Discover the most popular and inspiring quotes and sayings on the topic of Tarantino. Share them with your friends on social media platforms like Facebook, Twitter, or your personal blogs, and let the world be inspired by their powerful messages. Here are the Top 100 Tarantino Quotes And Sayings by 93 Authors including Eliza Doolittle,Xander Berkeley,Sean Price,Duncan Jones,Rockne S. O'bannon for you to enjoy and share.
I've featured in some soundtracks in the past, and I would love to do more. I love great soundtracks to movies. Quentin Tarantino always picks amazing soundtracks, so I would like to do something for him or write a song for him.
I can't help but have my sights set on Scorsese, Cohen Brothers and Spike Jones.
I'm ready to see that new RZA movie [The Man With The Iron Fists] too, it looks kind of Tarantino-ish.
I was massively jealous but also excited when Tarantino did Inglourious Basterds, I'm a huge guys on a mission fan. Those kind of movies.
There was a period of cinema, in the mid-90's, that I was a huge fan of, with Heat and Seven, and the Tarantino era. If I've ever been fanatical, it was about those films.
Cameron, Gilliam, Jackson, Fincher, Kubrick, Lucas, Spielberg, Del Toro, Tarantino. And, of course, Kevin Smith.
I would amputate my toes to work with Lars von Trier again.
Scorsese, Spielberg, Tarantino, Peter Jackson - all of you: I'm here, I'm ready. I can do funny faces, I can sing, I can dance. Hire me!
When I was shooting with Tarantino and Mike Mills and amazing directors, it made me think that I would never be a director. It's obviously too hard.
Martin Scorsese is one of the great filmmakers of all time.
The lawyer refused to tell me my brother's name, and my colleagues started a betting pool. The leading candidate: John Travolta. I secretly hoped for a literary descendant of Henry James - someone more talented than I: someone brilliant without even trying.
I'd like to work with David Lynch again.
I'd love to work with Tarantino, Scorsese, Sofia Coppola - all of them! I love thrillers and action movies. I love good horror films. I watched them so much when I was younger that I find it impossible to get scared.
I love Alfonso Cuaron.
Energetic, inventive, swaggering fun, Quentin Tarantino's Inglourious Basterds is a consummate Hollywood entertainment
rich in fantasy and blithely amoral.
I remember when I took Quentin Tarantino with me to a very private screening of the documentary 'Roman Polanski: Wanted and Desired,' which shows some of the legal irregularities of his case. I was involved by the film, and it was an amazing experience to see people weep at the end of it.
I think that David Lynch, he lives in a zone, and he expresses that zone to us with everything he does.
David Cronenberg is the most provocative, original, and consistently excellent North American director of his generation.
I really wanted to work with David Lynch. I was a big fan of The Elephant Man and Eraserhead.
After having edited numerous shorts, earning award nominations for it, and then 4 features edits, the director inside me is now burning to share its voice. Thriller, Horror, zany Comedy.
I adored 'Breaking The Waves,' so when Lars von Trier wanted me in 'Dogville,' I was beside myself with joy. He works in a way that nobody I've ever worked with works.
In the early '90s, when those little art films started coming out, we were introduced to Quentin Tarantino and guys like that, and independent cinema was something that everyone wanted to be a part of.
It's 4:40am and i'm standing in the middle of a Quentin Tarantino version of Finding Nemo
All these directors, and I would include the Coen brothers and Quentin, have a very unique vision of what they want. They listen to ideas and make people feel like everyone is making the film.
The director is the most overrated artist in the world. He is the only artist who, with no talent whatsoever, can be a success for 50 years without his lack of talent ever being discovered.
I just finished a film with Michael Radford called Dancing at the Blue Iguana.
[Martin] Scorsese says one of the great things he loves about it is how Mark can't get the right shot and he's killing people because he can't get the right shot. It's an example of what film-makers are like.
Mark Ruffalo is just an amazing guy and an amazing director.
