Discover the most popular and inspiring quotes and sayings on the topic of Preview. Share them with your friends on social media platforms like Facebook, Twitter, or your personal blogs, and let the world be inspired by their powerful messages. Here are the Top 100 Preview Quotes And Sayings by 99 Authors including Cynthia Ozick,Xavier Dolan,Jeff Kinney,Sigmund Freud,M.m. John for you to enjoy and share.
I was so mad at my agent. I had polished and polished and polished [the play], and he referred to it as a draft. I wrote him a bitter letter: How can you call this a draft? I don't do drafts! By now I've done 18, and its turning, in the rehearsal room, into a 19th.
When I write a film, I have already made the trailer
I draft on the computer. I have a really giant screen that attaches to my laptop, and then I have a humongous digital drawing tablet called a Cintiq. It sits at all different angles, and it's so big that it would take two people to move it.
[The child receives impressions like] a photographic exposure that can be developed after any interval of time and transformed into a picture.
Her face was as red as her hair. "What are you doing," she cried.
Devon put a question mark next to the sentence. "Editing your paper." What did it look like he was doing?
"You're just cutting out stuff!"
"What do you think editing is?
I must have the personal dialogue, the private time, with each painting in progress. I can't share it with anyone until it's done.
I just have a hard time displaying things.
Visual journals are created in a secret language of symbols. Intentional or not, they are private maps only their makers can follow.
Whatever artistry may occur within the manuscript, the magic happens for me in the last draft. Whatever I have been resistant to say must finally be said. In the end, I see where my pencil has been leading me.
And my signature is drawn in magic marker
on the lower right hand corner of the window
so when something passes in the dark
it's captured for a moment inside my work.
My goal is to make the viewer a little bit smarter.
In front of the camera I look and I see visually what I've created.
triumphantly digitized contemporaneity'?
It's important to put aside your internal editor and just get words down on the page when working on a first draft.
I don't write drafts. I write from the beginning to the end, and when it's finished, it's done.
The editor will be an extension of your hand; the keys will sing as they slice their way through text and thought.
I just made pictures I would've liked to see.
If you put a demo on the net and people say it was the finished version then they're going to say it sucks. I really hate that.
Indentations on the page, words, my friends, and I will share them with you.
Show Us, Don't Tell Us
Another of the older views, and they are simply read out
I never show anything to anybody until I've finished it.
A careful first draft is a failed first draft
I don't fiddle or edit or change while I'm going through that first draft.
Don't bother looking at the view - I have already composed it.
We see the brightness of a new page where everything yet can happen.
Come now, what's a reviewer?" I reasoned. "One who reads quickly, arrogantly, but never wisely ...
the flip side of the paper." Quaere enim avis replaced the image on the screen, handwritten in blue ink.
Thank you for being open to another more workable draft of me. It affected me profoundly.
view. Absentmindedly
Scribbled secret notebooks, and wild typewritten pages, for yr own joy
The critic interested in a novel manifestation holds his criteria and taste in reserve. Since they were formed upon yesterday's art, he does not assume that they are ready-made for today.
See what is invisible and you will see what to write
Today I am a lens, a pen, a gun.
p. 1 ... Before My Eyes ... look for it on 2.11.14
Transforms old print To zigzag manuscript, and cheats the eyes Of gallery critics by a thousand arts.
I wrote six versions of a 30-second tease for an NBA game. You never get it right on the first try.
Participant Inc. gallery,
Editing and selectivity are processes that provide the first steps in determining and conveying content.
As I get ready to buy a new computer, I'm stunned at all the many micro drafts, of different chapters and scenes and whatnot, that litter the hard drive.
When I have to critique someone else's web design, rather than write up a giant email or take a screengrab and move stuff around in Photoshop, I put together a really quick CSS doc making my changes.
The way we see is critical to understanding how others will read our compositions.
The viewer must bring their own view to a photograph.
With the e-reader, the whole book was on
the same virtual page. One could not feel the depth of the pages on the left side increase as those of the right side diminished, the
gradual progression from beginning to middle to end, the sense of where one stood in the journey of the story.
I only write first editions.
I don't watch a lot of my work. I'm not really interested in seeing it after I do it. Because I came from theater, where, you know, it's impossible to actually review your work, so why would I bother under any other circumstances?
A still image attracts the viewer with an overall impact, then reveals smaller details upon further study.
One always has to spoil a picture a little bit, in order to finish it.
The second draft is on yellow paper, that's when I work on characterizations. The third is pink, I work on story motivations. Then blue, that's where I cut, cut, cut.
You glance at an e-mail. You give more attention to a real letter.
My technique, starting with a quick outline in pencil, is designed to record first impressions, with no time for second thoughts.
