Discover the most popular and inspiring quotes and sayings on the topic of Rehearsals. Share them with your friends on social media platforms like Facebook, Twitter, or your personal blogs, and let the world be inspired by their powerful messages. Here are the Top 100 Rehearsals Quotes And Sayings by 97 Authors including Alfred Lunt,Pearl Cleage,Ron Perlman,Ewan Mcgregor,Henning Mankell for you to enjoy and share.
Miss Fontanne and I rehearse all the time. Even after we leave the theater, we rehearse. We sleep in the same bed. We have a script on our hands when we go to bed. You can't come and tell us to stop rehearsing after eight hours.
I truly love the rehearsal process, those eight hours a day! I really love actors.
I love showing up and giving a performance without the benefit of a lot of rehearsal or dissection. It's fun to me to act on a kind of instinctual level and go straight for the performance.
I think rehearsal can be important if it's done in a way that works. Often, rehearsal can be a waste of time.
There is always a sacred hour in the theatre - after rehearsals and before performances, in the afternoon, between three and five o'clock. Normally the theatre is empty then, and this is a wonderful hour.
Sometimes, rehearsals are not worth it if you do not have an accurate cast, and that is one of the most difficult parts about a film.
Rehearsals and screening rooms are often unreliable because they can't provide the chemistry between an audience and what appears on the stage or screen.
Performing is about developing empathy, which leads us to a broader view of the world and encourages us to develop compassion; so we can comfort each other and not be so brutal with each other.
I don't like to rehearse. And I couldn't understand how you could go through eight weeks of rehearsal, without exhausting every possibility. To the point where, you know, you would just lie gasping on the floor!
I've been onstage once for one performance with four days' rehearsal.
I mean, a lot of time rehearsals are taken up with other things other than preparing a character.
I love performing.
The stage is not for me to practice. I'm not that artist. You practice at home and when you get on stage, it's time for a conversation.
I love rehearsals and I love creating a character, sticking with it until you have something to tell. It's always different though. Sometimes a director will tell you from day one what they want. Then you throw in your idea.
I don't think of it so much as the shows I did or the film sets. I mean, sometimes you'll get a nice location, but it's more, 'Who am I meeting on a day-to-day basis?' Often the rehearsals are a lot more fun than the show itself.
Listening to your own sets and listening to the audience as you perform. It's a conversation of sorts. There is an exchange.
A performer needs and craves a live audience.
A performance is a conversation between you and an audience.
Theater is all about the rehearsal process. In fact, I think a lot of times opening night there's a mixed sadness because you're finished with a lot of people's favorite part of the process, which is finding the character and discovering it, and then you get to live it.
I grew up in musical theatre and love to perform on stage.
Performance-wise, you really need to be down in the trenches; you need to do the hard work, for a lot of reasons: To build yourself as a performer, to get a sense of the audience, to work hard and to wonder, 'Do I really want to do this?'
I do an improv show on Sunday where we have a class, and then afterwards we go and do a live performance in front of an audience.
Musicals are written and then rewritten. Those things used to happen on the road. Now they are done in New York during preview performances.
My band can tell you, I'd rather do anything than rehearse.
I love the rehearsal process in the theatre, and the visceral sense of contact and communication with a live audience.
The rehearsal process in general is about trusting one another.
When you're young and starting out, the big hurdle is to relax enough in rehearsal so that you don't feel intimidated. The more work you've done, the more you can experiment in rehearsal and not have to worry about getting the sack.
On a film, they'll always say there's going to be a rehearsal period, and there never is.
We have different personalities, but in a harmonious way, I'd say. Anyway, we were booked to play at the festival as a duo; and we decided we wouldn't have any rehearsal.
We strut and fret our hour upon the stage and then are no more.
I'm a performer.
Rehearsals and practice times by myself are like these little islands of 'Okay' in a vast sea of 'Holy Crap!
I love rehearsing because in rehearsals there are no mistakes, nothing is wrong, some things apply or lead you to focus on the character and the things that don't apply are equally valuable because they lead you to towards what does.
I come from the theater, so for me rehearsal is vital and a way of life. There are many film directors who don't believe in it and some actors who prefer not to rehearse.
I prepare myself very intensely. I am at the theatre four hours before the performance. It allows for complete concentration and preparation.
Dancers are instruments, like a piano the choreographer plays.
I prefer film to the stage. I always like the rehearsal better than I like performing.
I'm not a guy that loves a lot of rehearsal, but it depends. It depends what it would be.
Spectacular performances are preceded by spectacular preparation
No mistakes can be make during rehearsals, only progress toward what works best.
I don't do a lot of rehearsal. I don't like rehearsals. I rehearse the day or morning. I spend one hour and a half with all the actors, and we go over the scenes, and we change it and change the dialogue, and we do a lot of things to it, but prior to shooting, I don't really rehearse.
I'm not actually a very keen performer. I like putting shows together. I like putting events together. In fact, everything I do is about the conceptualizing and realization of a piece of work, whether it's the recording or the performance side.
I'm heavily involved in the creative with choreographer Christopher Scott. I go to rehearsals with 'Glee' and then practice with LXD till about midnight.
Theater is a dance of a different kind, a dance of rawness and characters stripped down.
As an artist, you're pretty sheltered backstage. You often don't know what's going on out there.
No one appears on our stage unless the director has placed them there for our benefit
The problem with our art form: it's so ephemeral, and catching performances can be so difficult ... the important thing is what happens at the moment of performance, for the people who made the effort to be there: it lives with them.
