Discover the most popular and inspiring quotes and sayings on the topic of Ventriloquist. Share them with your friends on social media platforms like Facebook, Twitter, or your personal blogs, and let the world be inspired by their powerful messages. Here are the Top 100 Ventriloquist Quotes And Sayings by 96 Authors including Paul Winchell,Jeff Raz,Emma Rigby,Idina Menzel,Neil Patrick Harris for you to enjoy and share.
Ventriloquism today is in a slump.
The medical clown connects with patients in a way that is markedly different from the rest of their experience in the hospital.
I've always been a performer. I love doing impressions of people and being the clown.
Who am I, if I'm not this singer with big high notes? I identify with my voice. But I'm more than just the acrobatics.
I collect puppet stuff. I have a puppet workshop in my garage. I was looking for any opportunity to be able to get very creatively involved in that world.
The best thing about the term 'performance artist' is that it includes just about everything you might want to do.
I did a butterfly show in Berlin, and we had a guy who's an expert on butterflies; who bred them all and who looks after them all in the space.
I like to make mechanical stuff. Once I make a film I have to do whatever I can make onstage I make it onstage.
My mom is a sculptress.
Basically, I'm a musical vocalist, but I do voiceover stuff as a sideline, like plumbing or something.
I was already sort of mixing my science physics enthusiasm with entertainment and directing and puppetry.
I've always wanted to be an animator. That's an ultimate art form, right there.
I've always had a fascination for the stage which has to do with transfiguration. One moment you are John Smith from East Brighton riding in your cart, and the next moment you are in a completely different world.
We all admire the spangled acrobat with classic grace meticulously walking his tight rope in the talcum light; but how much rarer art there is in the sagging rope expert wearing scarecrow clothes and impersonating a grotesque drunk! I should know.
The ability to portray people in still life and in motion requires the highest measure of intuition and talent.
And with puppets, especially in our company, we sort of demand a very high standard of puppetry, so it's a real technical skill.
I'm a big fan of pantomime storytelling, being an animator.
Physical expression was my first language: Before I was an actor, I was a dancer, an acrobat, a mime and a street performer.
I'm an actor. That's what I'm gifted at. It's what makes me breathe.
Commentating, illustrating, description-giving
Adjective expert. Analyzing, surmising,
Musical, myth-seeking people of the universe ...
This is yours!
So while you're trying to improvise, you're also trying to puppeteer, you're doing everything that you need to do to perform a puppet in our style, for a camera.
Acting: An art which consists of keeping the audience from coughing.
I take real people and put them in extraordinary situations.
I'm a performer. I've just been one since I was a little girl. I used to pretend all the time.
When I was young, my mum was part of a brilliant puppet theatre that toured all over the world.
I'm a singer who moves like a dancer.
I was a mime. I'm not kidding. I went to Northwestern University and they have a mime company, so we did a lot of training and then a lot of mime shows around Chicago.
I'm an actor, and I love the art of creating a character.
Show me a congenital eavesdropper with the instincts of a Peeping Tom and I will show you the making of a dramatist.
I could have become a mime or a juggler, but I became a singer-songwriter instead.
At heart, I'm a reconstructive surgeon.
WRITERS ARE "SPIRITIAL VENTRILOQUIST" WHO HAVE THE ABILITY TO MAKE PAPER TALK!
I have a call to speak, to write, to do sort of deep-heart surgery in people's lives.
I'm theater trained.
I love voice work.
I love to take actors to a place where they open a vein. That's the job. The key is that I make it safe for them to open the vein.
I think of myself as an actor. The duty of an actor is to be able to impersonate anything - a child, an old man, a tree, a chair, a woman.
When I was younger, I was hopefully going to do animation and special effects.
An artist observes, selects, guesses, and synthesizes.
The theater, bringing impersonal masks to life, is only for those who are virile enough to create new life: either as a conflict of passions subtler than those we already know, or as a complete new character.
I'm training to become a giggle doctor. It's a kind of hospital clown who changes the atmosphere on the ward and helps recovery. It's about making patients laugh but also much more.
IT is some years now, since we first conceived a strong veneration for Clowns, and an intense anxiety to know what they did with themselves out of pantomime time, and of the stage.
I always knew would be some sort of artist, but didn't know what.
People call me the painter of dancers, but I really wish to capture movement itself.
