Discover the most popular and inspiring quotes and sayings on the topic of Highlighting. Share them with your friends on social media platforms like Facebook, Twitter, or your personal blogs, and let the world be inspired by their powerful messages. Here are the Top 100 Highlighting Quotes And Sayings by 97 Authors including Paul Thomas Anderson,Blaise Pascal,Bob Ross,Jay Maisel,Lasse Hallstrom for you to enjoy and share.
I remember being taught in school that you would underline things that you liked. I remember just underlining everything as a kid, thinking, 'This has all gotta be important!' I would just underline the whole thing!
Too much clarity darkens.
Little more black, little more blue. And we'll just put that in using little crisscross strokes or
or little X's, whatever you want to call them. Whatever.
You need minimum color for maximum effect.
I always need a couple of highlights to really spark the passion for a project.
What color would you use?
Pale ink is better than the most retentive memory.
Make all visual distinctions as subtle as possible, but still clear and effective.
I like contrasting between black and white and color.
Character must be kept bright as well as clean.
I like vibrant colors.
Brighten your picture! Refuse to be blurred; agree to be bright!
I highlight everything I find interesting, and then type out everything I've highlighted, and then print out everything I've typed, and reread these printed notes as often as possible.
It is really astonishing how few colors are inharmonious when they are profusely massed and have green for a background.
I try to apply colors like words that shape poems, like notes that shape music.
My struggle is to preserve that abstract flash - like something you caught out of the corner of your eye, but in the picture you can look at it directly.
You picked the color?" She asked.
"I did, yeah."
"I love it. I wouldn't have thought a color so dark would look good in here but it does."
"Dark, warm colors work best in low-light rooms."
"Did you learn that in trade school?"
"Pinterest.
Lighting is everything in a color.
By using patches of color and tone it is possible to capture every natural impression in the simplest way, freshly and immediately.
I'll refer to my music in color, like 'This song needs to be bright red.'
I'm not interested in pleasing color; I'm interested in exact color.
And my signature is drawn in magic marker
on the lower right hand corner of the window
so when something passes in the dark
it's captured for a moment inside my work.
light bright shining
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Lightness can be found after the dark; appreciated when seldom seen.
If I couldn't see the colors, now that would be a problem.
It is generally admitted that the most beautiful qualities of a color are in its transparent state, applied over a white ground with the light shining through the color.
I cross out words so you will see them more; the fact that they are obscured makes you want to read them.
I write to create red in a world that often appears black and white.
Contrast is what makes photography interesting.
The dominant invades the entire picture, as it were. In this way I seek to individualize the color, because I have come to believe that there is a living world of each color and I express these worlds.
Simplicate and add more lightness.
colored pencils to fill in blank spaces. Being
I like to make blank pages darker. It's this thing I do.
Often when I write I am trying to make words do the work of line and color. I have the painter's sensitivity to light. Much of my writing is verbal painting.
It's more fun to color outside the lines.
Focus is the most important element of clarity.
Seek on high bare trails
Sky-reflecting violets...
Mountain-top jewels
I like to have the screen full of color, twenty colors on the screen at once, fifty colors. There are no dominants despite what people have said.
I don't have to have a single point of emphasis in the picture. It can be complex, because it's so detailed that the viewer can take time and read it, and look at something here, and look at something there, and they can pay attention to a lot more.
The muted color scheme allows the occasional brighter yellow or red to pop out on the wall in a show, which I like.
The lighter something is, the easier it is to darken it.
I try to think and design in color.
I have always wanted my colors to sing.
Contrast warm to cool. Make color sing, ring like a bell. Work from big to small.
Dark with excessive bright.
You only have to read the lines of scribbly black and everything shines.
Colors are beautiful when they are significant.
I simply try to put down colors which render my sensation
Shine bright like a diamond.
I prefer to work with grey characters rather than black and white.
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When I look down the range at the target all I can do is try to distinguish between the different colors.
