Discover the most popular and inspiring quotes and sayings on the topic of Sculptures. Share them with your friends on social media platforms like Facebook, Twitter, or your personal blogs, and let the world be inspired by their powerful messages. Here are the Top 100 Sculptures Quotes And Sayings by 85 Authors including Lord Byron,Benvenuto Cellini,Stephane Rolland,Robert Smithson,Ben Shahn for you to enjoy and share.
Where are the forms the sculptor's soul hath seized? In him alone, Can nature show as fair?
All works of nature created by God in heaven and on earth are works of sculpture.
Every model is a living sculpture - art in-vivo.
When a finished work of 20th century sculpture is placed in an 18th century garden, it is absorbed by the ideal representation of the past, thus reinforcing political and social values that are no longer with us.
Each artist comes to the painting or sculpture because there he can be told that he, the individual, transcends all classes and flouts all predictions. In the work of art, he finds his uniqueness confirmed.
You can't make a sculpture until you've got a lump of rock.
I went to Goldsmith College of Art in London in the '80s and there I made sculptures, but the objects had nothing to do with how I was thinking. I was making beautifully sanded wooden boxes!
It is necessary that the object that the artist is shaping, whether it be a vase of clay or a fishing boat, be significant of something other than itself. This object must be a sign as well as an object; a meaning must animate it, and make it say more than it is.
Painting and sculpture help other people to see what a wonderful world we live in.
It isnecessary to destroy the pretended nobility, entirely literaryand traditional, of marble and bronze? The sculptor can use twenty different materials, or even more, in a single work, provided that the plastic emotion requires it.
Man is really not freeing many aspects. He is dependent on his social circumstances, but he is free in his thinking, and here is the point of origin of sculpture. For me the formation of the thought is already sculpture. The thought is sculpture.
As a sculptor sculpts a statue, an educator educates our future generation. Beauty depends on the creator.
I love looking at sculpture, but there's some sort of spell that's broken with it.
As picture teaches the colouring, so sculpture the anatomy of form.
A sculptor is a person obsessed with the form and shape of things.
A sculpture is just a painting cut out and stood up somewhere.
Beauty is not the purpose of creation, it is its reward. Its appearance, often late in the day, is no more than an indication that the disrupted equilibrium between man and nature has once again been restored by art. Submitted to this test, what remains of contemporary works of art?
The starting-point for all systems of aesthetics must be the personal experience of a peculiar emotion. The objects that provoke this emotion we call works of art.
Painting is so poetic, while sculpture is more logical and scientific and makes you worry about gravity.
Lives of the Most Excellent Painters, Sculptors, and Architects
Sculpture is made with two instruments and some supports and pretty air.
Even though the museums guarding their precious property fence everything off, in my own studio, I made them so you and I could walk in and around, and among these sculptures.
The sculptor must search with passionate intensity for the underlying principle of the organisation of mass and tension - the meaning of gesture and the structure of rhythm.
Objects of every sort are materials for the new art: paint, food, chairs, electric and neon lights, smoke, water, old socks, a dog, movies, a thousand other things which will be discovered by the present generation of artists ...
All the sculptures of today, like those of the past, will end one day in pieces ... So it is important to fashion ones work carefully in its smallest recess and charge every particle of matter with life.
Each has his own happiness in his hands, as the artist handles the rude clay he seeks to reshape it into a figure; yet it is the same with this art as with all others: only the capacity for it is innate; the art itself must be learned and painstakingly practiced.
Artists don't make objects. Artists make mythologies.
Art is not just about what's great or expensive or scandalous or famous. It's a mirror we hold up that looks different to everyone who sees it, and whose beauty lies as much in us, and our capacity to dream ...
My sculpture can last for days or a few seconds - what is important to me is the experience of making. I leave all my work outside and often return to watch it decay.
Sculpture is made by taking away, while painting is made by adding.
Abstract art as it is conceived at present is a game bequeathed to painting and sculpture by art history. One who accepts its premises must consent to limit his imagination to a depressing casuistry regarding the formal requirements of modernism.
A sculptor is a person who is interested in the shape of things, a poet in words, a musician by sounds.
