Discover the most popular and inspiring quotes and sayings on the topic of Spectators. Share them with your friends on social media platforms like Facebook, Twitter, or your personal blogs, and let the world be inspired by their powerful messages. Here are the Top 100 Spectators Quotes And Sayings by 100 Authors including Rajashree Choudhury,Marianne Vos,Niall Horan,David Baldacci,John Terry for you to enjoy and share.
Sports brings people together.
There can be crowd issues everywhere in cycling. But it's a good thing for cycling that it's so accessible for spectators. That's why it's so popular - because fans can get close to the road and the race. But you also have to be aware of the dangers.
The bigger the crowd the better really! The noise calms your nerves.
entirely clear over the screams of the crowds. The
Often it feels like we are at a home match when we have so many fans there. The singing, the cheering helps the players.
(on Chelsea playing on the road)
When the audience is awful you can still have a great night and people will walk out thinking they had a great time even though there was loads of loudmouths and the sound was terrible.
Every audience is different, even within the same venue. You have to just make every audience your audience; you can't pre-judge an audience based on the size of the room or the type of room. You've just got to be in the moment and go with it.
I give the spectator the possibility of participating. The audience completes the film by thinking about it; those who watch must not be just consumers ingesting spoon-fed images.
You get in before sunrise and you get out after sunset and you go home, eat and collapse. While you're aware of the ratings, you aren't prepared for the response of the fans.
The crowd has a way of being right.
It was pointless. The crowd was itself. There was no swaying it, squeezing through, or reasoning with it. You breathed with it and you sang its songs. You waited for its fire.
The difference between a theatre with and without an audience is enormous. There is a palpable, critical energy created by the presence of the audience.
I have a luxury of people coming to see me whether I play for the crowd or not. I don't take that lightly.
Crowds create illusions.
Some of the overflow audience actually sat on the stage.
The audience that storms the box-office of the theater to gain entrance to a sensational show is small and sleepy compared with the throng that crashes the courthouse door when something concerning real life and death is to be laid bare to the public.
I draw from the crowd a lot.
You come here to Anfield, you stand there and listen to that crowd, and it's the greatest sight in football.
Audiences are audiences.
To look down into crowds is to see bald spots and slipped bra straps before faces and gowns. It is the viewpoint of spiders and kings, of cheap sports seats and God.
Being in the audience actually looks like quite a lot of fun.
the spectator is the true vanishing point
In a city where public executions,duels, fights, magical feuds, and strange events regularly punctuated the daily round, the inhabitants had brought the profession of interested bystander to a peak of perfection. They were, to a man, highly skilled gawpers.
Suddenly we find that we are no longer the actors, but the spectators
You are always concentrated on the inner thing. The moment one becomes aware of the crowd, performs for the crowd, it is spectacle.
It is wrong to assume that art needs the spectator in order to be. The film runs on without any eyes. The spectator cannot exist without it. It insures his existence.
The audience should feel like voyeurs. Their response is absolutely crucial.
One: demonstrations always crash. And two: the probability of them crashing goes up exponentially with the number of people watching.
I'd rather play in front of a full house than an empty crowd.
Forget the audience, make what you want to see
It's fun to see a lot of the crowd become embarrassed. You're kind of watching them almost wanting to not watch the screen, but they have to because it's so compelling!
The future belongs to crowds.
There is an audience for every play; it's just that sometimes it can't wait long enough to find it.
People-clueless,clueless people-stood there,staring in confusion as they tried to figure out what kind of show I was doing and whether they should clap or call the police.
From the moment you become a spectator, everything is downhill. It is a life that ends before the cheering and the shouting die.
I love audiences. My God, the best friends in the world!
They read their sports pages, know their statistics and either root like hell or boo our butts off. I love it. Give me vocal fans, pro or con, over the tourist types who show up in Houston or Montreal and just sit there.
I got a kick out of the stands when they would heckle me. I would take the energy from that.
If the people in the audience are talking, you're being ignored. If the people are gazing at you, you've got something they want to hear.
I think of the audience the way I would think of another person: You meet someone, then you take it from there; you see what's interesting to both of you.
The audience plays a huge part in how a piece will actually form. They really allow the performers to walk a tightrope in a way that never seems to happen in the privacy of your own four walls. I'm listening to the audience, and they're listening to me.
Playing in arenas, that's very non-personal with the crowd.
One half of the pleasure experienced at a theatre arises from the spectator's sympathy with the rest of the audience, and, especially from his belief in their sympathy with him.
Sometimes you'll play, like, a large venue - maybe an outdoor venue or something - where it's so big that you can see all of the disinterested people. You see the audience, but then behind the audience you see people eating ice cream, going for a walk.
The crowd is just as important as the group. It takes everything to make it work.
If all the world is a stage, and all the men and women merely players, where do all the audiences come from?
The bigger the crowd, the more negligible the individual.
