Discover the most popular and inspiring quotes and sayings on the topic of Visual. Share them with your friends on social media platforms like Facebook, Twitter, or your personal blogs, and let the world be inspired by their powerful messages. Here are the Top 100 Visual Quotes And Sayings by 96 Authors including Gerald Vizenor,Aristotle.,Marilynne Robinson,Johnny Hunt,Jim Steranko for you to enjoy and share.
I'm a visual thinker. With almost all of my writing, I start with something that's visual: either the way someone says something that is visual or an actual visual description of a scene and color.
Perception starts with the eye.
Vision sometimes comes in a memory.
Vision sees what could be.
Write visually or die!
One often thinks that using 2 different things like visual and sound lead to 2 different conclusions - to a different content - but in in my case it is all one.
Sight is seeing with the eyes; vision is seeing with the mind.
The best works of art are never innocuous: they alter the viewer's perceptual predictions. It is only when the patterns of our vision are disrupted that we truly pay attention and must ask ourselves what we are looking at.
I'm a visual thinker. Research tells us that only 20 per cent of people think visually. So what about the other 80 per cent? Don't they think in pictures? I mean if you imagine washing and preparing potatoes you visualise the process, right?
Vision encompasses vast vistas outside the realm of the predictable, the safe, the expected.
Jazz vision is a wordless conversation between musical notes and visual expressions.
The idea part is simple but the visual perception is complex.
Having visual impressions is, of course, necessary for seeing things, but it is not sufficient. What must be added is not anything sensible. And it is precisely this that unlocks the outer world for us; for without this non-sensible something, each of us would remain locked up in his inner world.
Vision is that original spark that was ignited within you and made you pick up a camera to capture whatever it is you saw, that made you turn to shout "Did you see that!" only to find no one there
so you created an image to do the telling.
With all art expression, when something is seen, it is a vivid experience, sudden, compelling, and inevitable.
Through mastering the means of perception, the promise of who you are in physical form is opened with an increasing opportunity for fulfilment.
The main thing in our design is that we have to make things intuitively obvious.
Visualizing is meant to be used as a tool to trigger an emotional response within yourself. These emotions then dictate your vibration.
Proper visualization by the exercise of concentration and willpower enables us to materialize thoughts, not only as dreams or visions in the mental realm, but also as experiences in the material realm.
For the sensory thinker, the world of the mind bears a direct physical resemblance to the world outside.
Sight is where the eye hits.
At first glance a photograph can inform us. At second glance it can reach us.
Sight is subjective. We learned that in class.
People are visual and hands on learners.
Vision is a clear mental picture of what could be, fueled by the conviction that it should be.
I want to teach [people] the secret of great visual presentation. Your stomach sees the food first, and I want to help them match food flavor profiles with the aesthetics of everything.
I believe in creative visualization.
That's the kind of visual that you're trying to attract - something that in some way or another, connects you to what's happening there in a realistic way.
Photography is a contest between a photographer and the presumptions of approximate and habitual seeing. The contest can be held anywhere ...
The purpose of visualization is insight, not pictures
A visual image in the hand of an artist is merely a tool to trigger a mental image.
Guys are so visual.
The feeling we experience while we look at a picture is not to be distinguished from the picture or from ourselves. the feeling, picture, and ourselves are united in one mystery.
Vision with action makes a powerful reality.
Your eyes is camera and your brain is a file cabinet.
Visualization is daydreaming with a purpose.
Draw what you see.
Visualization engages the mind and encourages the body.
A word is a thought, of course. But any image, including a photograph, may become an instrument of sufficiently lucid cogitation.
clarity of vision - especially
In my mind's eye
Imagination is the conception, but vision is the perceptual realization.
The face is a picture of the mind with the eyes as its interpreter.
I am very much aware of the visual side of things. I do a lot of photography. I often take Polaroids of things that strike me as visually interesting, just to remember them and perhaps use later.
Glance is the enemy of vision.
Seeing is not enough; you have to feel what you photograph
I'm a big fan of film for one reason: because it is visual.
To visualize an image (in whole or in part) is to see clearly in the mind prior to exposure, a continuous projection from composing the image through the final print.
The life of a visual communicator should be one of systematic and exciting intellectual chaos.
Images are ... a kind of emotional shorthand.
Images have a unique power to impart that which is beyond words.
Sight is a faculty; seeing is an art.
