Discover the most popular and inspiring quotes and sayings on the topic of Filmmaking. Share them with your friends on social media platforms like Facebook, Twitter, or your personal blogs, and let the world be inspired by their powerful messages. Here are the Top 100 Filmmaking Quotes And Sayings by 95 Authors including Stanley Kubrick,Nelly Ben Hayoun,Famke Janssen,Danny Boyle,Jason Reitman for you to enjoy and share.
The best education in film is to make one
I make films but I am trained as a designer. I come from this series of designers called critical designers, speculative designers.
I personally like to do independent films.
To be a film-maker, you have to lead. You have to be psychotic in your desire to do something. People always like the easy route. You have to push very hard to get something unusual, something different.
Filmmaking is a completely imperfect art form that takes years and, over those years, the movie tells you what it is. Mistakes happen, accidents happen and true great films are the results of those mistakes and the decisions that those directors make during those moments.
For me, I see filmmaking as art.
I want to make movies that I want to see, and what I miss and I'm not seeing.
People who are good at film have a relationship with the camera.
While fashion is exciting because it changes all the time, it is also fleeting. Film, though, is forever. In a way therefore, film is the ultimate design project.
I have to make little movies. I have to sit and film.
Movie-making is telling a story with the best technology at your disposal.
I'm an actor's director.
There is truly no other business in the world like making movies. It's unique, it's extremely demanding and difficult, but it's also the most rewarding.
I really got into filmmaking through photography.
From my experience as an actor, choreographer, action director, and producer, I understand the elements and the dynamics of being a film maker.
It's a new business for me to be a filmmaker.
I'm a big fan of movies, but I'm a bigger fan of filmmaking itself. I fell in love with it when I was very young, and I have always loved to learn the craft, every aspect of it.
The actual process of filmmaking, the many hours out of your life- it is very slow and boring. I'm not interested in that now unless an opportunity was provided for me.
Filmmaking is really connected to life and all of the expressions that different arts found to allow access to life. Filmmaking touches on all of it.
I make different films now.
The truth about filmmaking is you have all these ideas and you're trying to convince everybody that they should buy into this idea, but at two o'clock in the morning when you're all on your own you're going, 'Geez, I hope I know what I'm doing. I hope this idea is gonna work.'
I would love to produce a film.
I come from a background of independent films.
Making a film is an incredibly technical undertaking.
What is filmmaking but groping in the dark?
As I began making my feature films, it was a great adventure. It was about constructing something I saw in my head or I had designed on storyboards and capturing that on film.
I believe that you must be madly in love with cinema to create films. You also need a huge cinematic baggage.
You make a film you feel is as real as possible and hope people react as though it were real.
I like making movies for myself and my friends and people with my sensibility.
People go to extraordinary lengths to get films made.
Why I'm interested in filmmaking is because a moving image is very, very powerful when it comes to changing human behavior.
Purely cinematic film ... actually the purest expression of a cinematic idea.
I was a filmmaker. I made movies. I made films. And I always took photos and made films, always from the beginning.
Ultimately, I am very filmmaker oriented, as a producer.
It's not really that I'm interested in filmmaking. I'm interested in the instrument of it, you know.
I should like to make films that are not lowering to the spirit. A new building can be very harrowing, I should like to give people a chance to whistle.
I like to do films that celebrate life.
I like to make films where I learn along the way, like the audience.
Filmmaking is a miracle of collaboration.
I love making films more than anything, but it's tough.
I like to make movies I like to watch.
Filmmaking is a great adventure. I'm as excited as a kid to be given tickets to fly suddenly to England, South Africa, America, everywhere. I'm still a 13-year-old kid, flying.
I always wanted to design for films.
I'm a believer in film school.
Sometimes you like the personal adventure implicit in the making of a film, and sometimes you like your part in a film, and sometimes you like the final result.
I grew up loving films and making stupid movies with a good friend of mine, who now actually has a career in a really prominent special effects house, so he's still doing it. We just started messing around with a camera.
Part of being a filmmaker is also being a craftsman.
To make a real independent film where the filmmaker is in charge creatively, one must sacrifice personal, financial, and physical well-being.
Film is not an easy occupation. There's a lot of occupations that are difficult and film is one of them.
I really love to make movies.
