Discover the most popular and inspiring quotes and sayings on the topic of Downloads. Share them with your friends on social media platforms like Facebook, Twitter, or your personal blogs, and let the world be inspired by their powerful messages. Here are the Top 100 Downloads Quotes And Sayings by 96 Authors including Joshua Bell,Israelmore Ayivor,Ed Droste,Cyril Wong,Luke Pasqualino for you to enjoy and share.
I'm happy if my music is being downloaded, whether it's legally or illegally.
When you are DOWN for satan, you'll be LOADED with sin ... and you'll DOWNLOAD failure! You and I can't be part of that mess!
I would never be angry at someone for downloading the album. Sometimes people just wanna listen to it first to see if they like it and that's totally fair.
Soon we were downloading ourselves
into laptops, phones or pads, freer
than we had hoped,
floating centrifugally across the Internet
to swim alongside forgotten
selfies, spam emails and porn
So many people are are using the Internet now to watch movies and TV shows online.
Free is the best. Anything free is good.
Typing in the name of a song and downloading the song you really have no connection with the artist at that point. So I think it is still important to have physical CDs and stuff like that.
Obviously, I want it to be legally downloaded, and I myself have spent a fortune on iTunes because, for me, that's the easiest way to get music.
Compare the torrent and the glacier. Both get where they are going.
It's clear that people are going to download media files, and they're going to talk to each other, and they're going to exchange information and knowledge and so forth. So this system logic is basically what you bounce off of.
But since I am in the music industry, I don't want anyone to download music, not on September 9th.
I find anonymous music frees me best. Chinese pop can be perfect. I can't decipher anything on the CD label; there is nothing I can hang on to.
computer-majiggies,
Ebooks had to happen.
I have a very difficult time getting the Napster world.
This is a turf battle. They are saying, 'The songwriters aren't getting paid.' Baloney. Songwriters are getting paid. They're paid sync rights and (mechanical) rights. They aren't getting paid for the public performance in a download because there is no public performance in a download.
I appreciate CD's, but I've been digital for 10 years.
I don't have and have never had an email address. I'm old school. But as far as downloads go, my only objection is I like the sound of CDs better, so I buy those. I think the sound quality is better.
At the start of 2005 the idea of downloading a song to a mobile phone was an idea, by the end of the year it was a reality.
It's not the size of the hard drive that counts, it's how you download it.
I'm not very computer savvy.
I was never a Lime Wire guy because it's too much hassle to find the song.
I think downloading is both saving and killing the music industry at the same time.
The mobile Web, location-based services, inexpensive and pervasive mobile apps, and new sorts of opportunities to access cars, bikes, tools, talent, and more from our neighbors and colleagues will propel peer-to-peer access services into market.
Digital piracy needs to be addressed. Without content protection, investment in content can't be supported. We need secure distribution. If you (telecommunications equipment and software makers) help us, we will make it easier for you to distribute our content.
I downloaded ProTools - legally, of course ... and I wanted to impress girls by making remixes of songs.
You get the software you pay for. In every sense. To the nth degree. That's the way the world works.
As I write at the end, if we step back and face the enormity of the torrent, then we have taken the first step to imagining what we might want to do about it.
The Internet is both great and terrible. As a source of information, a tool for delivering music and art, it's great. But spamming ads and piracy of music is terrible. It's stealing.
Navigation is power of a limited sort - it enables us to manage the immensity of the media torrent.
Here's where I luck out: I'm really computer illiterate.
You start to accumulate your library of music. You want that music everywhere - that's the point where we monetize. If you want portability, mobility, and access, then you buy it.
Some people record onto tape, and then they pay for the tape, and download those onto a hard drive. Initially in a Pro Tools program. Other people go straight into digital, and use no tape at all.
I'm floating between multiple media. I really wish you could buy the hardcover book and it would come with the digital download and audible version. I spend stupid amounts of money because I'm usually buying my books in at least two formats.
All the downloading of films and music make sense just being able to receive the energy, that way since everything is energy, but it's also cool to have hard copies too of pieces. So I'm sure it'll be both for a very long time until we transcend into etheric cities or something.
I use computers for email, staying current with my own website as well as finding important information through other websites. I also use it for creating MP3 files of new music I'm working on.
We need to download scientific journals and upload them to file-sharing networks.
People are interested in things not necessarily covered by the mainstream media, so they download things online. The categories are growing because people find out that they're not able to get information about stories that are of interest to them on the evening news.
I have a whole lot of songs.
I don't like streaming. I hate all that crap. I'd rather be a fan and have the piece in front of you where you could read the liner notes and everything about it instead of just consume. Enjoy it that way. It's just a digital file.
DVD into the hard drive, then brought up the file. It was quite large - a few hours of footage from multiple cameras - so it took a while
With the internet, things are so much more immediate. People taste-test things to see if they want to buy the CD.
Items, or browse the Kindle Store.
Digital Distribution and the Whip Hand: Don't Get iTunesed with your eBooks
If you could download the entire universe in two minutes, would you?
I have to return some videos,
Dropbox is my life.
A lot of times you can lose the MP3s - it's a lot of labor to be finding it again, putting things back up. You gotta back up, back up, back up.
We figured you could download live shows for days, so we decided to go for a cream-of-the-crop approach, but not just take the best vocal or the best performances.
I'm always online looking for new music and things like that.
In accordance with the U.S. Copyright Act of 1976, the scanning, uploading, and electronic
Told you to buy a Mac.
