STRIKING CONTRAST
My directors of photography light my films, but the colours of the sets, furnishings, clothes, hairstyles - that's me. Everything that's in front of the camera, I bring you.
The camera photographs what's there.
Contrast is what makes photography interesting.
Do not allow your background to draw you to the ground. Imagine the bigger picture, for you will get there.
Fading into the wallpaper was so much safer than being noticed.
Only the four corners of the background remained. It was terribly difficult to fix my eyes on all of them at the same time. My experience was that the most difficult thing of all in art is painting in all four corners at the same time.
I aim to create furniture that appears in a room as buildings on a skyline and reminds the viewer of the interaction between objects of design and architectural space.
I'm not a photographer, so I need all the help I can get when it comes to make a picture look cool.
I like having some things very clear while other things are obscured ... so that it kind of keeps coming into and out of focus.
Creating the fictional background for a game world isn't significantly different from creating a background for fiction.
Well, I have an idea, usually a visual image of some sort. A setting. A particular, I don't know, urban scene, a particular time of day. Something that grips my imagination for some reason.
You can get anything from Mozilla Firefox-based themes to nature themes to your own photographs.
The inspiration for my work comes from areas spanning the stark regions of Newfoundland to the lush and fertile valleys of the South. The landscapes offer me form; the people I've met in these places give them color.
The background looks like a lot of red cards.
As writers, we do our best to conjure a world so vivid that the reader can practically walk through it - but we're still only using words and relying on readers to do a lot of work of imagining. Providing pictures as well as words offers a whole new dimension to the experience of consuming a story.
Let's make it flashy!
One of my goals is to allow readers to see my characters and the world they inhabit as vividly as possible.
An uninterrupted view of the Paris skyline was spread out before her, like a giant landscape painting rendered in shades of blue-grey, charcoal and purple-tinted umber; the dreamy palette of shifting shadows at twilight. The blue hour.
Design that mimics the sensual continuity of nature's subtle connections of color, light and texture invite the viewer's receptivity.
My work has the abstraction underneath it all now & what I deliberately set out to do down here, for this is the perfect realistic abstraction in landscape.
This landscape is animate: it moves, transposes, builds, proceeds, shifts, always going on, never coming back, and one can only retain it in vignettes, impressions caught in a flash, flipped through in succession, leaving a richness of images imprinted on a sunburned retina.
Unexamined wallpaper is classroom practices and institutional policies that are so entrenched in school culture or a teacher's paradigm that their ability to affect student learning is never probed.
Make me a shadow on the wall!
The horizon bounded by a propitious sky, azure, marbled with pearly white.
I have these huge black foam boards on the wall, and tacked to them, I have these white punch cards with my story ideas, scenes and notes.
A gray leather couch was against the wall. Above it was a giant framed photo of One Direction.
Cocktail music is accepted as audible wallpaper.
The floating world is the realm of the graphic designer
Just as an effective advertisement or page layout includes a lot of white space, a powerful scene requires immense restraint. Show things as simply as possible.
silver-framed photographs
A photograph captures a magical moment for the future to ponder.
I am an all-surface wallpaper man that retired to become a printer.
There is no foreground or background, only a continuity of interlacing relationships
Photography's 1 percent inspiration and 99 percent moving furniture.
I haven't yet managed to capture the colour of this landscape; there are moments when I'm appalled at the colours I'm having to use, I'm afraid what I'm doing is just dreadful and yet I really am understating it; the light is simply terrifying.
This wallpaper is dreadful, one of us will have to go.
The image of those widmestern storms that rip up the world as you know it, and leave, like a sacrifice, a rainbow to make you forget what has come before.
The magic possibility of framing a certain space and time is what brought me to photography. This process of recording elements of 3 dimensions in the flow of time, and fixing them in a 2 dimensional image, creates a new context for the elements of the photograph ...
It's always more comforting to know that in any given corner of any room or any location you're on, you can make a photograph that you'll appreciate.
The making of a picture ought surely to be a rather fascinating adventure. It is not; it is an endless contention of tawdry egos, some of them powerful, almost all of them vociferous, and almost none of them capable of anything much more creative than credit-stealing and self-promotion.
Nothing like an orange and olive green-striped couch sitting on orange carpet and surrounded by dark wood paneling to get the inspiration rolling.
