Discover the most popular and inspiring quotes and sayings on the topic of Emphasized. Share them with your friends on social media platforms like Facebook, Twitter, or your personal blogs, and let the world be inspired by their powerful messages. Here are the Top 100 Emphasized Quotes And Sayings by 97 Authors including David Nevue,Helmut Schmid,Jean-Francois Millet,Zanesh Catkin,Horace for you to enjoy and share.
Simplicity is the key to beauty.
Clarity is the key to perfection.
Typography needs to be audible. Typography needs to be felt. Typography needs to be experienced.
I want to put strongly and completely all that is necessary, for things weakly said might as well not be said at all.
Italics are like a rash -- you never know whether to ignore them entirely or whether the more you attention you give the more they spread.
In trying to be concise I become obscure.
Practice makes legibility!
Concentrated attention is the collection of units of power on a chosen point of intention.
When it comes to writing, clarity trumps all rules.
Less is more, in prose as in architecture.
The chief merit of language is clearness.
To achieve deep focus nowadays is also to have struck a blow against the dissipation of self; it is to have strengthened one's essential position [in life].
What is meant to be heard is necessarily more direct in expression, and perhaps more boldly coloured, than what is meant for the reader.
Speech is highly elliptical. It would scarcely be endurable otherwise. Ellipsis is indispensable to the writer or speaker who wants to be brief and pithy, but it can easily cause confusion and obscurity and must be used with skill.
If a body can no longer be accentuated, it should be abstracted.
Clarity leads to attention and attention leads to results.
Intensity is all that matters in painting.
Eloquence may be found in conversations and in all kinds of writings; it is rarely found when looked for, and sometimes discovered where it is least expected.
If you make every sentence an exclamation or put every verb in 'bold,' then nothing stands out.
Writing becomes beautiful when it becomes specific, concrete.
the focus one finds in the grammar books is on the wrong forms, on forms detached from the underlying (or overarching) form that must be in place before any technical terms can be meaningful or alive
Verbosity leads to unclear, inarticulate things.
The more you leave out, the more you highlight what you leave in.
Brevity in writing is very powerful
My mind, brightened by the lights and the cheerful tumult, suddenly grasped the fact that all achievement was a placing of emphasis
a moulding of the confusion of life into form.
They place great stress on the clarity of our language for expressing nuances and showing subtleties.
There's grammar in my bones!
Sometimes you sacrifice legibility to increase impact.
For any writer, the ability to look at a sentence and see what's superfluous, what can be altered, revised, expanded, and, especially, cut, is essential. It's satisfying to see that sentence shrink, snap into place, and ultimately emerge in a more polished form: clear, economical, sharp.
Emphasis on technique is justified only so far as it will simplify and clarify the statement of the photographer's concept.
The way in which we say something is often more important than what we say.
The art of the parenthesis is one of the greatest secrets of eloquence in Society.
I feel that what you should illustrate is the space between the words. It's the betweenness, the otherness, that gives depth and dimension.
In all unimportant matters, style, not sincerity, is the essential. In all important matters, style, not sincerity, is the essential.
unimportant--important--' as
Eliminate the superfluous.
It's important to be precise about words, because of the thought value of them-they frame and shape so much of the way we understand things.
Delete the negative; accentuate the positive!
Words have weight, sound and appearance; it is only by considering these that you can write a sentence that is good to look at and good to listen to.
Clarity depends on contrast. In
I must stress here the point that I appreciate clarity, order, meaning, structure, rationality: they are necessary to whatever provisional stability we have, and they can be the agents of gradual and successful change.
Where strictness of grammar does not weaken expression, it should be attended to ... But where, by small grammatical negligences, the energy of an idea is condensed, or a word stands for a sentence, I hold grammatical rigor in contempt.
There are times when words are extra, like raindrops on drenched grass. There are times for holding. He held her ...
The smaller the detail the greater the value.
Simplicity is a delicate imposition.
When something small loudly demands all our attention, its noise often drowns out the whisper of what's enormously important.
A recurring ideal, I find, is that of simplicity. At times there comes the desire to write with great precision and clarity, words so simple and moving that they bring tears to the eyes.
False eloquence is exaggeration; true eloquence is emphasis.
In law also the emphasis makes the song.