Film is a very collaborative medium. If you're smart enough, you learn how to maintain your vision while drawing resourcefully from all the people around you.
Filmmaking in general is just really where I'm putting all of my energy.
I went to film school and wanted to learn everything there was about making movies.
At some point, you have an opportunity to not be a first-time filmmaker anymore. You can embrace the genre and show the world how you can tell stories on a bigger scale.
I definitely in filmmaking more and more find writing and directing a means to harvest material for editing. It's all about editing.
Making a film means, first of all, to tell a story. That story can be an improbable one, but it should never be banal. It must be dramatic and human. What is drama, after all, but life with the dull bits cut out?
The motion picture made in Hollywood, if it is to create art at all, must do so within such strangling limitations of subject and treatment that it is a blind wonder it ever achieves any distinction beyond the purely mechanical slickness of a glass and chromium bathroom.
I want to do films I can relate to emotionally.
Cinematography is infinite in its possibilities ... much more so than music or language.
Film brings together framing and light and color and performance and music and all of that. To me, everything I've done in my life has been preparing me for filmmaking.
Nonfiction filmmakers were afflicted by two problems: one technical, the other spiritual. Technically, they did not have the equipment to do the sort of work I had in mind. Spiritually, they didn't care about the work because they'd been mistrained.
Making a film is like putting out a fire with sieve. There are so many elements, and it gets so complicated.
And later I thought, I can't think how anyone can become a director without learning the craft of cinematography.
The first thing one must remember about film is that it is a young medium. And it is essential for every responsible artist to cultivate the ground that has been left fallow.
A film goes through so many hands, that by the time it's done, it might not resemble what you thought you were making.
I'm not the kind of filmmaker who's going to go from one thing to the next. I often wish I was that filmmaker, but I'm just not.
I came from a background of directing behind-the-scenes documentaries.
I like doing movies that relate to people's experience.
My films are therapy for my debilitating depression. In institutions people weave baskets. I make films.
Filmmaking is like playing in your imagination and getting paid to do it. I guess I'll ride this horse until it bucks me.
I grew up making films and always thought that's what I wanted to do.
The strange thing is I never thought I'd do films,
I suppose I like to think of myself as a film-maker.
Film and art are close together.
I love film; I'd love to do as many films as possible.
Film composing is a splendid discipline, and I recommend a course of it to all composition teachers whose pupils are apt to be dawdling in their ideas, or whose every bar is sacred and must not be cut or altered.
I want to try to make big films that hopefully connect with people.
The thing is, I'm a very practical filmmaker.
I'm a believer that people need to understand that filmmaking is not a perfect process for anybody. It is a process in which you find the film and the film finds you. And that is every film.
It is my passion to direct movies.
If I weren't a film maker, I'd probably be a handyman.
Filmmaking is akin to writing on water.
Make film, shoot film, run film. Do something. Make film. Shoot anything.
I love film - it's like painting.
I'm drawn to filmmaking that can transport me. Film can immerse you, put you there.
Making a movie is like chipping away at a stone. You take a piece off here, you take a piece off there and when you're finished, you have a sculpture. You know that there's something in there, but you're not sure exactly what it is until you find it.
Filmmaking is about moments. In real life, things might take six months, a year, but [in filmmaking] you have to create the moment where it happened.
Film provides an opportunity to marry the power of ideas with the power of images.
I love the medium of film.
I love film, and I love seeing movies on film.
The essence of cinema is editing.
It's something I never dreamed I'd be doing, making movies.
Directing is the ultimate way to bring together all the art forms I've been involved with over the years.
I like acting, but I like filmmaking better. I went to film school. I want to make films.
This business [moviemaking] isn't easy. It's a hard business. You just keep plugging away until you figure it out. You write something you love and keep banging on people's heads until somebody lets you do it.
I just loved films. I knew I wanted to work on film, not video.
Writing a film is like building a brick wall. You have a plan, and you have the blocks. Then, somebody says, 'I think we'll take this stone out of here and put it over there. And while we're at it, let's make this stone red and that stone green.'
Film is something I've always loved since I was very young. In fact, I actually wanted to study to be a filmmaker when I was younger.
If I wasn't a film-maker, I'd be a film critic. It's the only thing I'd be qualified to do.
I make film to make time pass.