Discover the most popular and inspiring quotes and sayings on the topic of Camisole. Share them with your friends on social media platforms like Facebook, Twitter, or your personal blogs, and let the world be inspired by their powerful messages. Here are the Top 100 Camisole Quotes And Sayings by 92 Authors including The Iron Sheik,Julia Margaret Cameron,Roland Barthes,Romy Schneider,Richard Avedon for you to enjoy and share.
Gene Mean, look at our body. Cameraman, zoom!
Beauty, you're under arrest. I have a camera, and I'm not afraid to use it.
As Spectator I wanted to explore photography not as a question (a theme) but as a wound.
I wish to present myself in front of the camera, each time under the features of a different woman. I would like to live and apprehend the problems, the conflicts, the feelings and the impulses of women radically different from me.
I hate cameras. They interfere, they're always in the way. I wish: if I could work with my eyes alone.
become a director of CamMac, when you're twenty-one.
Photography today appears to be in a state of flight ... The familiar is made strange, the unfamiliar grotesque. The amateur forces his Sundays into a series of unnatural poses.
I do not see eye to eye with the camera.
Cameras are like dogs, but dumb, and toward quarry, even more faithful. They point, they render, and defy the photographer who hopes.
You know the awkward class photo when you're sitting there for your school picture and you're 14 or something and you've got braces, and you don't know how to smile, and you've got a hard-on.
I came out of the womb looking for the camera angle
It is by studium that I am interested in so many photographs, whether I receive them as political testimony or enjoy them as good historical scenes: for it is culturally (this connotation is present in studium) that I participate in the figures, the faces, the gestures, the settings, the actions.
If life were a camera, I'd have the lens cap on.
A miscreant with coiffed, scented hair, a slender waist, the hips of a woman and the chest of a Prussian officer, with a finely tied cravat, by all girls admired. ~ [introduction of character Montparnasse]
The technique of 35mm photography appears simple. One is beguiled by the quick viewing and operation, and by the very questionable inclination to make many pictures with the hope that some will be good.
The camera has an uncanny ability to capture the world as it is, to seize events as they happen, and also to conjure visions of the future. But by the time the image reaches the eyes of the viewer, it belongs to the past, taking on the status of something retrieved.
With photography a new language has been created. Now for the first time it is possible to express reality by reality. We can look at an impression as long as we wish, we can delve into it and, so to speak, renew past experiences at will.
The camera is first a means of self-discovery and a means of self-growth. The artist has one thing to say - himself.
I can't lose you, Cami.
The camera is a kind of license.
A webcam that Iceland's environmental agency had set up.
Sensitive people faced with the prospect of a camera portrait put on a face they think is the one they would like to show to the world ... Every so often what lies behind the facade is rare and more wonderful than the subject knows or dares to believe.
God Almighty, I might've just committed a cardinal sin just by thinking it, but he was like Cam 2.0.
When your mouth drops open, click the shutter.
Photographs are perhaps the most mysterious of all the objects that make up, and thicken, the environment we recognize as modern. Photographs really are experience captured, and the camera is the ideal arm of consciousness in its acquisitive mood.
If it was up to the studio, everything would be shot with a camcorder.
You can no longer just have a magazine that shows you this glossy impervious image of women - in the studio, artificial, wearing a push-up bra.
There are mornings on this road trip as the early light gathers itself, something quite unexpected happens. My camera pushes me aside and takes on a life of it's own, conspiring with nature and becoming a veritable paintbrush. I'd like to take credit for the end result, but I know it would be a lie.
I'm not comfortable around cameras.
Photography's history is bound to the mistake, to the accident.
Marie Laurencin.
Photojournalism has its tremendous rewards and it's wonderful work. In what other work can you wander aimlessly with a camera around your neck, armed only with your personal interest and your eyes?
Photography's vaunted capture of a moment in time is the seizure and freezing of presence. It is the image of simultaneity, of the way that everything within a given space at a given moment is present to everything else; it is a declaration of the seamless integrity of the real.
