Discover the most popular and inspiring quotes and sayings on the topic of Gigs. Share them with your friends on social media platforms like Facebook, Twitter, or your personal blogs, and let the world be inspired by their powerful messages. Here are the Top 100 Gigs Quotes And Sayings by 99 Authors including Vance Gilbert,Stephanie Marks,Jeff Henderson,James Gleick,Shawn Amos for you to enjoy and share.
I tell people I'm big in the music business like a barnacle is big in shipping.
thee times their size
We've got to build scale. We're going to hire the best people, build the best systems, and find solutions.
Bits in the ether.
While my six-song EP is unlikely to set any sales records, it's one of my biggest personal achievements - on par with starting my own company. On par with selling my own company.
I had learnt from my years of being in the services business, like networking and closely watching the early days of the Internet, that scale leads to many possibilities.
Miles and miles and miles.
I genuinely don't know how many albums I'm going to sell when the new album comes out, because I honestly don't know how many fans I've actually got at the moment.
On a scale ranging from very little to too much, Merkin could just about categorize the amount of personal data stored in Master Loo's computer as a shitload.
I'm putting out this free music, constantly putting it out.
I've got a huge, gigantic deal. We're talking about huge deals.
The gig economy is empowerment. This new business paradigm empowers individuals to better shape their own destiny and leverage their existing assets to their benefit.
There are three orchestras in Munich, all world-quality, in a city of one million. Yet every hall is full.
I've been told I sold 110m albums and singles. If that's the case, I should've come here in a space rocket.
I'll play with a hundred pieces or do a solo job.
There are nine million servers sold annually. Of those, just one million are sourced by the big guys. What we're trying to predict is: in the future, is that all going into the one million category? Or will there be some balance?
Never underestimate the size and scope of my problems.
This current round of gigs, I'm just doing it using pure electronics.
I figured the people who liked the sort of thing I was doing would come see it. If it was only 200 then that was alright and if it was 2000 then that is alright as well. I wasn't really interested in the big numbers; I was just interested in some numbers.
All time is is how much change you can pack into a second.
It's not the size of the hard drive that counts, it's how you download it.
In the network's mind there are no limits.
We'll have infinite bandwidth in a decade's time.
One thing I've learned in a very long life, Mr. Crews, is that there's never enough.
For a band like us tracklisting is a massive, massive task.
The steady state of disks is full.
2. Fiverr promotional gigs Follow the same steps as when running your Kindle Free promo. 3. Facebook
How many people is the earth able to sustain?
Trials and half a dozen smaller
I'm trying to communicate here. I'm a communicator, I like to communicate, and if a million people buy it then we've touched a million people, if only 10 people buy it, then we've only touched 10, and that's important, because I'm satisfied with only 10. But, I love a million.
I'm sure, the highest capacity of storage device, will not enough to record all our stories; because, everytime with you is very valuable data
Content Is King, Distribution is Queen
We did like 12 shows, then we did the entire Ozzfest with the first half completely booked; then we did the second half with a couple days off here and there.
The large venue gives me the thrill that comes from the power in numbers.
This means the last few years of hard-drive production - which, thanks to increasing size, represents the majority of global storage capacity - would just about fill an oil tanker. So, by that measure, the Internet is smaller than an oil tanker.
No idea with who has no idea
You have to pack as much as you can in an hour or 70 minutes. This time around it was 15 songs, so it was a challenge to get them all the right length so you could get them all on.
We figured you could download live shows for days, so we decided to go for a cream-of-the-crop approach, but not just take the best vocal or the best performances.
The space you occupy and the authority you exercise may be measured with mathematical exactness by the service you render.
Lot's and lot's I am a proud man having so many fans of my work: (Paintings and films)
A million million million million (1 with twenty-four zeros after it) miles, the size of the observable universe.
Our real focus is going to be what can we do with our existing capacities, what new things can we do, and how much more demand can we fulfil with our existing capacities.
I want to let everyone hear my music and enjoy it, but just as long as it's fun. I'll go as far as until it gets too much like a day job.
The fashionable term now is "Big Data." IBM estimates that we are generating 2.5 quintillion bytes of data each day, more than 90 percent of which was created in the last two years.36
Who in their right mind would ever need more than 640k of ram!?
How large the world is,
I do some concerts. At the moment, I'm being helped a lot by a gig I play in London, which is Pizza Express.
The key thing for me is to secure medium-term funding for the Roundhouse studios. It costs around £2m a year to run, but we want to grow it, and of course that will cost more.
Quantity has a quality all its own.
Ain't nothing but 10 grand. What's 10 grand to me?Grand-- Randy Moss
For music, unlike a $500 software program, people are paying a buck or two a song, and it's those dollars and pennies that have to add up to pay for not just the cost of that song, but the investment in the next song.
