Discover the most popular and inspiring quotes and sayings on the topic of Overarching. Share them with your friends on social media platforms like Facebook, Twitter, or your personal blogs, and let the world be inspired by their powerful messages. Here are the Top 100 Overarching Quotes And Sayings by 96 Authors including E.b. White,Joanna Baillie,Frank Delaney,D.h. Lawrence,David Whyte for you to enjoy and share.
A single overstatement, wherever or however it occurs, diminishes the whole, and a carefree superlative has the power to destroy, for the reader, the object of the writer's enthusiasm.
The plainest case in many words entangling.
Beneath its broad surface, storytelling should always work hard to say more than it seems to.
Once you abstract from this, once you generalize and postulate Universals, you have departed from the creative reality, and entered the realm of static fixity, mechanism, materialism.
The lost sense that we play out our lives as part of a greater story
When I am experiencing a complex story or novel, the broader planes, and also details, tend to fall away.
The extreme nature of dominant-end views is often concealed by the vagueness and ambiguity of the end proposed.
The main thing is to keep the main thing the main thing.
A certain excessiveness seems a necessary element in all greatness.
The levelling process is the victory of abstraction over the individual. The levelling process in modern times, corresponds, in reflection, to fate in antiquity.
I like stories where there's a center that's mushy and complicated.
The task is not primarily to have a story, but to penetrate the story, to discard the elements of it that are merely shell, or husk, that give apparent form to the story, but actually obscure the essence. In other words, the problem is to transcend the givens of a narrative.
Overwatch doesn't just bring together the legal and espionage genres. It merges family problems with professional ones, swirls in a major helping of murder and mayhem, and with a deft touch, reminds us why politics is-always-perso nal.
Keep your central character moving, discovering, learning.
too much detail can have a distancing effect
In the depth of the soul is the atman, the oversoul. And that oversoul is really love and compassion, peace, joy, and wisdom.
A hierarchy within the hierarchy
The world thus appears as a complicated tissue of events, in which connections of different kinds alternate or overlap or combine and thereby determine the texture of the whole.
We nurture our sense of connection with the larger whole, noticing that the whole is only as healthy as its smallest part.
Big-Picture-speak, Risa calls it. Seeing the whole, and none of the parts.
In abstract painting, I worried about the limited range of possibilities that, as time went on, became increasingly important to me. I wanted to express or deal with differences that an all-over paint and canvas 'presence' neutralized.
The author explores the result of endless choice. It is not only overload, but a profound loss of unity, solidity, and coherence in life.
Endings that are muted, but which echo longer in the memory than louder, more explosive denouements.
Where there is too much, something is missing.
The sublimity connected with vastness, is familiar to every eye.
Often, exactly big complexes force an individual to achieve their big goals and massive success.
If there's one theme that connects all my work, I think it's that of land-lessness; how land makes people into who they are and what happens to them when they lose it and thus lose their identities.
Life is one long struggle to disinter oneself, to keep one's head above the accumulations, the ever deepening layers of objects ... which attempt to cover one over, steadily, almost irresistibly, like falling snow.
Greater than scene is situation. Greater than situation is implication. Greater than all of these is a single, entire human being, who will never be confined in any frame.
As usual, I overdreamed and underbudgeted. . .
I don't really set out to explore grand themes. I set out to tell a story. And one I have to be able to imagine right through.
If anything can be done, it can be overdone is my point of view.
General ideas are essences. They are our gods: they round and ennoble the most partial and sordid way of living.
a deep smothering emptiness
How immensely the world is simplified when tested for its worthiness of destruction. This is the great bond embracing and unifying all that exists.
Everyone spoke of an information overload, but what there was in fact was a non-information overload.
I shall proceed from the simple to the complex. But in war more than in any other subject we must begin by looking at the nature of the whole; for here more than elsewhere the part and the whole must always be thought of together.
Do you see that kitten chasing so prettily her own tail? If you could look with her eyes, you might see her surrounded with hundreds of figures performing complex dramas, with tragic and comic issues, long conversations, many characters, many ups and downs of fate.
All experience is an arch, to build upon.
I wanted to present a sweep and scope of larger events, and a grander backdrop, but most important was to set against that a very singular, real and modest people struggling with every day and human struggles.
Certain small ways and observances sometimes have connection with large and more profound ideas.
The initial animosity between divergent approaches can be overcome if we realize that each has something to offer that the other lacks. We may weave them together into a new whole that is stronger than the sum of its parts.
Parts are not to be examined till the whole has been surveyed; there is a kind of intellectual remoteness necessary for the comprehension of any great work in its full design and its true proportions; a close approach shews the smaller niceties, but the beauty of the whole is discerned no longer.
I believe that, in any novel of mine, the principal objective is the construction of the whole.
In the end, the character of a civilization is encased in its structures.
With my work, I try to delve into the several layers that compose the edifice of history, to take the shadows cast by this model of uniform development to try and understand what lies behind it.
Every idea has to become broad till it covers the whole of this world, every aspiration must go on increasing till it has engulfed the whole of humanity, nay, the whole of life, within its scope.
The noble temptation to see too much in everything.
I guess my tendency is to think essentially that the new wrinkles won't do the job if the old major idea didn't, and so you have to try something different. Then maybe they can all be combined in some coherent piece.
Some kinds of baseness are nobly undergone.