People use location as a language in films, and Quentin uses action as a language in his films. There's really not a lot of violence. It's more of an emotional beat than it is a physical beat.
There are no good guys in a Quentin Tarantino movie. They're all bad guys. And you like us. That's Quentin's big talent.
Martin Scorsese, everything he does, I've got to see. And Jack Nicholson, I've got to see what he does.
I'd love to work with Paul Thomas Anderson or Quentin Tarantino, but these are dreams I don't need to rush to achieve. I'll be ready to make those movies when I'm ready to make those movies and they're ready to make them with me, if they ever want to.
David Cronenberg knows what we actors do as artists.
Terry Gilliam is someone I'd always deeply admired. I saw his films when I was a child.
I'd love to work with David Lynch. I'm such a big fan. He's a genius.
Sometimes you see auteur TV shows and movies, and those are great.
Directing is a tremendous art.
Lucio Fulci is such a massively underrated director. Everyone knows him as the Godfather of Gore.
Paul Verhoeven might be my favorite director, and I'm serious.
The only person who can, with impunity, make the movie he wants to make, has got to be Steven Spielberg.
There is an established tradition of actors directing films that have a particular, personal meaning for them - Warren Beatty, Clint Eastwood, Kevin Costner, and most recently George Clooney to name a few. Remarkably, their films share an unusually high percentage of being very good.
Kenji Mizoguchi is to the cinema what Bach is to music, Cervantes is to literature, Shakespeare is to theatre, Titian is to painting: the very greatest.
My big fight is not in the movie and I don't understand that decision but I know he's right about it, whatever it is. Quentin did not hire me because I'm a kung fu expert; he hired me because he liked to listen to me talk.
The best films are because of nobody but the director.
Since 'A Dangerous Method,' I've had meetings with everyone from J.J. Abrams to the producers of 'Drive.' And they all have the same thing in common; they say: 'Wow you worked with Cronenberg.' He gave me instant film cred.
I went see the horror thriller, Hannibal. I am a massive fan of Anthony Hopkins. He is superb in the film.
Ah, there's a director. Astonishing, Spike Lee. A feisty guy, but a guy who's, I think, incredibly misunderstood. I think people review his politics or his color as opposed to his filmmaking sometimes. Because he's a wonderful, wonderful filmmaker and a lover of the art.
The best director is the one you don't see.
American Sniper,
I would love to work with Martin Scorsese.
I'm a big fan of Michael Morpurgo.
I want to be 82 and doing movies with Paolo Sorrentino where people are like, "This is gold."
I'd like to be in a Spike Jonze movie. But I live in a Nancy Meyers movie.
At first, I wasn't sure whether I'd be a critic or a filmmaker, but I knew it would be something like that.
'Election' is a movie I'd give a leg to cross the director's name out and put mine in.
If Mr. Vincent Price were to be co-starred with Miss Bette Davis in a story by Mr. Edgar Allan Poe directed by Mr. Roger Corman, it could not fully express the pent-up violence and depravity of a single day in the life of the average family.
Tarantino's 'Django' amused me very much. It is as made by an adult that was still a child.
I grew up interested in the underside of Hollywood, which I think David Lynch does really well.
Only an unhinged movie survives as a disconnected series of images, of peaks, of visual icebergs. It should display not one central idea but many. It should not reveal a coherent philosophy of composition. It must live on, and because of, its glorious ricketiness.
Quentin Sollys: the Once and Future King of Spiders.
People think you're like The Godfather, waiting for scripts to come in. But, you're hustling, you're desperate, you're panicked and you're horrified. The movie you think you're going to do next, you don't do. The movie you think you're never going to do, you make.
Let it Ride channels Elmore Leonard at the height of his powers, with dialogue Quentin Tarantino would kill for.
I remember when I first met Jason Reitman with the 'Whiplash' script; he quickly became a mentor figure who guided me through the process and also protected me and made sure that when it came time to actually make 'Whiplash,' I was able to make exactly the movie I wanted to make.