I love crowds. They make me feel part of something big and important.
The audience is the camera. I don't want the audience to sit and watch, I want it to move.
Some people in the town did not seem to care about the festival and were watching football on TV. The players were dotted about in neon green. They looked unreal, the way they might be seen by the forgotten man in the moon and the rabbit if they were watching the floodlit pitch forlornly from above.
way through the crowd that had gathered on
Every crowd has a silver lining.
Unlike my esteemed colleague Garry Kasparov, I don't restrict the strength of opposition to Elo <2000, as="" fly-swatting="" makes="" poor="">2000,>spectator sport. (on simultaneous exhibitions)
All that a spectator gets out of the game is fresh air, the comical articles in his program, the sight of twenty-two young men rushing about in mysterious formations, and whatever he brought in his flask.
You are not an observer, you are a participant.
Curtain Opened, Heard the Crowd Roar
We don't care about our audiences that much. We just go out and play.
The audience is now fully interactive, unfortunately the spectacle is a corpse
Sometimes for the spectators a great magic effect is worth a life's experience.
I just play to the people I can see. So it's almost like you are playing to the first few rows of the crowd. You can see the faces of the first hundred people, but then it becomes a blur as the crowds disappear over the hill.
Choose your audience...
At the beginning, at my shows, there were a lot of press and people from record companies. Now there are people who are there to just listen to the music and are genuine fans.
band behind them. The crowd moved and shifted. Tickertape and confetti fluttered down from the second- and third-floor windows of the business
A live audience with live reactions feeds a different sort of acting that will then inform your film work, and vice versa.
That audience is there for me.
As a spectator, you get to watch everything, but I'd much rather be playing than watching. I'll have time to watch later in my career.
The train's always full of football fans going up to see matches. Oh, they make sure I hear their points of view all right. They all want to have their say about their team, and make their opinions known.
We don't play to be seen. I'm addicted to music, not audiences.
When people in stadiums do the Wave, it's the group-mind collective organism spontaneously organizing itself to express an emotion, pass time, and reflect the joy of seeing the rhythms of many as one, a visual rhyming or music in which everyone senses where the motion is going.
Spectators often express disfavor of fair decisions.
When the crowd appreciates you, it encourages you to be a little more daring, I think.
People always say, 'Who is your audience?' and I could never put a finger on it - and I wouldn't want to put a finger on it.
Audience participation should extend from on-stage to backstage to under the stage
The truth is that the spectators are always in their senses, and know, from the first act to the last, that the stage is only a stage, and that the players are only players.
Crowds respond to anthemic choruses.
A crowd is not merely impulsive and mobile. Like a savage, it is not prepared to admit that anything can come between its desire and the realisation of its desire.
If the audience doesn't like it, usually they're just silent. But they've never all walked out at once.
To hear that you're doing something that other people are enjoying, it's a fun game. It's like hitting a tennis ball over the net, and somebody hits it back. That's what it feels like with the fans. It feels like someone else is participating in my creation, and it's quite incredible.
Those that would attain wisdom,
prefer the empty stadium.
Those who wish to appear wise,
prefer it full.
I heard last year at [insert name]'s birthday party they had to set up mirrors to make it look like a crowd.
A chess tournament disguised as a circus.
Forty thousand people in the stands couldn't distract me the way the absence of one could.
Sometimes audiences love you because they get to boo you.
Football without fans is nothing.
An audience can be like a pack of wolves.
It is the empty seats that listen most raptly.
The crowd and its team had finally understood that in games, as in many things, the ending, the final score, is only part of what matters. The process, the pleasure, the grain of the game count too.
While others are broadcasting be listening
In St. Louis, some people were hurt seriously when some fans got on top of a roof that was where other fans were underneath it, at a park somewhere, and it collapsed.
At the battle of the bands the loser's always the audience.
Sportsmanship and easygoing methods are all right, but it is the prospect of a hot fight that brings out the crowds.
There's five cameras, I don't know how many people in the audience ... depending on where we're taping, there can be anywhere from 300 to 5,000 people, so the contestants are nervous.
The loudest cheerer gets the loudest cheers
Every baseball crowd, like every theatre audience, has its own distinctive attitude and atmosphere.
VISITORS FROM THE HALL.
How much of the audience's fun was sacrificed in the effort to redefine the social parameters of the concert hall - it sounds almost masochistic of the upper crust, curtailing their own liveliness, but I guess they had their priorities. Although the quietest
People were just out of control! ... They've all got cell phones stuck to their ears and yet I've never seen such distance between people trying so hard to be close.
The audience that surprised us the most was definitely Paris, when we played there last. They were just incredibly into us and we weren't expecting it at all.
Frankly, I'm mainly telling the story to myself. Thinking about audience is too daunting, and worst case, invites you to homogenize, to soften the hard edges of things.
There is always something wonderful about a live audience.