Discover the most popular and inspiring quotes and sayings on the topic of Disneyfication. Share them with your friends on social media platforms like Facebook, Twitter, or your personal blogs, and let the world be inspired by their powerful messages. Here are the Top 100 Disneyfication Quotes And Sayings by 85 Authors including John Hench,John Lasseter,Jodi Benson,Timothy Pina,Walt Disney for you to enjoy and share.
The park achieved a kind of reality. Like these virtual reality games the children are playing with. I told them we were doing this 40 years ago! Disneyland is virtual reality.
When Walt Disney was making his films, he trusted his instincts and made films for himself, but they appealed to everybody, not just kids.
Anything that has to do with Disney and Pixar, I am on board with. That is where my heart and family are. So when they call, I jump.
Imagination ... is not a Disney theme park, but is a incredible force that when unleashed ... can help greatly better humanity.
Disneyland is a show.
We all know that the Disney brand is our most valuable asset. It is the sum total of our seventy-five years in business, of our reputation, of everything that we stand for.
One of the head guys at Disney categorically said to me, 'We don't want to make children's films any more. We want to make films that are going to appeal to all quadrants.' Hence you have films like 'Shrek' and all the Pixar stuff, which is designed to suit everybody.
I'm a big Disneyland nut.
Walt Disney was a master of the human psychology. His sense of timing, sense of speed. In a sense, those cartoons are like Rorschach tests.
Disneyland will always be building and growing and adding new things ... new ways of having fun, of learning things, and sharing the many exciting adventures which may be experienced here in the company of family and friends.
Successive generations of middle-class parents used to foist their own favourite books on their children. But some time in the late Eighties it began to wane - not because children had lost interest in adorable animals but because most of it was available on useful, pacifying video.
Well let's see; I'm not obsessed with ... I like Walt Disney except that you know, except for the horrible fascism. I love the art of it. I like a lot of things I don't agree with and that's one of them.
Disneyland is like a piece of clay: If there is something I don't like, I'm not stuck with it. I can reshape and revamp.
I love my Disney fans. A lot of the kids want to grow up and push away from that image, but I don't feel that way at all.
Plenty of Disney kids are perfectly normal and love what they do. But you always hear about the people who aren't doing well. It's kind of like the squeaky wheel.
I wanted to be a part of the Disney history.
Disney Channel is celebrities coated in sugar. Everything is really happy; everything is really bright.
Oh, when I was a kid, I was raised up with all the Disney classics.
For children in their most impressionable years, there is, in fantasy, the highest of stimulating and educational powers.
Euro Disney is not my vibe. I can't really deal with Disney, man. It's not my thing.
Disney is thrilling and informative and important and beautiful and suspect. Butts was a detail I observed later and definitely ties in. I suppose I was programmed, yeah.
Disneyland is a work of love ... Drawing up plans and dreaming of what I could do, everything. It was just something I kind of kept playing around with.
We have a unique opportunity as Disney because it really is the only true global entertainment brand.
Disneyland is a work of love.
I love Disney. I know that some Disney stars want to break out of the Disney mold, but no, if they let me, I would work with Disney until I die.
I kind of feel like I grew up at Disneyland.
I like to watch a bit of Disney, sprinkle some cocaine on some melon and just sit and eat it. I'm joking, I'm joking. There's no Disney.
The result is that children now live in an "ethos of fantasy consumerism." Modern American childhood, says Cross,
Disney's something to be a little alarmed about. It's not just a little theme park anymore. It's now an ethic and outlook and strategy that goes way beyond central Florida.
I do what I do because of Walt Disney - his films and his theme park and his characters and his joy in entertaining.
Disneyland. The world's biggest people trap, built by a mouse.
Nobody does animation better than Disney; it's just that some of us wanted out of the box. Burton was one. I was another. We were the mutual complaint society.
Disneyland is the star, everything else is in the supporting role.
Hollywood is McWorld's storyteller, and it inculcates secularism, passivity, consumerism, vicariousness, impulse buying, and an accelerated pace of life, not as a result of its overt themes and explicit story lines but by virtue of what Hollywood is and how its products are consumed.
