Discover the most popular and inspiring quotes and sayings on the topic of Setting. Share them with your friends on social media platforms like Facebook, Twitter, or your personal blogs, and let the world be inspired by their powerful messages. Here are the Top 100 Setting Quotes And Sayings by 96 Authors including Rachel Abbott,Antonio Banderas,Christopher Nolan,Robert Breault,Santosh Kalwar for you to enjoy and share.
Thing that I know how to do,
I had an idea and I wanted just to make it work. And I am never, ever secure on the set that what I am doing is going to translate to the screen. It never changes.
I think for me, what I'm doing on set is I'm watching things happen as an audience member and trying to just look at, what's the image we're photographing, how will that advance the story and what will the next image be.
There are people who live their whole lives on the default settings, never realizing you can customize.
Nothing waits, every thing Sets, every body is Set.
I have a giant ego and terrible self-esteem, so I need to hit the re-set button fairly regularly - to get into presence, and humility, and being right-sized.
Settings are obviously important - and as a writer, you have to respect what was real at the time of the story you're writing. But the real key to success lies in finding the right characters to carry that story.
I make a composition with a white and a black, and make adjustments when the white has become a paper and the black a shadow.
That frame of mind that you need to make fine pictures of a very wonderful subject, you cannot do it by not being lost yourself.
I had the sets that meant so much to this character built - right in my home, especially the kitchen, which was important both for her character and for your introduction to her when Albert comes to visit.
Validating Your User-Submitted Settings
I love REAL set construction and think that sets are very important part of the storytelling and scope of a film ...
I enjoy setting the scene and coming up with interesting frames. 'True Detective' was a very hands-on set.
What kind of dining set defines me as a person?
A real active music set, based and really concentrated on what the music's all about. That's what I'm all about - singing and a really good strong music set.
I'm always tweaking, always trying to make it better, constantly moving the levers and dials.
Tone is up for grabs in what we do - what's the tone of the scene.
What are you looking at?-- Jesse Stone
I am more comfortable on set than I am in my own home.
I'm completely at ease on a set. I'm pretty comfortable most places, but hitting the mark and knowing set etiquette and understanding cameras and lenses are second nature. It's a language I've spoken for years.
The Feeling Being
My ideal setting is I walk from the streets, backstage, and straight onto the stage. Two minutes, and I am on the stage. That way, in my head I have gone from my world and then into a social setting with my friends.
Reaking up the space and using the space, using the length of the space, the height of it, whatever, the light, all of those things. It's something that you have to kind of slowly recognize in your work and develop over years of making work.
The physical life of the scene is determined by whether the set squeezes people together or whether the set has an escape place in it.
I think setting a goal, getting a visual image of what it is you want. You've got to see what it is you want to achieve before you can pursue it.
A clear fire, a clean hearth, and the rigour of the game.
I've always been very comfortable in a set environment. All the collaborating going on, seeing how actors work - it all excites me.
Leaving. She didn't want to leave. This was her home.
T-Trust
E-Enthusiasm
A-Adjustment
M-Memories
When a place comes across vividly in a novel, it's often compared to a character. I can remember writing teachers who encouraged me to treat setting as if it were a character, to give it three dimensions, to make it come alive, jump off the page.
I like being in focus, in the moment, changing and adapting and creating and advancing a scene.
Compromise - Lowering my standards. So you can meet them.
If you found yourself in a situation where you could either save a drowning man, or you could take a Pulitzer prize winning photograph of him drowning, what shutter speed and setting would you use?
Contrast warm to cool. Make color sing, ring like a bell. Work from big to small.
I really love to set things in places that are real to me.
In this house, speaking and thinking
dimmed completely.
B, hows your aim?Aim-- Quinn Loftis
When I concentrate on a specific site or place for which I am going to design a building, I try to plumb its depths, its form, its history and its sensuous qualities.
good at doing, but before that youGood-- Peter Thiel
When it comes time to make the scenes concrete and shoot them, I want the freedom for it to exist which means adding, subtracting or modifying.
Certain things you have to stumble on to. They can't be preprogrammed.
Goal-setting illuminates the road to success just as runway lights illuminate the landing field for an incoming aircraft
What a leveller this remote-control gizmo was ... it chopped down the heavyweight and stretched out the slight until all the set's emissions, commercials, murders, game-shows, the thousand and one varying joys and terrors of the real and the imagined, acquired an equal weight ...
Not stepping over the bounds of modesty.
bliss. Practicing
When I go in to the recording studio, I already know almost exactly what I am going to do, but when I go to set, it is really a wildcard. I have no idea what is going to happen.
Setting ... is accident. Either a building is part of a place, or it is not. Once that kinship is there, time will only make it stronger.
I always try to make the setting fit the story I have in mind.
Wishing that I could stay right here in this moment of not doing, but simply being, forever.
Being, be bold and venture to be wise.
Aim, n. The task we set our wishes to.
