Discover the most popular and inspiring quotes and sayings on the topic of Representational. Share them with your friends on social media platforms like Facebook, Twitter, or your personal blogs, and let the world be inspired by their powerful messages. Here are the Top 100 Representational Quotes And Sayings by 93 Authors including Guy Debord,Ralph Waldo Emerson,Diego Rodriguez Telechea,Juan Goytisolo,Camille Pissarro for you to enjoy and share.
In societies where modern conditions of production prevail, all of life presents itself as an immense accumulation of spectacles. Everything that was directly lived has moved away into a representation.
We are thus assisted by natural objects in the expression of particular meanings. But how great a language to convey such pepper-corn informations!
A prototype is a question embodied
When I write now I do not invent situation, characters, or actions, but rather structures and discursive forms, textual groupings which are combined according to secret affinities among themselves, as in architecture or the plastic arts.
We are all the subjects of impressions, and some of use seek to convey the impressions to others. In the art of communicating impressions lies the power of generalizing without losing that logical connection of parts to the whole which satisfies the mind.
From time to time, from the endless flow of our mental imagery, there emerges unexpectedly something that, vague though it may be, seems to carry the promise of a form, a meaning, and, more important, an irresistible poetic charge.
Affect, Imagery, Consciousness, a four-volume work so dense that its readers were evenly divided between those who understood it and thought it was brilliant and those who did not understand it and thought it was brilliant.
Things [only] exist once they are represented.
An image is a bridge between evoked emotion and conscious knowledge; words are the cables that hold up the bridge. Images are more direct, more immediate than words, and closer to the unconscious. Picture language precedes thinking in words; the metaphorical mind precedes analytical consciousness.
What you show is what you represent
Language is memory and metaphor.
The wholeness, coherence, identity, which we attribute to the depicted scene [in a photograph] is a projection, a refusal of an impoverished reality in favour of an imagined plenitude.
Realization that is beyond characteristic or designation is marvelous!
The mind is a metaphor of the world of objects.
The images evoked by words being independent of their sense, they vary from age to age and from people to people, the formulas remaining identical. Certain transitory images are attached to certain words: the word is merely as it were the button of an electric bell that calls them up.
Conceptions are artificial. Perceptions are essential.
Art is the sensuous presentation of ideas.
Demonstration, similitude & harmony are objects of reasoning. Invention, identity & melody are objects of intuition.
Apart from the representational content of an idea there is another component: its force and vivacity, its impetus.
The idea, which constitutes the actual being of the human mind, is not simple, but compounded of a great number of ideas.
Thought without language, says Lavelle, would not be a purer thought; it would be no more than the intention to think. And his last book offers a theory of expressiveness which makes of expression not a faithful image of an already realized interior being, but the very means by which it is realized.
Imagine others complexly.
A mind that is very selective to forms ... is apt to use its images metaphorically, to exploit their possible significance for the conception of remote or intangible ideas.
Empirical description involves enslavement to the object by decreeing passivity on the part of the subject.
It's a mind, it works by metaphor.
In order for sensation to accede to the objectivity of things, it must itself be changed into a thing. The agent of change is language: the sensations are turned into verbal objects.
The abstract is no more than an instrument, an organ, to see the concrete clearly.
All individual thought is dissolved in universal thought, as all form is dissolved in the universal plastic means of Abstract-Real painting.
Reality changes; in order to represent it, modes of representation must change.
When anything is present to the mind, what is the very first and simplest character to be noted in it, in every case, no matter how little elevated the object may be? Certainly, it is its presentness .
The human mind is not, as philosophers would have you think, a debating hall, but a picture gallery.
I don't decide to represent anything except myself. But that self is full of collective memory.
Manifestation is a process by which we transform seemingly unrealizable imaginations to reality.
I am an interpreter of interpretations
All thought must, directly or indirectly, by way of certain characters, relate ultimately to intuitions, and therefore, with us, to sensibility, because in no other way can an object be given to us.
Discourse, the sweeter banquet of the mind.
We are symbols, and inhabit symbols.
The number and richness of man's signifiers always surpasses the set of defined objects that could be termed signifieds. The symbolic function must always precede its object and does not encounter reality except when it precedes it into the imaginary ...
A representational photograph says, 'This is what Vienna looked like.' An interpretational photograph goes one better and says, 'This is what Vienna was like. This is how I felt about it.
Vision is an intelligent form of thought
I try to make concrete that which is abstract.
In the spirit of Trickster, here's to turning representation against itself in the fight for survivance, for f"a new consciousness of coexistence," for a new Turtle Island.
A tendency toward the abstract is inherent in linear expression: graphic imagery being confined to outlines has a fairy-like quality and at the same time can achieve great precision.
But what is memory if not the language of feeling, a dictionary of faces and days and smells which repeat themselves like the verbs and adjectives in a speech, sneaking in behind the thing itself,into the pure present, making us sad or teaching us vicariously ...
We emphasize that such a form of communication is not absent in man, however evanescent a naturally given object may be for him, split as it is in its submission to symbols.
It sounds formulaic now, but at the time, I was interested in the difference between the thing and the representation of the idea of the thing - the space between the two.
The idea is that the object has a language unto itself.
Perception is, in essence, who we are. We are what we perceive. What we perceive defines who we are.
Embodiment means we no longer say, I had this experience; we say, I am this experience.