I have an affinity for Disney and the Princess.
I'm not making music for people who like Disney shows. I make music for people who like music.
I do what I do because of Walt Disney. Goofy. Mickey Mouse. I never forgot how their films entertained me.
Disney was a family film studio. I was supposed to be their young, leading man. After they found out I was involved with someone, that was the end of Disney.
American long for a closed society in which everything can be bought, where laborers are either hidden away or dressed up as nonhumans, so as not to be disconcerting. This place is called Disney World
Pixar has outdone itself in visual magic and vivid storytelling.
Children in the 21st (century) have been transformed from net producers of their own toy and play culture, to net consumers of play culture imposed by adults.
As children, we all live in a world of imagination, of fantasy, and for some of us that world of make-believe continues into adulthood.
And it's almost too perfect. Almost too Disney.
One of the functions of entertainment, I think, is education. - Roy E. Disney
Like something Disney might have envisioned if he'd taken a dose of LSD, backed up with a serving of psilocybin mushrooms, and a quart of tequila.
When we opened Disneyland, a lot of people got the impressions that it was a get-rich-quick thing, but they didn't realize that behind Disneyland was this great organization that I built here at the Studio, and they all got into it and we were doing it because we loved to do it.
Pop culture has entered into a nostalgic malaise. Online culture is dominated by trivial mashups of the culture that existed before the onset of mashups, and by fandom responding to the dwindling outposts of centralized mass media. It is a culture of reaction without action.
These kinds of mini-enterprises...prolonged the precious, Elysian period of childhood in a way I did not see in the US, where kids started hanging out at the mall and acted like teeny boppers from age 9 or 10.
I like Disney stuff. No-one looks at 'Toy Story' and says,' Oh, that's just for kids.' Why is it that games can only appeal to a certain audience, but movies and books - I mean, how many adults read 'Harry Potter?'
I don't mind being a Disney girl.
The idea of Disneyland is a simple one. It will be a place for people to find happiness and knowledge.
He had passed beyond the afflictions of this world. Walt Disney had at last attained perfection.
There was a moral foundation to Walt's movies that people tapped into - a basic moral foundation. In Disney films, you see strong values and role models. You see the importance of being kind to others, of serving others, of finding joy even in adversity.
A teleology directed to material ends has been substituted for the lust for adventure, variety, and play.
Disney is a machine, and I'm grateful for it, but I feel like being part of that environment made me crave the reaction from other projects even more.
Because I wanted to have a place that I could create everything that I that I never had as a child. So, you see rides. You see animals. There's a movie theater.
I think Pixar has the opportunity to be the next Disney
not replace Disney
but be the next Disney.
The quality and success of Disney was actually bad for us animators because everyone on the planet thought that animation was only for kids and only in a certain domain. The big film festivals never thought much about animated films.
Parents have bought into the world's pastimes chock-full of pop culture, and it is searing the souls of our children. Parents have allowed electronic babysitters to infiltrate their homes and minds; young people's sense of right and wrong is being choked by wild and rank weeds in a moral wasteland.
Children are born with imaginations in mint condition, able to leap tall buildings in a single bound. Then life corrects for grandiosity.
When we became teenagers boredom grew like a moth in a cocoon fighting to escape, and the peace created by our parents became a prison. We sought excitement and adventure. We sought anything but the sinless, pure, and average of the faux idyllic.
Disney has been such a big part of my early career. I've done two pilots for Disney, and I've been working with them since I was 16, and I just turned 21.
Childhood is a naturally unhappy period of our existence, Lillian. It was Walt Disney who invented the notion that it has to be happy, simply to make money.
Everything we have today that's cool comes from someone wanting more of something they loved in the past. Action figures, videogames, superhero movies, iPods: All are continuations of a love that wanted more.
You can't get any 'cooler' than Disney World.
I always wanted to do a Disney movie.
Remember it all started by a mouse ... Walt Disney
I grew up watching Mickey Mouse and going to Disney World, like, 2,000 times. Mickey Mouse is like my guru.