Whatever is clearly expressed is well wrote.
I strive for transparent words.
The Tone is the Message.
I think that's easier to read. Pardon me. Less difficult to read.
I'm a huge believer in clarity.
Are your ellipses (...) implying something significant or do you just enjoy abusing grammar for no reason?
Writing's in the nouns.
Eloquence, at its highest pitch, leaves little room for reason or reflection, but addresses itself entirely to the desires and affections, captivating the willing hearers, and subduing their understanding.
Words matter, words have import.
Form is expressed in the light tones by dark accents, in the dark tones by light accents.
The most ordinary word, when put into place, suddenly acquires brilliance. That is the brilliance with which your images must shine.
For mankind, speech with a capital S is especially meaningful and committing, more than the content communicated. The outcry of the newborn and the sound of the bells are fraught with mystery more than the baby's woeful face or the venerable tower.
In labouring to be concise, I become obscure.
Without focus you are nothing and nobody...
...
Everything is up to focusing and DEFINITELY YOU SHOULD BE FUCKING CRUCIAL.
THE STRIKING CONTRAST
Communication does not depend on syntax, or eloquence, or rhetoric, or articulation but on the emotional context in which the message is being heard. People can only hear you when they are moving toward you, and they are not likely to when your words are pursuing them.
I magnified, as usual, the impression any word or deed of mine could produce on others.
One mustn't let technique be the consciously important thing. It should be at the service of expressing the form.
I do not believe in adding enrichment merely for the sake of enrichment. Unless it adds clearness to the enunciation of the theme, it is undesirable, for it is very little understood.
If we were to understand how important it is to say something and say it well, maybe we wouldn't write a single word, but that would be tragic.
It is a mistake to use intense words without carefully weighing and measuring them, or they will have already been used when one needs them later.
The place at which the contrast between forms of intelligibility is most vividly presented is in the understanding of ourselves.
If you want to make something clear to someone, you mustn't forget the main point, the most important thing, and if you bring in something else as an illustration you mustn't wander off into endless irrelevancies.
Nothing in a language is less translatable than its modes of understatement.
One can legitimately accentuate certain things, like a caricaturist.
What I really don't like is oversimplification.
The more abstract is form, the more clear and direct its appeal.
Spoken language's elaborate rhythms and inflections convey more meaning per word than the printed word.
A few italics really do relieve your feelings.
I made a concerned effort to focus. There was something I needed to say. The most important thing.
I love you," I said, but it sounded like singing. My voice rang and shimmered like a bell.
As i love you,"He told me.
Know what you want to emphasize, then do it daily.
Cross out as many adjectives and adverbs as you can.
Clarity of thought is a must for brevity in speech.
Only what is essential must be said.
Focus isn't about hammering one nail all our lives.
It's about hammering lots of nails, one way, all our lives.
Characters should on the whole, be under rather than over articulate. What they intend to say should be more evident, more striking (because of its greater inner importance to the plot) than what they arrive at saying.
The Word ought to be exposed in the words
If we are exhorted to play simple melodies with beauty rather than difficult ones with error, the same should be applied to writing; simple words greater effect.
The unseen is almost always underlined with the unsaid.
My quest, through the magic of light and shadow, is to isolate, to simplify, and to give emphasis to form with the greatest clarity.
Accentuated plainness and accentuated vice ought to bring about harmony. Beauty lies in harmony, in style, whether it be the harmony of ugliness or beauty, vice or virtue.
Grammar is the grave of letters.
Count on big lines to express your ideas.
Adverbs are cholesterol in the veins of prose. Halve your adverbs and your prose pumps twice as well.
Understatement is overrated
Eloquence is vehement simplicity.
Style is a simple way of saying complicated things.
Unimportant, of course, I meant,' the King hastily said, and went on to himself in an undertone, 'important--unimportant-- unimportant--important--' as if he were trying which word sounded best.
In writing a weird story, I always try very carefully to achieve the right mood and atmosphere and place the emphasis where it belongs.
The essence of style is a simple way of saying something complex.
The flesh of prose gets its shape and strength from the bones of grammar.
Words blur at the borders, fuzz into other words, not just in big clouds of connotation around the edges of the word, but right there in the heart of denotation itself.