This is how it all begins. With Zephyr and Fry - reigning neighborhood sociopaths - torpedoing after me and the whole forest floor shaking under my feet as I blast through air, trees, this white-hot panic. You're going over, you
People love buying into a lifestyle and an overall concept. So when they buy a shell-colored lip gloss, they can also buy shells for their house, as well as sunglasses and [items in] other categories [in that shade] to create one consistent image.
No matter how hard you try to put everything neatly into shape, the context wanders this way and that, until finally the context isn't even there anymore. You're left with this pile of kittens lolling all over one another.
If you look around anywhere, layers are an important part of, not just the story and the concept, but the world you're in. If you just turn around and look at your office door, there's a door, and there's something behind it.
An Overall Feeling of Doom that One Cannot Ever Escape no Matter What One Does
The world beyond is vast, but so small. Men putting themselves in boxes. Sitting at desks. Riding in cars. Ships. Here, the world is small, but without end.
The most fundamental in me is coming uppermost, and the transient, the sensational, is dispersing, because it can't adversely influence what is essential to me.
...something more than the sum of its parts-
Novelists liked to imagine the interconnectedness of things - as though all the people in the big city were part of some great organism, their lives intertwined. He
Again from a distance, Sukie was once again struck by her mother's chic and how different things can seem from far away, how there's more than one truth, the faraway truth and the truth close up.
It isn't necessary for a work to have a lot of things to look at, to compare, to analyze one by one, to contemplate. The thing as a whole, its quality whole, is what is interesting. The main things are alone and are more intense, clear and powerful.
To reflect the entire spectrum, the dynamics of the adventure novel must be invested with a philosophic synthesis of one kind or another.
The idea of man as the dominant mammal of the earth whose whole behaviour tends to be dominated by his own desire for dominance gripped me. It seemed to explain almost everything, and I applied it to everything.
Like someone excitedly relating a story, only to find the words petering out, the path gets narrower the further I go, the undergrowth taking over.
Involving into an iterative process of simplifying the 'complexity', and then transforming this 'simplicity into newer complexity' while integrating the unsolved domain for an unprecedented success.
When we place our immediate conflicts in the territory of an archetypal story we can better see the nature of our problems and find solutions that bring creative imagination to bear in the realm of hard facts and hardening dilemmas.
Sometimes one can be so closely involved with things that the larger context is lost to view.
Every idea must have a visible enfolding.
Resisting premature abstraction is as important as abstraction itself.
The universal subjugator, the commonplace.
The web of domination has become the web of Reason itself, and this society is fatally entangled in it.
By changing the context in which two things are compared, you submerge certain features and force others to the surface. "It
An archetypal content expresses itself, first and foremost, in metaphors.
If it's worth doing, it's worth overdoing.
People tend to overuse any idea or concept that delivers an emotional kick.
A number of images put together a certain way become something quite above and beyond what any of them are individually.
brooding over the upper reaches, became
The core of character lies in each individual story person's ability to care about something; to feel implicitly or explicitly that something is important.
Your ultimate life experience and legacy is being built moment by moment, day by day. Your story is being crafted by your every action, all leading somewhere, all leading to what one hopes will be a magnificent crescendo.
From the tattered edges of an exhausted mind, inspiration blooms ... mental filters disintegrate and walls crumble, as the ocean of creativity washes over everything.
This web of intricate connections
Nothing worthy can be built on a neglect of higher meanings and on a relativistic view of concepts and culture as a whole. Indeed, something greater than a phenomenon confined to art can be discerned shimmering here beneath the surface - shimmering not with light but with an ominous crimson glow.
Big-picture thinkers broaden their outlook by striving to learn from every experience. They don't rest on their successes, they learn from them.
We must not expect simple answers to far-reaching questions. However far our gaze penetrates, there are always heights beyond which block our vision.
I always knew what I thought the theme was, the core, in one word. In 'The Godfather' it was succession. In 'The Conversation' it was privacy. In 'Apocalypse' it was morality.
If it is worth doing, it is worth overdoing.
Our culture thrives on black-and-white narratives, clearly defined emotions, easy endings, and so, this thrust into complexity exhausts.
To achieve vital harmony in a picture it must be constructed out of parts in themselves incomplete, brought into harmony only at the last stroke.
Profound it is, dark and obscure;
What you focus on expands.
When I have clarified and exhausted a subject, then I turn away from it, in order to go into darkness again.
The contradictory, consuming, contested relationship between detail and whole, event an eventuality, breathes fire and wisdom in every great work of art.
What surrounds us we endure better for giving it a name - and moving on.
The subject, however various and important, has already been so frequently, so ably, and so successfully discussed, that it is now grown familiar to the reader, and difficult to the writer.
When we are young, we think life will be like a supo: one fabric, one weave, one grand design. But in truth, life turns out to be more like the patchwork cloths-bits and pieces, odds and ends-people, places, things we never expected, never wanted, perhaps.
But the development of human society does not go straight forward; and the epic process will therefore be a recurring process, the series a recurring series - though not in exact repetition.
Whether to the average person, applying contemporary community standards, the dominant theme of the material taken as a whole appeals to prurient interest.
The arts are encroaching one upon another, and from a proper use of this encroachment will rise the art that is truly monumental.
We lay down a fundamental principle of generalization by abstraction: The existence of analogies between central features of various theories implies the existence of a general theory which underlies the particular theories and unifies them with respect to those central features.
I am dominated by one thing, an irresistible, burning attraction towards the abstract.