Tink's a Disney whore!
Disneyland is like Alice stepping through the Looking Glass; to step through the portals of Disneyland will be like entering another world.
Disneyland is dedicated to the ideals, the dreams, and the hard facts that have created America.
Disney's clearly in the business of doing giant tent pole movies based on properties that they own. And that's what they should be doing because they're great at doing that.
The world is a Disneyland made just for YOU!
Disney happy is the most happy you can be. It's at the top of the happy scale right above eating cheesecake in a hot tub.
The history of our times calls to mind those Walt Disney characters who rush madly over the edge of a cliff without seeing it, so that the power of their imagination keeps them suspended in mid-air; but as soon as they look down and see where they are, they fall.
You can't have whatever you want. But to a child who must ask permission for every single thing, adulthood looks like a constant parade of every desire's satisfaction. It is a heady and terrifying place. It is the Otherworld. It is Fairyland. In fantasy, we make this literal.
Walt Disney was my great hero.
I also love Disney, and will defend doing so, because there's so much in those films and I don't care if it's stereotyped.
Hollywood provides ready-made fantasies or daydreams; the problem is whether these are productive or nonproductive, whether the audience is psychologically enriched or impoverished.
Every parent, no matter how cultured or sophisticated, will one day succumb to a child's pleas to visit Walt Disney World Resort.
A decade or so ago, all over the world, cinemas underwent one of those prince-into-frog mutations, and became, instead popcorn-restaurants, which offered the option of visual diversions for diners.
Commodified fantasy takes no risks: it invents nothing, but imitates and trivializes. It proceeds by depriving the old stories of their intellectual and ethical complexity, turning their action into violence, their actors to dolls, and their truth-telling to sentimental platitude.
Unfortunately, it has come to my attention that the modern world is sorely lacking in imagination. And grown-ups are the biggest culprits of all.
I grew up watching all the great Disney animated films and to be able to carry that torch and know that I'm contributing to the same magic and wonder for a whole new generation is a great thing.
Movies both reflect and create social conditions, but their special charm is to offer fantasy clothes as virtual reality, a world where people consume without the tedium of labor. Characters float in a world where the bill never comes due ... and we wonder why we're a debtor nation!
What magic scale childhood does make of raw reality.
We are Disney, in a sense. When you've been there for 20 years, there's a certain heart and soul to one of those films, and you inhabit that to a certain degree. So if it feels true to you, then your audience will hopefully go for it.
Disneyland is often called a magic kingdom because it combines fantasy and history, adventure and learning, together with every variety of recreation and fun designed to appeal to everyone.
I grew up near Disneyland, and my brother's an animator, so I was always really inspired by bright, cartoony colors and that whole feeling of happiness.
Isn't Disney World a people trap operated by a mouse?
When it comes to classic Disney, I've got it in my DNA. I mean, the guy who trained me, the man who mentored me when I first came to the Studio was Eric Larson, one of Walt's Nine Old Men.
Adults are living increasingly as children: completely in their imaginations. Reading Harry Potter while every newspaper in the country goes out of business. They know so little that is real.
We don't live in Disneyland. We live in blood and in time, not in Fantasyland. We live in a tragic world.
Disney Resort and World and Compound, a place where your dreams really do come true, if you dream about having people wearing enormous cartoon-animal heads come around to your restaurant table and act whimsical and refuse to go away until you laugh with delight.
We really believe that Walt Disney is a very able company with great depth and a great set of franchises.
With this new initiative, Disney is doing what no major media company has ever done before in the United States. And what I hope every company will do going forward when it comes to the ads they show and the food they sell they're asking themselves one simple question: Is this good for our kids?
I don't know if I really watched any Disney animation as a kid.
Well it took many years. I started with many ideas, threw them away, started all over again. And eventually it evolved into what you see today at Disneyland
I'm still going to Disney World.
When I was growing up, kids would go outside and play all day and invent things. And my brothers and I pretended our picnic table was a ship one summer. Our bikes were horses, and our trees were forts. We turned everything in the world into make-believe.