Discover the most popular and inspiring quotes and sayings on the topic of Techniques. Share them with your friends on social media platforms like Facebook, Twitter, or your personal blogs, and let the world be inspired by their powerful messages. Here are the Top 100 Techniques Quotes And Sayings by 90 Authors including Karl Popper,Philip Glass,Mstislav Rostropovich,Frances Mayes,B.j. Penn for you to enjoy and share.
In philosophy methods are unimportant; any method is legitimate if it leads to results capable of being rationally discussed. What matters is not methods or techniques but a sensitivity to problems, and a consuming passion for them; or, as the Greeks said, the gift of wonder.
In order to arrive at a personal style, you have to have a technique to begin with.
I would rather have ideas and some difficulties of technique than a perfect technique and no ideas.
There is no technique, there is just the way to do it.
Now, are we going to measure or are we going to cook?
It's not a certain technique, it's not a skillit's all in your mind, it's how far you want to go
Combine practice with belief.
And, of course, method is very important as is a high-quality specialist (trainer) working with you to keep you going in the right direction for your improvement and to help create results.
it's like in life, you have obstacles and you train to overcome them. You search for the best technique. You keep the best, you repeat it, and then you get better.
I'm not a solid enough actor to have techniques.
the suggestions, strategies, and
Technique is nothing more than failed style.
As for techniques and processes, as seen in the works themselves, neither public nor artists will find anything about them here. Those things are learned in the studio and the public is interested only in the results.
The way is in training.
Technique bridges among ideas, and sometimes generates them.
One rule is to not use complicated techniques unless they are necessary to achieve your goal. First, use simple movements, and if they don't work, then introduce the more complex ones.
Don't think that any one technique is the end. there is no end.
There is no perfect technique. Just when you think you've got
them, you're dead because you didn't.
I don't like to think that I am a slave to technique, or so inept that I have to restrict myself to one method.
Let your intentions create your methods and not the other way around.
I grew up the son of an acting teacher, so I was kind of introduced to all of these various methods early ... I've never been really good at articulating how, what that process is in the way that Stanislavsky could.
If you want to obtain the secrets of such wonderful techniques, drill yourself, harden yourself, undergo severe training, abandoned body and mind; follow this course for years and you will naturally reach the profoundest levels. To know if water is hot or cold you must taste it yourself.
I don't know if I have a technique. I'm just trying to remember the words.
Practice is the path of mastery.
Adapt your techniques to an idea, not an idea to your techniques.
The professional dedicates himself to mastering technique not because he believes technique is a substitute for inspiration but because he wants to be in possession of the full arsenal of skills when inspiration does come.
I don't use any techniques; I'm not trained to be an actor. I just enjoy working in films.
I am really Method-y.
There are several ways to perform almost any act - an efficient, workable, artistic way and a careless, indifferent, sloppy way. Care and artistry are worth the trouble. They can be a satisfaction to the practitioner and a joy to all beholders.
Remember that for every technique you think you can fall back
on, there is a counter for it, or there are times when it cannot
be used. When real battle comes, you must remember that
some things will not be applicable. Don't think that any one
technique is quintessential.
All the technique you can learn - and you should learn everything you can - you should have it here in the fingers not here in the head - and then you forget about it.
Success is not about your techniques, it's not solely about the wisdom or the knowledge you have, it's about your mindset and your actions.
I don't like this idea of Method. I come from that school, but what I was taught was that it's your imagination. You do your homework, and you use your imagination.
It is practice first, and knowledge afterwards.
T h e C o n t e x t Anyone who wishes to master an activity must first understand its tools and rules
My methodology is not knowing what I'm doing and making that work for me.
Certain materials suggest ideas and ways of working.
The way anything is developed is through practice practice practice practice practice practice practice practice practice and more practice.
Technique itself springs from play, because we can acquire technique only by the practice of practice, by persistently experimenting and playing with our tools and testing their limits and resistances.
Dan Rose's Sex God Method.
Learning a technique is not an end in itself, it merely indicates where you need to start.
Practice, the master of all things.
What is "technique" but the absence of passion?
There is no particular way in true practice. You should find your own way, and you should know what kind of practice you have right now.
You know my methods. Apply them.
Patience removes frustration.
Practice restores confidence.
Perseverance makes it happen.
The purpose of technique is to free the unconscious. If you follow the rules ploddingly, they will allow your unconscious to be free.
You really can't explain how you do the things you do. I can't, anyway. I love certain actors, but sometimes they say the stupidest things about technique. I don't want to say something stupid.