In true prose everything must be underlined.
We can't all be happy, we can't all be rich, we can't all be lucky - and it would be so much less fun if we were ... There must be the dark background to show up the bright colours.
Bright lights, they tend to burn out fast. So I shine bright, but I'm scared that it won't last.
If you were a crayon, what color would you most like to make out with?
I like light, color, luminosity. I like things full of color and vibrant.
Iridescent with fancy and winged it with paradox.
Luminosity is a quality dependent as much on technique as on the physical properties of individual pigments.
I can read in red.
I can read in blue.
I can read in pickle color too.
Proper lighting is everything, Julianna.
We emphasise the features on satellite maps by adding colours to farmland, urban structures, archaeological sites, vegetation and water.
So dark you almost miss it
It is with color that you render light, though you must also feel this light, have it within yourself.
Life is more interesting when you colour outside the lines
I used to rely on black-and-white, and while I was working on 'Smile,' I learned to adapt to color on my end.
PROOFREADER'S MARKS
Fade to black. Or whatever color you like. If you can find a way to fade to pink or purple, please do.
Before you can brighten the corner where you are, you must first develop dislike for the initial dull corner you once endured. You can't change what you are comfortable with.
I like to show the grey area in all my characters.
Through a process of trial and error and experimentation, I discovered the simplest method - using only black - produced work with the strongest visual impact installed.
Design in black and white. Add color for emphasis, when your design is complete.
Designers love subtle cues, because subtlety is one of the traits of sophisticated design. But Web users are
generally in such a hurry that they routinely miss subtle cues.
Color in certain places has the great value of making the outlines and structural planes seem more energetic.
I like not to know, unless it's something that I need to know, specifically, for how I color a performance.
The fact that books today are mostly a string of words makes it easier to forget the text. With the impact of the iPad and the future of the book being up for re-imagination, I wonder whether we'll rediscover the importance of making texts richer visually.
Your words on the screen are my color palette
I dip my brush into your words and paint you
On the sky, on the ceiling, on the snow; on the tablet
Of things eternal : love truth beauty happiness
I always like to start with a matte base then add shimmer.
Simplify and add lightness
It will be readily admitted that brown tints have never coursed beneath our skin; it will be discovered that yellow shines forth in our flesh, that red blazes, and that green, blue and violet dance upon it with untold charms, voluptuous and caressing.
Only those who love color are admitted to its beauty and immanent presence. It affords utility to all, but unveils its deeper mysteries only to its devotees.
In order to change a color it is enough to change the color of its background.
I charge laughing.
Into the hair-thin tints
of yellow dawn,
into the women-coloured twilight
A light white, a disgras, an ink spot, a rosy charm.
The sound of colors is so definite that it would be hard to find anyone who would express bright yellow with base notes, or dark lake with the treble.
When yellow lights struggle with blue shades in hairlike lines.
Pay attention to your visual themes.
All the best artists have shown that the greatest achievement in the production of fine color is the concealment of pigments, and not the parade of them; and we may say the same of execution.
I'd like to look below my eyes and see not language staring back at me, not sentences or single words or awkward pen lines, but a surface clear and burnished as glass.
Adjust your makeup to the light in which your wear it.
Silver knives! Painful and sometimes deadly to all paranormals!'
'Tasey!' I counterd 'Hot pink and sparkly!
Better gray than garishness.
People are all diamonds. They are already valuable, brillant and unique in their own right. Sometimes a person can do with a buff, a fluff and a polish to bring out the natural brillance and clarity that has always existed within them.
You can always spot bright people. They are reading a book.
The most ordinary word, when put into place, suddenly acquires brilliance. That is the brilliance with which your images must shine.
Achievement has no color
I can see the green light
I can see it in your eyes
I can recommend wearing blue mascara whilst writing. I'm telling you, it really adds something.
One of my goals is to allow readers to see my characters and the world they inhabit as vividly as possible.