The camera ... on the one hand extends our comprehension of the necessities that rule our lives; on the other, it manages to assure us of an immense and unexpected field of action.
We photographers are nothing but a pack of crooks, thieves and voyeurs. We are to be found everywhere we are not wanted; we betray secrets that were never entrusted to us; we spy shamelessly on things that are not our business; And end up the hoarders of a vast quantity of stolen goods.
I hate cameras. I hate cameras and I hate camera phones. The camera's my worst enemy and my best friend. It's the way I convey my emotions to the world without saying a word, so I use it. People always say, 'You come alive as soon as the camera's on!'
You still know that boy. He was very angry at fourteen, fifteen, in summer and winter, at home or in the world. So angry that his face contorted in photos. The camera was a question and his face did not know the answer.
The practice of photography is no longer a means for recording reality. Instead, it has become reality itself
Participant Inc. gallery,
A woman's chastity consists, like an onion, of a series of coats.
Photography is an adventure just as life is an adventure. If man wishes to express himself photographically, he must understand, surely to a certain extent, his relationship to life.
Photography is a contest between a photographer and the presumptions of approximate and habitual seeing. The contest can be held anywhere ...
Do not make images. Everything is. Mirkka Rekola
In terms of image-repertoire, the Photographer (the one I intend) represents that very subtle moment when, to tell the truth, I am neither subject nor object but a subject who feels he is becoming an object: I then experience a micro-version of death.
The camera is the eye of history.
The possession of a camera can inspire something akin to lust. And like all credible forms of lust, it cannot be satisfied.
In a world of disturbing images, the general body of photography is bland, dealing complacently with nature and treating our preconceptions as insights. Strange, private worlds rarely slip past our guard ...
I like to know where the camera is.
We do not make photographs with our cameras. We make them with our minds, with our hearts, with our ideas.
In photography we must learn to seek, not the 'picture,' not the aesthetic of tradition, but the ideal instrument of expression, the self-sufficient vehicle for education.
I love the camera; there's something very special and sensual about it, and I have a tendency to call it a he, like it was a man. But, unlike a man, a camera is accepting of everything I do.
I was born in front of a camera and really don't know anything else.
Cam touched your hair and your face and I wanted to strangle him. You were his, but you felt like mine. Even then, you felt like mine.
Selfie: A portrait of someone we used to know. Taken by someone we used to respect.
This recognition, in real life, of a rhythm of surfaces, lines, and values is for me the essence of photography; composition should be a constant of preoccupation, being a simultaneous coalition - an organic coordination of visual elements.
I am not a model the camera just went off by itself
Yet it seems so easy to take a photograph! One forgets that, apart from the technical aspects, photography can be a mental creation and the affirmation of a personality. What is marvelous about a photograph is that its possibilities are infinite; there aren't any subjects 'done to death'.
There is a camera is between a man and a woman.
The camera relieves us of the burden of memory. It surveys us like God, and it surveys for us. Yet no other god has been so cynical, for the camera records in order to forget.
Avery."
"Cam?"
"What are you up to?"
"Nothing. Everything."
"Those are two opposite things."
"I know. Kiss me?
For those who were desperate, my camera became an object of hope ( ... )Throughout my year-long coverage of the monsoon world, my strongest conviction was that I was involved in the fundamentals of life.
Photography deals exquisitely with appearances, but nothing is what it appears to be.
Every day I studied the nude, and movement in the streets and in the shops. Out of the naturalistic surface with all its variations I wanted to derive the pictorially determined surface.
The viewer must bring their own view to a photograph.
There is a word we haven't used yet: virginity ... To make a photograph, the plate must be virgin, but your eye as well.
The camera can photograph thought.
Material girls like Madonna Model for Donatella
Portrait photography never had any charms for me, so I sought my subjects from the house-tops, and finally from the hill-tops and about the surrounding country; the taste strengthening as my successes became greater in proportion to the failures.