I like to make sculpture because it makes my life social. When I make drawings, I work alone. When I work with sculpture I have someone I can work with.
A painting or sculpture not modelled on any real object is every bit as concrete and sensuous as a leaf or a stone ... but it is an incomplete art which privileges the intellect to the detriment of the senses.
I'm not an artist. An artist makes an object. Me, it's not an object, I work in history, I'm a storyteller.
Sculptors are obliged to follow the manners of the painters, and to make many ample folds, which are unsufferable hardness, and more like a rock than a natural garment.
Not Even The Greatest Sculptor Can Mold A Masterpiece Out Of Shit!
Sculpture is like farming. If you just keep at it, you can get quite a lot done.
Every day you have to abandon your past or accept it and then, if you cannot accept it, you become a sculptor.
In my opinion, everything, every shape, every bit of natural form, animals, people, pebbles, shells, anything you like are all things that can help you to make a sculpture.
One can rightly speak of an evolution in plastic art. It is of the greatest importance to note this fact, for it reveals the true way of art - the only path along which we can advance.
Moonlight is sculpture.
I love sculpture, and minimal sculpture is really my favorite stuff, but I wasn't very good at it, and I don't think in a three-dimensional way.
Sometimes magnificent visual art takes root in the humblest of soils. Advertisements painted on old barns, tattoos, fruit crate labels, hot rod embellishments - all these media and many other non-galleried forms have hosted and fostered esthetic delights that satisfy any rigorous definition of art.
Sculpture is not the mere cutting of the form of anything in stone; it is the cutting of the effect of it. Very often the true form, in the marble, would not be in the least like itself.
Found objects, chance creations, ready-mades (mass-produced items promoted into art objects, such as Duchamp's "Fountain"-urinal as sculpture) abolish the separation between art and life. The commonplace is miraculous if rightly seen.
Appreciation of works of art requires organized effort and systematic study. Art appreciation can no more be absorbed by aimless wandering in galleries than can surgery be learned by casual visits to a hospital.
Artwork is not thought up in consciousness and then, as a separate phase, executed by the hand. The hand surprises us creates and solves problems on its own. Often, enigmas that baffle our brains are dealt with easily, unconsciously, by the hand.
They are more beautiful than anything in the world, kinetic sculptures, perfect form in motion.
In the visual arts, particularly painting, I distrust all those abstractions, those artificial constructions. I have a very simple way of judging them: if I can do them, they are not art.
Have you ever taken a good look at a public garbage can in Paris, a paving stone in Rio de Janeiro, or a doorway in Dublin? Trust me -- the man or woman responsible for making those utilitarian objects was creating art.
We say to the British government: you have kept those sculptures for almost two centuries. You have cared for them as well as you could, for which we thank you. But now in the name of fairness and morality, please give them back.
The most convincing artistic forms of our time are inner models of structural vitality and social relevance. They give us confidence that in spite of everything there is still quality to life.
In art, there is one thing which does not receive sufficient attention. The element which is left to the human will is not nearly so large as people think.
The statue is then beautiful when it begins to be incomprehensible, when it is passing out of criticism, and can no longer be defined by compass and measuring-wand, but demands an active imagination to go with it, and to say what it is in the act of doing.
I think about sculpture all the time. I work at it for ten to twelve hours a day. I even dream about it. If as a result I was only to produce something that everyone immediately understood I would't have been thinking very profoundly.
Art is stronger than Nature
The essence of a sculpture must enter on tip-toe, as light as animal footprints on snow.
Art is a continuum.
I began to stack my sculptures into an environment. It was natural. It was a flowing of energy.
Time gives growth, it gives continuity and it gives change. And in the case of some sculptures, time gives a patina to them.
Art is not vague production, transitory and isolated, but a power which must be directed to the improvement and refinement of the human soul.
What is art? It is not decoration. It is the re-living of experience.
The artist makes things concrete and gives them individuality.
Less art, more matter
In a cement park across the street is this giant sculpture. It is a giant umbrella frame lying on its side. It's green. Stand under it, during a rainstorm, you'll still get wet - that's why it's art.
Take a relief. You draw it, you carve it out. Later you build it up from a flat surface. There is no other way to do a sculpture - you either add or you subtract.