You have to eat your technique. Digest it. It's in your blood, but you're not concerned with it anymore.
Our way is to practice one step at a time, one breath at a time, with no gaining idea.
METHODICISM CHAPTER V. CRITICISM CHAPTER VI. ON EXAMPLES BOOK III. OF STRATEGY
Everyone seems to think they know what acting techniques are. Techniques just help you get to a certain place, but if the thing is happening just by itself, you don't need those techniques.
Practise makes perfect.
Great scientific contributions have been techniques.
But as with all skills, the most sophisticated techniques tend to have their foundation in the simplest of principles. As
Method rules his training, which blends the physical with the mental. How many chess masters put in, prior to an important match, an allotted time daily to bicycling and shadow-boxing, followed by a cold douche and a brisk rub down?
An ounce of practice is better than tons of theory.
The most effective means are whatever will achieve the desired results.
I had classic technique - one of the best techniques when I was like 10, 12, but then I changed.
I think the fundamental part of my technique is my vibrato.
Like I said, repetition in practice and hard work.
We have come to consider the word technique applicable only to movements that are so showy as to approach acrobatics ...
The mystery isn't in the technique, it's in each of us.
Sincere practice, makes the impossible possible.
I trained my spirit in method.
My technique is the outcome of thinking for myself, of my own logic and approach; it is not borrowed from what others are doing.
The Way is in training ... Do nothing which is not of value.
There is no difference between our methods and those of anybody bu else-the only difference is that our motivation and dedication he is much greater.
Give up thinking as though not giving it up. Observe techniques as though not observing.
When it comes to mastering a skill, time is the magic ingredient.
Technique is really personality. That is the reason why the artist cannot teach it, why the pupil cannot learn it, and why the aesthetic critic can understand it.
Human life as a whole is not inundated by technique. It has room for activities that are not rationally or systematically ordered. But the collision between spontaneous activities and technique is catastrophic for the spontaneous activities.
Beware of Methodologies. They are a great way to bring everyone up to a dismal, but passable, level of performance, but at the same time, they are aggravating to more talented people who chafe at the restrictions that are placed on them.
Practice makes perfect.
Technique is the test of sincerity. If a thing isn't worth getting the technique to say, it is of inferior value.
Without technique it is impossible to reach the top in chess, and therefore we all try to borrow from Capablanca his wonderful, subtle technique.
Love is the spiritual essence of what we do. Technique is the manifestation of the preparation and investment as a result of the love.
Technique is everything and we play a contact sport.
The secret for mastery is concentration; the success of concentration is in elimination. Avoid everything in general and focus one thing in particular. You will be a master!
Everything is practice.
All I know about method is that when I am not working I sometimes think I know something, but when I am working, it is quite clear I know nothing.
The most perfect technique is that which is not noticed at all.
practice makes better
Method acting? There are quite a few methods. Mine involves a lot of talent, a glass, and some cracked ice.
The most effective indirect approach is one that lures or startles the opponent into a false move - so that, as in ju-jitsu, his own effort is turned into the lever of his overthrow.
Most American actors are taught the Stanislavsky method ... Method acting, but I really think that as an actor you have to develop what works for you. There is really not one way of doing anything. There are many ways of achieving the same goal.
Simply. Accelerate your Results
In Method acting, you can't have preconceived ideas. You have to live in the moment. You have to keep yourself open.
...adopt the "practice makes progress" approach
I know I'm not known as method. By nature I'm not a brooder. What I continue to use is a mixture of the English school, which is traditionally outside-in, and the more American way of working from the inside out.
One mustn't let technique be the consciously important thing. It should be at the service of expressing the form.
Inner mental technique is more important than the physical one.
Practice precedes perfection.
If you don't care about losing, you will focus on technique.
Move quickly. Sound, calm mind. Be light in body. Have a clever mind. Master the basics.
Many spend their time berating practitioners for not applying their method. We all need to disseminate our ideas, but most of our time should be spent applying and improving our methods, not selling them. The best way to sell a mouse trap is to display some trapped mice.
Methodology gives those with no ideas something to do.
If you are not getting the results you want change your technique
Practice makes the master.
Practice like the Devil.
Techniques employ four qualities that reflect the nature of our world. Depending on the circumstance, you should be: hard as a diamond, flexible as a willow, smooth-flowing like water, or as empty as space.
If there is some profound method that offers a quick way, we would rather follow that than undertake arduous journeys and difficult practices. But some manual work and physical effort is necessary.