By 2010, we as a species were creating more data per day than we did from the beginning of time until 2003. By 2015, 76 exabytes of data will travel across the Internet every year.
Spotify has paid more than two billion dollars to labels, publishers and collecting societies for distribution to songwriters and recording artists.
We are taking close to $10 a CD the way we are doing it, and I think that is a fair amount to split up between five guys. Each of us makes like two bucks a record.
There's a tendency for designers to embellish the size of their business. I never lie.
A four foot box, a foot for every year.
I am deeply devoted to the 27,000 songs I can take anywhere on my iPod Classic as well as the exquisitely engineered MacBook Air on which I typed this column.
The growing demand for content across our platform delivers bigger payouts to our contributor base and encourages them to upload fresh content to Shutterstock, further facilitating the network effect of our business.
For most modern marketers, quantity isn't the point. What matters is to matter. Lives changed. Work that made an actual difference. Connection.
Even the best documentaries reach tens of thousands in their cinematic window. I believe that by launching online, we could potentially reach millions.
A bit is worth 10,000 basis points.
Eric Schmidt likes to point out that if you recorded all human communication from the dawn of time to 2003, it takes up about five billion gigabytes of storage space. Now were creating that much data every two days
Every year, humanity produces some 30,000 films, 2 million books and 100,000 albums, and 95 million people visit a museum or art gallery.
Paul Buchheit: Then you have what we do with PCs, and that's technically pretty challenging - to take this big network of machines that are unreliable and build a big, reliable storage system out of it.
You need to find the size of performance that's appropriate to the material, appropriate to the shot, or appropriate to the scene.
Spotify is returning a huge amount of money. We'll overtake iTunes in terms of what we bring to the record industry in under two years.
Volume - as long as you anticipated, as we did in 1972, a world of continuous inflation.
Our music doesn't make many compromises, but we take it into a venue that's larger than people expect.
I've been cataloguing samples for years, I have this massive library. Songs come out everyday so it's never ending.
The content people have no clue. I mean, no clue. The cost of bandwidth is going down to nothing. And the size of hard drives is getting so big, and they're so cheap, that pretty soon you'll have every song you own on one hard drive. The content distribution industry is going to evaporate.
Initially we performed in halls with capacities of 1,000.
Give me an inch and I'll give you a mile.
It is not how much empty space there is, but rather how it is used. It is not how much information there is, but rather how effectively it is arranged.
Without getting into specifics, I assure you we are looking at very substantial opportunities for Loon - Google-scale opportunities.
When I am in New York, you know, my studio is big, about 20,000 to 25,000 square feet, and I have painting rooms and rooms I do etching in, rooms I do lithographs.
Well, set the monster free ... he's begun his hymn, because he finds it all so easy ... but I'd give a quadrillion quadrillion for two seconds of joy.
digital subscribers produce a new revenue stream estimated at $160 million a year.
considerable amount in consideration of his services in
I must have done about 25,000 promos.
There are 43,000 minutes in a month - can't you give me five?
The thing with me is I'd rather have my cult following than just have a huge song. I haven't had one album or one official single release, but I probably got 500 songs out in people's collection.
I'm all for big production - I love putting on shows.
Last time I checked, the digital universe was expanding at the rate of five trillion bits per second in storage and two trillion transistors per second on the processing side.
I've basically got an album full of singles.
Ego Check. Damn it. How many would he need in one day?
You cannot always make such big exhibitions, because they consume too much time and energy.
If you get 100 million streams on a song and you're only being paid on 20 percent, the check's not going to look good. The money's not going to look fair.
We have these services that people love and that are drivers of data usage ... and we want to work this out, so that way, it's a profitable model for our partners.
With the scale of our traffic, content library and monetization ability, we are confident to see profitable growth in the future.
Someone pays me a hundred bucks every Tuesday to DJ. I don't think I'll ever give that up.
When people think of someone being prolific, it's like, 'He's got a vault with 5,000 songs in it,' or something, but I just kind of pick them out of the air when they float by.
Stamford Bridge holds 42,000. So ten per cent of that would be about 4.1 thousand
Six, one half dozen or the other ...
This ain't no cloud, folks! And so, instead of calling this new creative energy source "the cloud," this book will henceforth use the term that Craig Mundie, the computer designer from Microsoft, once suggested. I will call it "the supernova" - a computational supernova. The
You hear about bands who say, "We did one show where only 20 people showed up", well that was our average gig for five years.
We are on a planet of seven billion people, five billion mobile subscriptions.
Database. Another
In the United States there are sixteen-and-a-half square feet of mall space for every man, woman, and child.
Monty Python paid me £20,000 to write, direct and assemble them - the cheapskates! I told them I'd never earned less in a year since leaving Cambridge. The first show sold out in 43 seconds and we ended up performing ten in total. We had no idea there would be such demand.
million. But all three of these rather exotic and