I usually create sounds and have different generators running over it. You know you can open a word-file as a picture or the other way round. I do the same with sounds.
The first draft is the child's draft, where you let it all pour out and then let it romp all over the place, knowing that no one is going to see it and that you can shape it later.
I tend not to look at my work after I've done it. In fact, the only time I typically get to review it is when the fans bring up comics at shows, and I kind of flip through it and be like, 'Oh, I remember doing this!'
There is no such thing as a publishable first draft.
But when you read a book, what you see are black squiggles on pulped wood or, increasingly, dark pixels on a pale screen. To transform these icons into characters and events, you must imagine. And when you imagine, you create.
Outline of your frame
My paper witness your silhouette
Sipping in coffee
My muse, my Juliet.
Afternoon spent,
In hungry desires
Ending with a kiss
On your coffee lips.
The card was displayed in the post office window between 'Room to let, suit single professional person' and 'Kittens, 12 weeks old, litter trained'. Diana wouldn't have seen it if she hadn't been checking her reflection to see if her new jacket was creased.
Originally self-published, in different form, as an ebook in 2011 .
The first draft of anything is shit.
Behold the power of my pen
panes in an attempt to get a better look at
A presentation copy, reader,-if haply you are yet innocent of such favours-is a copy of a book which does not sell, sent you by the author.
Tinker Tailor Soldier Spy: Theatrical Trailer (Courtesy of Focus
Save the time of the reader, for it is valuable
The dictionary is, however, only a rough draft.
It always felt good typing up a review on a book I enjoyed and I went all out, finding bizarre pictures to emphasis the wow factor. I preffered ones with cute kittens and llamas. And Dean Winchester. Hitting 'publish post' cracked a smile.
What I love about drafts is the experimental nature of them. The draft is what you know about writing a poem running up against what you don't know about the subject. If you're lucky, you get to surprise yourself.
We create an interior 'movie' in the reader's head through words on the page.
Journal) - Clip This Article
A presentation copy ... is a copy of a book whoch does not sell, sent you by the author, with his foolish autograph at the beginning of it; for which, if a stranger, he only demands your friendship; if a brother author, he expects from you a book of yours, which does not sell, in return.
I'm the only one in Tulsa, Oklahoma, that has Final Draft on my computer. Then you show up and go to any coffee shop in L.A., and there are a hundred people your age with Final Draft.
Read; explore; write; read; explore; write; read...
In my work, as a writer, I only photograph, in words, what I see.
I'm a wonderful editor. That's what I do best. I know exactly what I want. If I have to decide whether to wear the red dress or the blue dress or what should I have said, I am constantly changing my mind.
You embraced what was already on the page, worked with it, massaged it.
photo album a minute later. She set it gently on the table and opened to the last page. It was a professional high
I want you to see me
and I know that I've never known
how to make myself visible before.
[News is] a first rough draft of history.
Online magazines such as Salon, Slate, and Suck, had already made an elementary discovery: a reader staring into the equivalent of a thirty-watt bulb didn't want to confront thousands of words. The medium required a little extra white space, a sort of oasis for the optic nerve.
If only I had thought of a Kodak! I could have flashed that glimpse of the Under-world in a second, and examined it at leisure.
Only ambitious nonentities and hearty mediocrities exhibit their rough drafts. It's like passing around samples of sputum.
I normally keep a series of draft in a catalogue type of book in which I scribble, sketch and draw ideas.
I'm past photographing to see what things look like photographed.
It's not good for me to see things while they're being edited. I can be highly critical, so I try to stay away.
While it can be pleasurable to move speedily through a work of fiction, there's a different sort of pleasure to be had in lingering, backtracking, rereading the same page.
An editor is like a painter. There is a magic in that.
You don't want everyone to see a piece of content. You want the people who are really excited about the content to see it.
A photograph comes into being, as it is seen, all at once.
Usually you always see first cut is an extended version, because it's basically everything you shot, and you have that version and then you start cutting stuff out.
Show just a little bit of what you're working on.
The picture itself is a document. How do you mean? We're looking at a document. It gives you clues.
Let us turn over the pages, and I will add, for your amusement, a comment in the margin.
Let the pages open the world of imagination.
with the help of the next picture." There was a click of a slide
[To the critic who wrote a negative review:] I am sitting in the smallest room of the house. Your review is before me. Soon it will be behind me.
An unedited manuscript is a first draft of story; but is not a finished product. Too many writers study the craft of writing but do not acquire the skills of an editor.
I write on a laptop, so it's impossible to count drafts anymore.
The paper is patient, but the reader is not.
If you don't have a camera, the best thing you can do is describe how great it looked.
I'd like to show an improved product rather than just talk about things we might do.