A lot of people don't really understand what rehearsal's about. People are afraid they're gonna leave it in the dressing room, or you're gonna shoot your wad in rehearsal.
In the theater you rehearse for a minimum of five to six weeks. And then you get to play it. Which means you get to get better. That's the great thing about the theater.
Musical theatre is now a worldwide conversation.
I'm happy whenever I'm in a rehearsal room. I've always gotten all my energy and creativity in there.
The stage is near and dear to me.
Concert. It was a benefit for the string-playing
You can only know how confident you are when you kick-start. True confidence is not found in excessive rehearsals; it comes from experience. Plan, prepare, but will willing to make it happen!
I'm basically a pretty shy person and I don't dance or get into fights. But there are all these things inside me that get out when I perform. It's like a real world when I play, here I can do all the things that I can't do in real life.
We're performing several shows in the Canary Islands.
In theater, you have a rehearsal period and you know just who to be.
We're all performing for someone.
Performances have a bit of a life and a time scale to themselves.
What happens is, when I perform, I'm somewhere else. I go back in time and get in touch with who I really am. I forget my troubles, my worries.
When I'm getting ready for a tour, I'll work out with the dancers.
The stage is my love, it's where I started and where I do my best work.
The key for me is really just to stay in a child-like state in the rehearsal studio. I'm really goofy and really silly and crazy. If I get too serious, I start hitting a wall.
All I have to say is basically if performing, singing, acting, and dancing is what you want to do, then you just have to do it - no matter where it is.
Performers love to perform - that's the thing that we do. I think one of the best things was being able to imagine anything that I wanted, anything that I came up with we could do, because this theater is unbelievable.
We just started filming, and after every scene was shot, we had a rehearsal for the next one.
The most crucial ingredient by far for success in music is ... what happens in the practice room.
People come out to see you perform and you've got to give them the best you have within you.
Back in the Stone Age, before there were workshops, it was a very difficult idea to get into musical theatre. Normally, you would be a chorus girl or boy and write something. People would get their start as rehearsal pianists or dance assistants.
Those of us who are writers and have to perform to communities that aren't used to coming to book events, I would recommend taking some theater.
Music is a performance and needs the audience.
Frankly, seeing my plays with an audience is something I do with gritted teeth; I find the experience very difficult. I love the moment when you have just the dress rehearsal, when no one's there; that's kind of the peak to me. When people start filing in, I like to file out.
Performers are so vulnerable. They're frightened of humiliation, sure their work will be crap. I try to make an environment where it's warm, where it's OK to fail - a kind of home, I suppose.
I like to do everything you can possibly do before you go into rehearsal, because once we are in rehearsal or on the stage there will be a problem I didn't anticipate. It's really good to think we got it all nailed - of course you've never got it all nailed.
I am not a sentimental or superstitious person, so I don't have any pre-performance rituals. I am a very practical woman. After a performance I am always hopeful that I will lure someone home for a ritual of a more personal nature.
Every talent has an audience waiting to be inspired and entertained.
Performers try harder.
When I'm having a rehearsal and there are new guys who come in to try out for the job, I always let my conductor rehearse them. Because I don't want the guy to get bent out of shape, because I walk in.
Open rehearsals reach people who might not otherwise hear the Philharmonic - people on fixed incomes, people who can't move easily at night, students.
Theater is about surprises and things that you haven't seen before on stage.
I've been on projects before where there's no rehearsal, and you walk in on set and that's literally the first time you've ever played the character, and then I've had times where there's been three weeks of rehearsal. I like both.
I have a studio in a barn at home - we rehearse there, we film there and we record there. It's fun to hang out with my guys and see what comes out next.
I've realized that I can do performances.
I want to work with performers who really are ready to lose their minds, you know? People who are established and have talent, but who are ready to break new ground and really be cracked open in a new way.
I really like performing for people.
I love being onstage.
In general, I don't even have the luxury of rehearsal time on most films that I make. It is just a scene-by-scene full cast read through. It's very much just doing the rehearsal sometimes the day before, at the end of the day, but just on the spot as the scene unfolds.
The primary function of a theater is not to please itself, or even to please its audience. It is to serve talent.
Somewhere during the 'Next to Normal' Broadway run, I found myself learning more about myself onstage than in real life, and I truly realized the beautiful, tremendous, extraordinary gift that is performing.
I'm the empty stage where various actors act out various plays.
Well, we have theatrical parties. It's not me singing. People like to get up and jam on the piano.
As the manager sits before a performance, as the critics wait like hungry dogs to rip apart the performance, they all become entwined in the theatrics of it all.
I've done a lot of television, and there's no rehearsal process - you have to come to the set with your guns blazing and with a point of view.
I demand perfection in what I do, and I practice very hard before I give a concert-sometimes three to six hours a day.
Great performers are preparing and practicing for a winning day while everyone else is still asleep.
I'm not a natural performer. I don't like performing very much.
The importance of rehearsal is maybe you want to talk about how the scene's going to be designed, how it's going to be staged, all of those things. It's all about preparation, and deciding what mutually you don't want to do, rather than necessarily what you do.
With a theatre audience there's always the additional sense of a sustained challenge of which I'm acutely aware and for which you need to have the tools ready - your voice, physicality, brain.
Giving a good performance, giving it all is what it's all about. I love to perform.
You get onstage and make other people feel happy. Make them feel good.