We want to let you use a Mac, or Windows PC, or iPad, or Android, without having to think about any of the technical details.
Music files and downloading have indeed changed the currency of music to a great degree.
If you can afford ... a computer, you can afford to pay $16 for my ... CD.
Create a Piracy Free World fora Creative Tomorrow
With our work at Kazaa, we began seeing growing broadband connections and more powerful computers and more streaming multimedia, and we saw that the traditional way of communicating by phone no longer made a lot of sense.
Music just ain't what it used to;
We used to have songs that you could shoplift or boost to.
I want people to discover my movies, and however they choose to receive it is their business.
In the age of the mp3, you gotta make the package special, something that's worth owning.
I'd much rather be worrying about playing that note in tune, and picking out the best way to arrange the song, rather than thinking about pricing for the download. It's not art.
No matter what documents you investigate, and what objects you retrieve, you many never answer the questions that are most important to you, but nevertheless, sooner or later you must finish whatever file you have begun.
I get sick when I think about someone going to iTunes and downloading two songs off our album. It's not meant to be listened to that way.
It seems everyone is converging on a simple set of facts: Our lives are digital, and we wish to share our lives. Pinterest came at it through images, artfully curated. Facebook came at it through friends, cunningly organized. Dropbox came to it via files, cleverly clouded.
We want our music to reach everybody, so we're using the Internet. Every kid today is online, and we want to make sure our songs reach every one of them.
I am Not a Pirate, I merely watch movies and delete them. Never store them on my computer.
In this age of getting what you want and getting it now, the simple pleasure of browsing is often forgotten.
As people continue to do more and buy more over the Internet, continue to meet people over the Internet, connection speeds are going to get faster, and the Internet is just going to become an even more integral part of people's lives.
Please don't encourage or espouse e-piracy...the sharing, swapping, or trading of e-books is outlawed by the DMCA unless authorized by the copyright holder.
I had so many songs that were actually sort of finished. And I deleted them. I wrote on my website that I'd put them on the shelf, but that wasn't true. I actually deleted them from my computer. I got sort of trigger-happy and I think I deleted about 200 songs from my computer.
Piracy doesn't bother me that much, to be quite honest.
I think the downloadable scene in general is really, really interesting for developers because it's low-risk. It doesn't require as much money as a triple-A title. And it's a great proving ground for new IPs, new concepts, new ideas - things that I think I, as a developer, find really attractive.
Today, you always know whether you are on the Internet or on your PC's hard drive. Tomorrow, you will not care and may not even know.
I use Shazam all the time.
When I was younger, I'd buy a vinyl album, take it home and live with it, and I think that attachment's largely gone for the file-sharing generation.
Today, we see some "file sharing" sites that rely on fans uploading cracked copies of ebooks, and which then make money off those books by charging for downloads (via cash subscriptions or advertising). Again: I take a dim view of this. They're making money off the back of my work without paying me.
A lot of media that that I want to consume, I don't want to have to own forever and ever. It's not like real estate.
The way we live is changing. Each year, our free time shrinks a little more as computers clamor for an increasing percentage of our attention.
I've got about 27 gigs right now. I've got radio, I've got television, I've got The Washington Post.
Look: I download music illegally, if I really want it. But I always then buy the record - I support art.
You can get anything from Mozilla Firefox-based themes to nature themes to your own photographs.
I'm on the Web a lot. I like to play games online. Sometimes I play Sims.
Everything from now on will be done online - physical music media like the CD are dead in the water.
What's that? My six song album entitled Bo Fo Sho is currently available on iTunes? With three songs that have never been heard on the internet? Uh, and if I try to pirate it for free I'll get AIDS? I would have guessed scurvy. Well, see you later ghost of Dr.Martin Luther King Jr.
software is like sex : it's better when it's free..
The Internet has killed the traditional record business, but it's given back in the way of instant access.
people need simple, secure, powerful, integrated, and user-friendly ways to create, consume, purchase, share, and manage their content.
I have one of those Garmin watches, and I'm OCD about downloading my runs no matter where I go. I used it on an 18-mile run in Paris, a 12-miler in the mountains of Montana, a couple of runs in the Bahamas. Wherever I am, I try to run. That's what's so great about it.
With iTunes and Spotify and Pandora and this and that, you don't need to buy CDs any more.
I'm an iPod person.
It is obvious that the Internet has become such a video-driven entity. With broadband becoming ubiquitous, viewers and advertisers are looking for professional-quality videos.
It is our goal to provide full public access to as many files as we possibly can.
Audacity, and again, audacity, and always audacity.
I have soundtracks for a lot of stuff.
The futures of Crackle and Hulu and so forth become more and more important as we connect to more and more devices. We need our content to make our services as attractive as Apple's or Amazon's or Microsoft's. We're in a brave new world of fierce competition.
Software comes from heaven when you have good hardware.
I really believe that if I make records that are indispensable to my audience, they'll go out and spend money to buy them, even if they've already downloaded them. If they can afford it. If they can't, I'd rather they be able to download it than not get it at all.
There is an underlying, fundamental reliance on the Internet, which continues to grow in the number of users, country penetration and both fixed and wireless broadband access.
Nobody has ever built a reliable peer-to-peer service, where people can really access all the music they want in one location, ... Once I got it into my head, I couldn't imagine the media space without one.
When you think of Napster, you think of music. But the first thing that struck me was that this was an important case not only for the music industry but for the whole Internet.