I had this vision of shooting a great white in the studio with all the edge lights I use for movie posters. I knew that I couldn't bring the great white to the studio, so I had to bring the studio to the great white.
When I see a wall that's hung with different objects, framed or unframed, what I like about it is its fluidity and rule-breaking nature. Just experiment a bit.
Fill a space in a beautiful way.
The room was dark and velvety from the royal blue wallpaper with its gold pattern, but even here the echo of the flaming day shimmered brassily on the picture frames, on doorknobs and glided borders, although it came through the filter of the dense greenery of the garden.
In putting setting to work, I like to think about long shots and close-ups. The long shot is the overall view of the place in which the characters live - the island, the town, the wide sweep of place. Then we narrow in. The close-up, the tight focus, makes the place different from anywhere else.
In a world of disturbing images, the general body of photography is bland, dealing complacently with nature and treating our preconceptions as insights. Strange, private worlds rarely slip past our guard ...
Impression - I was certain of it. I was just telling myself that, since I was impressed, there had to be some impression in it ... and what freedom, what ease of workmanship! Wallpaper in its embryonic state is more finished than that seascape.
You were the thing
worth photographing,
the stillness
that begged
for a matte finish
and far off stare.
My goal is to create an image that would remind you of something that you haven't seen before.
Every day a new picture is painted and framed, held up for half an hour, in such lights as the Great Artist chooses, and then withdrawn, and the curtain falls. And then the sun goes down, and long the afterglow gives light.
A room is - it's a frame, and the people in it are the pictures.
A photo essay (otherwise known as a fucking slide show)...
I want my paintings to look like what's going on outside my window rather than what's inside my studio.
It's hard to keep the energy and the emotion of the scene when they're installing a massive green screen behind you.
On one wall there was a recent watercolour - Saint E.O. Wilson of Hymenoptera
Through the window of my mask I see a wall of coral, its surface a living kaleidoscope of lilac flecks, splashes of gold, reddish streaks and yellows, all tinged by the familiar transparent blue of the sea.
This is the gift of the landscape photograph, that the heart finds a place to stand.
I love imaginative representations of a possible near-future, where you look at the technology and you think, "Well, yeah, that could really nearly be true." I like those kinds of backgrounds.
Photography must be integrated with the story.
My monochrome pictures are not my definite works, but the preparation for my works. They are the leftovers from the creative processes, the ashes. My pictures, after all, are only the title-deeds to my property which I have to produce when I am asked to prove that I am a proprietor.
The ideal view for daily writing, hour for hour, is the blank brick wall of a cold-storage warehouse. Failing this, a stretch of sky will do, cloudless if possible.
Color-blocking two bold shades feels so modern.
a flayed body untangled
string by string and hung
to the wall, an agonized banner
displayed for the same reason
flags are.
I never want to hide my wrestling background.
With watercolour, you can pick up the atmosphere, the temperature, the sound of snow shifting through the trees or over the ice of a small pond or against a windowpane. Watercolour perfectly expresses the free side of my nature.
There's nothing worse than an ostentatious shot. Or some lighting that draws attention to itself, and you might go, 'Oh, wow, that's spectacular.' Or that spectacular shot, a big crane move, or something.
Either this wallpaper goes, or I do.
Wallpaper. Decoration. Her whole life and person, whittled down to nothing. "I don't accept that ," Etta said. I'm neither of those things. And, for the record, neither are you.
It was a tradition to represent a dancer frozen in a chosen position, like a snapshot. I broke away from this tradition by superimposing postures, blending light and motion and scrambling the planes.
Give me a blank canvas, and I will give you the world.
An aspect of the work has to do with altering the literal/cultural meaning of existing public images by making minimal changes and additions. Using superimposition, juxtaposition and other contextual changes, I am functioning as a visual guerrilla.
White. A blank page or canvas. The challenge. Bring order to the whole Through design, composition, tension, balance, light, and harmony.
Photography in our time leaves us with a grave responsibility. While we are playing in our studios with broken flowerpots, oranges, nude studies and still lifes, one day we know that we will be brought to account: life is passing before our eyes without our ever having seen a thing.
Cover design by Phil Rose
It is in front of the the paper that the artist creates himself.
Compelling outdoor imagery always combines some kind of personal connection to nature and skillful technique. The former seems to be a form of grace, and the latter an act of the will.