We believe that we know something about the things themselves when we speak of trees, colors, snow, and flowers; and yet we possess nothing but metaphors for things - metaphors which correspond in no way to the original entities.
I'm not expressing anything. I'm presenting people moving.
Perception is a powerful tool.
When David Marr at MIT moved into computer vision, he generated a lot of excitement, but he hit up against the problem of knowledge representation; he had no good representations for knowledge in his vision systems.
We can think of descriptions almost as computer languages, an operative description that only deals with very simple operations. Its code is sex - Male, female, dark, light, up down, in out - its the language of duality.
What thin partitions sense from thought divide!
The Imagination that is raised in man (or any other creature imbued with the faculty of imagining) by words, or other voluntary signs, is that we generally call Understanding; and is common to Man and Beasts.
Abstract ideas are connected in a systematic way to more concrete experiences.
People may be understood through the art they produce or by descriptions from friends and family, by observation, or through their dreams.
Grammar A stratum of consciousness Leading to beauty
Language is not the lowborn, gawky servant of thought and feeling; it is need, thought, feeling, and perception itself. The shape of sentences, the song in its syllables, the rhythm of its movement, is the movement of the imagination.
What is thematically posited is only what is given, by pure reflection, with all its immanent essential moments absolutely as it is given to pure reflection.
I was concerned with something like the notion of 'language speaking the subject,' and with the transformation of the woman herself into a sign in a system of signs that represent a system of food production, a system of harnessed subjectivity.
Metaphor has traditionally been regarded as the matrix and pattern of the figures of speech.
It is a good plan, with a young person of a character to be much affected by ludicrous and absurd representations, to show him plainly by examples that there is nothing which may not be thus represented. He will hardly need to be told that everything is not a mere joke.
The mind is inherently embodied.
Thought is mostly unconscious.
Abstract concepts are largely metaphorical.
My writing is a picture of the mind moving.
From the physical point of view, a man is nothing more than a system of cells, or from the mental point of view, than a system of representations; in either case, he differs only in degree from animals.
Conceptuality is subjective; realization is objective.
Words are tools of imagery in motion,
Intuition (is) perception via the unconscious
I have a picture of an ideal consciousness.
Being is seeing in the human dimension.
It is only through the radical defile of speech that we fall into the illusion that language is a register of conscious construction
Thus we must advance from generalities to particulars; for it is a whole that is best known to sense-perception, (25) and a generality is a kind of whole, comprehending many things within it, like parts.
An idea can only be materialized with the help of a medium of expression, the inherent qualities of which must be surely sensed and understood in order to become the carrier of an idea.
We are not talking about a new cognition in relation to abstract art, rather a new area of cognition ...
Like any organic entity, a system of consciousness manifests itself through the orderly, differentiated development of a certain unifying reality.
the mind is a neural computer
I believe that both art and the human striving for cognitive comprehension are manifest forms of the grand game in which nothing more is stipulated than the game's rules; both art and actively solicited perceptions are but special cases of the recurring creative act to which we owe our existence.
Minds weren't pictures at an exhibition, all numbered, and hung in order of influence, one marked "Cunning," the next, "Impressionable." They were scrawls; they were sprawling splashes of graffiti, unpredictable, unconfinable.
All human cognition begins with intuitions, proceeds from thence to conceptions, and ends with ideas.
Proper visualization by the exercise of concentration and willpower enables us to materialize thoughts, not only as dreams or visions in the mental realm, but also as experiences in the material realm.
It is extremely natural for us to desire to see such our thoughts put into the dress of words, without which indeed we can scarce have a clear and distinct idea of them our selves.
Cognitive science
The full analysis of the notions of saying something and understanding what one said inevitably involves a concept which, as I will show in detail, essentially corresponds to the Cartesian idea of thought.
The primary imagination I hold to be the living power and prime agent of all human perception, and as a repetition in the finite mind of the eternal act of creation in the infinite I Am.
All representations of a thing are inherently abstract.
A series of powers are at work within the great stream of Expressionism who have no outward similarity to one another but a common direction of thrust, namely the intention to give expression to things of the psyche [Seelisches] through form alone.
The danger of crippling thought, the danger of obstructing the formation of the public mind by specially suppressing ... representations is far greater than any real danger that there is from such representations.
We each project to others a reflection of the world which includes our choices of perception.
Language is capable of becoming the objective repository of vast accumulations of meaning and experience, which it can then preserve in time and transmit to following generations.
Acting is the physical representation of a mental picture and the projection of an emotional concept.
The unconscious is the discourse of the Other.
Product of a myriad various minds and contending tongues, compact of obscure and minute association, a language has its own abundant and often recondite laws, in the habitual and summary recognition of which scholarship consists.
No one questions the fact that verbal language has to be learned, but the commonplaceness of visual experience betrays art; people tend to assume that, because they can see, they can see art.
We are not thinking machines that feel; rather, we are feeling machines that think.
Thought is prior to language and consists in the simultaneous presentation to the mind of two different images.
Sufficiently simple natural structures are predictable but uncontrollable, whereas sufficiently complex symbolic descriptions are controllable but unpredictable.
To think about them means to talk with them; otherwise they immediately turn to us their objectivized side: they fall silent, close up, and congeal into finished, objectivized images.
The process of putting intangible thoughts into an imperfect system of notation - which is difficult enough, depending on your ideas - acquaints you with how best to express your ideas so that it is as clear as possible to the performer.