I believe people can have a profound experience by being surrounded by something beautiful - that's what I aim for. My sculpture is about the way you feel when you're standing under it and inside it. It's experiential art.
I think that any sculpture is a response to its environment. It can be brought to life or put to sleep by the environment.
I've been making bronze sculptures for a long time. My sculptures are wholly unsuccessful and uncommercial. No one is even the remotest bit interested in them. So it's almost like my hobby.
I have tried to get close to the frontier between architecture and sculpture and to understand architecture as an art.
Works of art are of an infinite loneliness and with nothing so little to be reached as with criticism. Only love can grasp and hold and be just toward them.
Chairs are like sculpture.
The jargon of sculptors is beyond me. I do not know precisely why I admire a green granite female, apparently pregnant monster with one eye going around a square corner.
Those who are not conversant in works of art are often surprised at the high value set by connoisseurs on drawings which appear careless, and in every respect unfinished; but they are truly valuable ... they give the idea of a whole.
What is art? Nature concentrated.
My paintings and sculptures, at first glance, may appear to be purely aesthetic; closer up, they are not. They hold a feeling of tentativeness, combined with a sense of arrival.
A work of art is static; and its value and its weakness lie in being so: but the tuft of grass and the clouds above it belong to our own travelling brotherhood.
Recently I have been working in the country, where, carving in the open air, I find sculpture more natural than in a London studio, but it needs bigger dimensions. A large piece of stone or wood placed almost anywhere at random in a field, orchard, or garden, immediately looks right and inspiring.
Art is not just ornamental, an enhancement of life. It is a path in itself, a way out of the predictable and conventional ... a map to self discovery.
These arts open great gates of a future, promising to make the world plastic and to lift human life out of its beggary to a god- like ease and power.
A piece of sculpture can have a hole through it and not be weakened if the hole is of a studied size, shape, and direction.
Art is a staple of mankind ... So urgent, so utterly linked with the pulse of feeling that it becomes the singular sign of life when every other aspect of civilization fails.
The value of an artwork is rooted in assumptions about the human performance underlying its creation
It took me 40 years to find out that painting is not sculpture ...
Some of the most beautiful bird calls are cries of distress and fear ... these sculptures are a way for me to express my cry.
Great sculptors and artists spend countless hours perfecting their talents. They don't pick up a chisel or a brush and palette, expecting immediate perfection. They understand that they will make many errors as they learn, but they start with the basics, the key fundamentals first.
What sculpture is to a block of marble, education is to a human soul.
While knowledge of tools and the love of motif may be in your backpack, and all mountains may be measured by their previous heroes, art must exist for you in a place beyond the judgment of others.
Each one of these bodies (art-works Arp made) certainly signifies something, but it is only once there is nothing left for me to change that I begin to look for its meaning, that I give it a name.
In building a statue, a sculptor doesn't keep adding clay to his subject. Actually, he keeps chiseling away at the nonessentials until the truth of his creation is revealed without obstruction.
Works of art are viewed by people. They are heard by people. They are felt by people. They are not just the fodder of a close-knit group of initiates. They are the soul food of all people.
Art is creative for the sake of realization, not for amusement: for transfiguration, not for the sake of play. It is the quest of our self that drives us along the eternal and never-ending journey we must all make.
Art is an investigation.
The work of art, just like any fragment of human life considered in its deepest meaning, seems to me devoid of value if it does not offer the hardness, the rigidity, the regularity, the luster on every interior and exterior facet, of the crystal.
Drawings, paintings, and sculptures. That's the three pillars of art academia.
Emphasizing the body as art, these artists amplified the role of process over product and shifted from representation objects to presentational modes of action.
How do you make the timelessness of inert, silent objects count for something? How to use the, in a way, dumbness of sculpture in a way that acts on us as living things?
The best artist has that thought alone Which is contained within the marble shell; The sculptor's hand can only break the spell To free the figures slumbering in the stone.
My art is an attempt to reach beyond the surface appearance. I want to see growth in wood, time in stone, nature in a city, and I do not mean its parks but a deeper understanding that a city is nature too-the ground upon which it is built, the stone with which it is made.