Photography is simultaneously and instantaneously the recognition of a fact and the rigorous organization of visually perceived forms that express and signify that fact
Symbols are to the mind what tools are to the hand
an extended application of its powers.
One's visual language is not something that manifests overnight. It develops organically over a life-time. The shifts can be so subtle as to be virtually imperceptible and, at times, will come to fruition so rapidly, and with such force, that the profundity is all-consuming. That is life's work.
Finding the physical aspect is important to me because that is often how we read people in everyday life.
In front of the camera I look and I see visually what I've created.
When we visualize something, we establish a relationship to the thing itself, not to some mere subjective representation of it inside us.
It has been said that 80% of what people learn is visual.
If photography is to be likened to perception, this is not because the former is a natural process but because the latter is also coded.
Merely to see ... is not enough. It is necessary to have a fresh, vivid, physical contact with the object you draw through as many of the senses as possible - and especially through the sense of touch.
Color is so intuitive.
Our capacity for visual memory is extraordinary; we only need to learn how to take advantage of it.
to enhance the visual impact of the
Our sight is the most perfect and most delightful of all our senses. It fills the mind with the largest variety of ideas, converses with its objects at the greatest distance, and continues the longest in action without being tired or satiated with its proper enjoyments.
Memory demands an image.
We pass by common objects or persons without noticing them; but the keen eye detects and notes types everywhere and among all classes.
For Berkeley (normal) vision is a language whereby God tells us about the tangible world. But prior to having experience of the tangible world, the visual language would be as meaningless as an utterly alien language. It would convey no meaning to the sighted mind.
As children, as we learn what things are, we are slowly learning to dismiss them visually. As adults, entirely submerged in words and concepts, we spend almost all of our time thinking and worrying about the past and the future, hardly ever looking at or engaging with the world visually.
Everything in the world of soul has a deep desire and longing for visible form; this is exactly where the power of the imagination lives.
Inanimate objects sometimes appear endowed with a strange power of sight. A statue notices, a tower watches, the face of an edifice contemplates.
Pictures, regardless of how they are created and recreated, are intended to be looked at. This brings to the forefront not the technology of imaging, which of course is important, but rather what we might call the eyenology (seeing).
In order to make a visualization a reality in the world of form, you must be willing to do whatever it takes to make it happen.
Let us not be afraid to allow for post-visualization. By post-visualization I refer to the willingness on the part of the photographer to revisualize the final image at any point in the entire photographic process.
No one questions the fact that verbal language has to be learned, but the commonplaceness of visual experience betrays art; people tend to assume that, because they can see, they can see art.
Eyes sense what mind sees.
My vision is a world of accessible intuition.
We have grown up in an age where there is nothing that cannot now, courtesy of computer-generated imagery, be convincingly rendered in the visual field.
We live in an intense and visually aggressive age; everything is drawn outward toward the sensation of the image.
Imagination is a form of seeing
You don't see something until you have the right metaphor to let you perceive it
I've never lived in the visual world. I live very much in an emotional-contact world.
The visual image is a kind of tripwire for the emotions.
One advantage of photography is that it's visual and can transcend language.
All of us tend to look at photographs as if we are simply gazing through a two-dimensional window onto some outside world. This is almost a perceptual necessity; in order to see what the photograph is of, we must first repress our consciousness of what the photograph is.
In all the meditative traditions of the world, visualizations and imagery are used to invoke particular qualities of mind and heart.
The human being, creature of eyes, needs the image.
Creative visualization may be described as an extended meditation session that reaches beyond passive contemplation and achieves transformative action. The uses to which it may be applied are limited only by an individual's imagination.
Vision -
You dream the impossible;
You imagine the incredible;
You achieve the extraordinary.
Everyone has the power to visualize.
When we observe the words printed in a book, its paper, seemingly a foot away, is not being perceived--the image, the paper, is the perception.
I'm a visual person - when I write, my input is always visual. I worked in television for several years.
Being cross-genre, you can encounter an image and decide not only how to best express it but what form would express it best.
I was a painter before I was a writer, so I was always a visual artist. And my writing, to me, was always visual.
[Visualisation] works most powerfully when you realize that it is already a reality on the unseen level. It's already there.
Fiction becomes visual by becoming verbal
I use visual perception as a way of bringing people into my space.
Vision is a future state of beings.
The greatest value of a picture is when it forces us to notice what we never expected to see.
What I can't tell with a photo I will tell with a painting, and what I can't tell with a painting I will tell with a video or text sometimes, et cetera.