I'm an interpreter of stories. When I perform it's like sitting down at my piano and telling fairy stories.
People with imagination
Are you having fun playing with those plastic 3-D models of ears, noses and throats? That's kind of like what I do, except instead of cute little plastic models, it's living human tissue, and instead of playing, I'm fucking working, and instead of fun, it's fucking not fun, it's serious.
I'd love to be animated. I've always wanted to jump off of a bridge and not be hurt, like Bugs Bunny.
Over the years, I have been asked to play these sort of scary frenetic characters that express their emotions physically.
You're going to work some puppets for me. Marionettes. That sound too hard?" "Marionettes?
Just like every kid who comes into show business on some level, I used to put shows on in my basement. I even started with doing tricks and having a ventriloquist dummy.
When I was younger I wanted to be a caricaturist. In the end, I've become a caricature.
I'm an actor. I love to create.
I like to think of myself as kind of a sculptor, only I sculpt people.
It's my job to be the Pierrot, the clown, in the theatrical sense.
A few machines dance in the air, an orderly has to be sedated, and suddenly you're Freddy freakin' Krueger.
I can bend paper clips into the shapes of small animals.
I don't have weird talents I'm just a weird person! And do impersonations.
I love voiceover work.
You get all the pleasures of the puppeteer.
I have to experiment with methods and I'm trying to find an authentic way of making an equivalent of the living, breathing person within the limits of a single picture.
I'm an interpreter of music.
I'm an image-maker.
I combine magic and science to create illusions. I work with new media and interactive technologies, things like artificial intelligence or computer vision, and integrate them in my magic.
Mimes in the form of God on high mutter and mumble low and hither and tither fly, mere puppets they who come and go.
I am a clairaudient healer. My specialty is being able to discern the blocks within a person's energy that are prohibiting them from being free, happy, and powerful.
I love doing voiceover work.
The real person's breathing reaches down to their heels. The normal person's breathing in the throat
You have to be an artist and a madman...
I've got friends who are pyrotechnics who do big fire shows, so I'm really fascinated by that.
I do voicework all the time.
In a costume, you need very exaggerated body language - as you say, sort of mime-type skills.
The artist is a person who is expert in the training of perception.
I actually started as a model builder and quickly progressed into production design, which made sense because I could draw and paint. But I kept watching that guy over there who was moving the actors around and setting up the shots.
I never wanted to be a puppeteer. I stopped puppeteering when I was about 18. I puppeteered when I was eleven years old to 18 to make extra money to go to Europe, which I made half of and my parents gave me half.
Now I have the voice of a 16-year-old. I'm looking for a doctor who could give me the body of a 16-year-old.
I created this picture of this character who would play the guitar effortlessly, who had no limitations, performing beautiful music, and he moved around with great acrobatic skills, just capturing the audience and being a great entertainer.
I am a performer; that's what I like to do.
I'm a synthesizer. We need to synthesize more the relationships between artists and scientists, and men and women.
I'm a magician. I've learned to do some really cool tricks like levitating myself and melting forks.
I'm a character actor.
Well, I happen to have a love of vocal reproduction devices.
I'm a good mimic.
the Reverend Felix Clowne,
Charles Waterton and His Eccentric Taxidermy.
As a child, I was a clown. I didn't hesitate to make a fool of myself and I would love to completely take on wacky characters.
I am an artist who works with Lego.
I'm a character actress.
I'm a draftsperson. And also, I really respond to love.
Imagine spending seven years at MIT and research laboratories, only to find out that you're a performance artist.
I am a thespian trapped in a man's body.
I'm an illustrator. I have to accept my role.
People react differently to puppets than they do to human performers: they become more playful, more open.
I'm an actor. I have to play weird characters, quirky characters, strange characters, sometimes characters I don't understand.
A Voice from I Don't Know WhereVoice-- Mary Oliver
I am a performer. I go on stage and make a fool of myself.
I grew up watching movies and being amazed at the animatronics you'd see in stuff like 'The Dark Crystal,' and all those kinds of movies. So, I'm always enthralled with how they can make it all work, behind the scenes, with the visual effects.
I grew up in musical theatre and love to perform on stage.
Who is a magician? The one who says, "I bring nonliving people to life.
Today the artist has inherited the combined functions of hermit, pilgrim, prophet, priest, shaman, sorcerer, soothsayer, alchemist.