The long mechanic pacings to and fro, The set, gray life, and apathetic end.
Rise & set, ebb & flow; the rhythms of our world.
Something: the BookBook-- Ted Stetson
To be on the set with the actors, with the location, every day changes; every day something can go wrong.
Creating a world within the imagination one day at a time through words and colors.
Set realistic terms for its implementation
The most important thing in imaging for me is the dynamic range. The dynamic range means the tones that you can capture from highlights to dark and the bits, the depth of color that you can capture.
I don't know about other people's cameras. Mine is a thing I had cobbled up, it holds together with tape and is always losing parts. All I need to set is the distance and that other thing - what do you call that other thing?
To have preferences, but not exclusions.
In this configuration,
The magic possibility of framing a certain space and time is what brought me to photography. This process of recording elements of 3 dimensions in the flow of time, and fixing them in a 2 dimensional image, creates a new context for the elements of the photograph ...
You have to record as many details as possible and achieve an order, without taking away the complexity of the real. To voice the real and at the same time to create an image that is a world in itself, with its own coherence, its autonomy and sovereignty; an image that thinks
I try to write characters that are as real, emotionally and psychologically, as I can make them; I feel the same way about setting. This often means that I'm drawing from my experiences and observations.
Running from reality and living in the pages.
To be set aside is to be rejected.To be set apart is to be given an assignment that requires preparation.
I almost always start with setting! I have to know the world before I know how to populate it. I have a tendency to play with doors - between life and death, human and monster, mundane and magic - and with 'ADSOM,' I knew I wanted to play with the physical doors between worlds.
A college football star, by his senior year, is used to running out there with 110,000 people going nuts. They feel comfortable in that environment. To me, a set feels like that. The one thing that I do know is that, as long as I'm prepared, I know this environment and this world.
Personality with
furniture, but all the lights
The beauty of my work is that my sets cost nothing. That's what I love about being a writer of novels.
With all of the qualities of the scene-setting, the dialogue, the place and time and the time and place in which your characters move. And I want to move with the characters, move with them and describe the world in which they are living.
Having my freedom, boast of nothing else.
The tone of the picture and the atmosphere was in my head and in my blood in a way once I'd decided to make the picture. I had to find my way through that to choose, select, emphasise certain visual elements and sound.
If you can walk into a set and feel the reality of it, then immediately you're not having to work to bring yourself into the character.
The 'wandering studio' gathers and stores experiences, takes chances with the unfamiliar and requires a measure of self-trust. Mistakes are part of the change of scene.
I grew up on a set and saw my family doing it and thought, 'I can do that too.'
With all tools at my disposal, I'm 100% into chasing tone and checking out new equipment and "geeking" out during sound check by taking too much time.
colored pencils to fill in blank spaces. Being
Being my lady on my arm and my slut between the sheets
Goal setting is the most important aspect of all improvement and personal development plans. Confidence is important, determination is vital, certain personality traits contribute to success, but they all come into focus in goal setting.
After you've taken so much trouble to set up recorder, you ask me now?
Goal setting is the essence of life. Tenaciously pursue your goals not for external praise but for inner reward. It makes you a better person, parent, professional. It is important to be constantly growing.
Audience member: Living Room!
Sara: Kitchen
When I'm shooting on location, you get ideas on the spot - new angles. You make not major changes but important modifications, that you can't do on a set. I do that because you have to be economical.
Life is all about seating and lighting.
Silence.
Give me control. Give me calm. Give me restraint.
Flash.
There, display and extravagance, in dress, in furniture, in costly entertainments, are startling. They seem to push you back into a corner, like a poor intruder at a feast; they are apt to make you envious, or take your breath away with amazement.
The most important thing? Perfect lighting at all times.
It's also important to remember it's not about the setting, anyway - it's about the story, and it's always about the story.
Saying is one thing and doing is another
It [lighting the set up] is quite a process. It's like drawing. It's like being an artist. You pencil it in first, and then you ink it. When you're filming, it's like you're penciling it all in. You know where everything is going to go. But, that application of the final ink takes some time.
I come from a place that likes grandeur; it likes large gestures; it is not inhibited by flourish; it is a rhetorical society; it is a society of physical performance; it is a society of style.
I love the feeling I get when I'm on a set; I love reading the scripts, playing the characters, getting to be someone else.
The golden rule is work fast. As for framing, composition, focus-this is no time to start asking yourself questions: you just have to trust your intuition and the sharpness of your reflexes.
It is values that tell you what your pattern and values must be on daily bases.
I don't control it at all. It's all up to the musicians in the group. They control it. They make all the cues, and they tell me what they want, and then I act like a mirroring device so that everyone can see what the cues are.
Contrology is designed to give you suppleness, natural grace, and skill that will be unmistakably reflected in the way you walk, in the way you play, and in the way you work.
Sitting in the morning sun, I'll be sitting when the evening comes