For that is the power of the camera: seize the familiar and give it new meanings, a special significance by the mark of a personality.
Most things in life are moments of pleasure and a lifetime of embarrassment; photography is a moment of embarrassment and a lifetime of pleasure.
The future of cinematography belongs to a new race of young solitaries who will shoot films by putting their last penny into it and not let themselves be taken in by the material routines of the trade.
The way men are seen in photography, in fashion, and the way that men look at pictures of themselves has changed in recent years. It is a subject that has come into focus: The masculine image, a man's personal style, changing attitudes to the male face and body,
A police photograph is like a passport photograph: the intelligence which casts a veil over the crude common shape is never recorded by the cheap lens. No one can deny the contours of the flesh, the shape of nose and mouth, and yet we protest, This isn't me.
Next to me Arabella, wearing the same outfit I did, pursed her lips together and took a selfie. Ugh.
I must learn to express the gentle vibration of things: the intrinsically rough texture. I must find this expression in drawings; in the way in which I draw my nudes here in Paris, more original and at the same time sensitively observed.
Photography is the mirror, more faithful than any actual mirror, in which we witness at every age, our own aging. The actual mirror accompanies us through time, thoughtfully and treacherously; it changes with us, so that we appear not to change.
Why don't you come over here?" Cam said, and I turned to him, brows raised. "You look cold."
I shifted closer, but that apparently wasn't close enough. He tugged the blanket off me and then leaned back Lifting me up, he placed me between his widespred legs.
Photography is the art of anticipation, not working with memories, but showing their formation. As such, it has relentlessly usurped imaginative and critical prerogatives of older, slower literature and handmade visual art.
Photography appears to be an easy activity; in fact it is a varied and ambiguous process in which the only common denominator among its practitioners is in the instrument.
Every photograph that is made whether by one who considers himself a professional, or by the tourist who points his snapshot camera and pushes a button, is a response to the exterior world, to something perceived outside himself by the person who operates the camera.
The camera is my tool. Through it I give a reason to everything around me.
Photography is, and has been since its conception, a fabulously broad church. Contemporary practice demonstrates that the medium can be a prompt, a process, a vehicle, a collective pursuit, and not just the physical end product of solitary artists' endeavors.
I hope we'll be able to see that in our lifetime: the end of the camera! When I'm in Paris, I'll buy a big bottle of champagne and I'll save it for that day, for the day when they'll be no more camera.
Photography is a tool to negotiate our idea of reality. Thus it is the responsibility of photographers to not contribute with anaesthetic images but rather to provide images that shake consciousness.
For me, the camera is a sketch book, an instrument of intuition and spontaneity.
We grew up with a camera in front of us.
You know why I don't like that camera? Because it prevents me from seeing you!
The only thing they'll let you shoot with a camera.
All of us fractured, awkward collages of experience wrapped tight to present a defensible face to the world.
Over the years, photography has been to me what a journal is to a writer - a record of things seen and experienced, moments in the flow of time, documents of significance to me, experiments in seeing.
I am a camera, with its shutter open. Someday, all of this will be developed, printed, fixed.
I don't have a great face for camera.
We live in a time of the greatest precision and of maximum contrasts: photomontage offers us a means to express this. It shows ideas: photography shows us objects.
The camera is an instrument that teaches people how to see without a camera.
I can't even tell you the anxiety I get from being around those cameras!
As a child I had been so afraid of so many things, but as soon as I held a camera in my hand, I began to expose myself to the very things that were foreign to me and that I had always feared.
I am what I photograph.
The camera is more than a recorder, it's a microscope. It penetrates, it goes into people and you see their most private and concealed thoughts.
Some people say the camera loves me, the truth is, I love the camera.
I wanted to describe the world at the same time, through image, express what I felt. It was the time of the great documentary filmmakers: Richard Leacock, Joris Ivens. Today, television has put an end to this type of filmmaking.