I like David Lynch; I like Stanley Kubrick. I'm a big fan of Kubrick.
Quite often I reflect on the big house in Hollywood, on 'Midnight Confessions and on Ramon Novarro and on the fact that Roman Polanski and I are godparents to the same child, but writing has not yet helped me to see what it means.
I'm a massive fan of David Lynch and 'Twin Peaks.'
Jonathan Demme is a very sharp editor of his movies.
I will one day be thin, but Vincent Gallo will always be the director of The Brown Bunny.
We are now, all of us, cinematographers for the movie of our own lives. Not the star. Not the director. Not even the writer.
Nicolas Cage, I would love to work with him again. He's just a fearless madman. He'll go anywhere you want to go. He would not say 'no' to anything.
Michael Winterbottom is one of the great directors of this century.
I'm a fan of James Frain's work, especially in 'True Blood.' He was so awesome in that show.
Tony Black is the Tom Waits of Crime Fiction, yes, that good.
Kevin Costner. I love Kevin Costner. That's all I have to say. I love Kevin Costner.
If I was to direct Ron Howard, I guarantee you, I would put him through a living hell every day. I would demand so much of him. We wouldn't quit until he leaves the set crying. Weeping! Spent!
When I do a film that has nothing to do with Kurt Weill, then I am happy, I am on my own. But in a Kurt Weill work I am as nervous as a cat. A burden falls on my shoulders. I feel a crushing responsibility.
I dream big, baby. I want to do thrillers, I want to do smart David Lynch-type mysteries.
Whenever I work on anything, there's always the fantasy that what one is doing is the next 'Citizen Kane'-slash-'Sopranos.'
I'm a huge Spike Lee fan. I saw 'Do The Right Thing' twice in the same night when it first came out and had long conversations with all my friends about the issues in it.
I like Spike Lee a lot. He's incredibly gifted and I don't think he gets the credit he deserves as a filmmaker.
When Steven Spielberg comes calling, it behooves you to seriously consider it.
Judd Apatow is pretty good, both as a producer and as a director.
If Martin Scorsese thinks you stink, you stink.
Music was a big thing for me growing up and Scorsese and Tarantino both use music brilliantly in movies. They're probably two of the best at using music.
If my penis were a writer/director, it would be Woody Allen - small, neurotic, and, frankly, hit or miss.
I'm a wire-walker, but actually, I'm a moviemaker that hasn't done his first movie.
Someone like Roman Polanski comes with a lifetime of achievement, cinematically.
There are two parts of me. There's the really critical, film-nerd part of me that loves that, and then there's the part of me where I'm like, "I really didn't like that movie, but I want to work with that director because he loves actors."
Any time someone says you have an opportunity to work with Martin Scorsese you jump at the chance.
I love the Japanese director Shohei Imamura. His masterpiece in 1979 called, the English title was 'Vengeance is Mine.'
Lorenzo Gambini, I presume? Or would you prefer to be called - "
"Sir," I cut in before he can say Scar. "You can call me sir, if it gives you the tingles. Otherwise, let's just stick with Gambini.
David Copperfield.
Working on 'The Last Waltz' introduced me to Martin Scorsese, and I had been a movie bug since I was a young kid.
How many chances to you get to make a musical about a serial killer? The minute Tim Burton approached me, I was in.
I wanted already to be a filmmaker after I saw 'La Dolce Vita.'
Mankiewicz was a brilliant director.
Someone like Vincent Price or somebody like Christopher Lee, they never won an award, and it doesn't matter. They're cool.
No film critic's going to say it, but 'Madagascar 3' is better than 'The Artist.'
Nobody can make a movie as exciting as Jerry Bruckheimer. When it's a Jerry Bruckheimer movie that it's going to have lots of chrome and gloss, it's going to be sexy, and it's going to be big and fun.
Alejandro Jodorowsky is one of the supreme nut jobs in movie history, and of course I mean that in the nicest way.